Your search for "Contemporary" turned up the following results.
168 in Members
Benveniste ContemporaryWuon-Gean Ho
Louise Rouse
India Young
Nava
Sandra Ramos
Fu Bin
Heike Berl
Anthea Black
Norwood Creech
Wendy Snyder
Ivana Gagić Kičinbači
Silvia Dolinko
Victoria H. F. Scott
Chris Dingwall
Jeni Peake
Barret Oliver
Sandra De Rycker
Randy Garber
Margarita Gonzalez
Niccolò D'Agati
Henry Brown
Nicole Pietrantoni
Marian Dirda
Serena Smith
Kim Raymont
David G. Christie
Sandra Cheng
Marie Gasper-Hulvat
Carl Fuldner
Gemma Sharpe
Blanche Llaurens
Orit Hofshi
David S. Areford
Laura Neufeld
ARVON WELLEN
Krystle Farrugia
Ziyi Song
Jelena Sredanović
Mei Sheong Wong
Paul Coldwell
Mel Becker Solomon
Angela Griffith
Sarah McCoy
Paloma Barhaugh-Bordas
Steven Daiber
Allan Edmunds
Catherine Prose
Anne Marble
georgie gerrish
Adrienne Fast
Margherita Clavarino
Karen Gallagher-Iverson
Gemma Cornetti
Michael Hager
Seth Daulton
Rachel Vogel
Maria Fredericks
Bob Tomolillo
Louise Siddons
Katherine Brimberry
Alison Judd
Peter Moore
Nancy Barr
Laura Einstein
Theresa Moir Engelbrecht
Katy Barrett
DDR Ludwig Mohr
Angelina Lippert
Roslyn Bakst Goldman
david K Thompson
Gretchen L. Wagner
Jared Ash
Nancy Macko
Abigail Bainbridge
Michelle Donnelly
Andrea Ferber
Sonja Kelley
victoria hobday
Ricardo Chavez
Sherry S. Bell
Diana Gaston
Valerie Littlewood
Stuart Denenberg
Sharon Clarke
Julia Beaumont-Jones
Richard Waller
Guy Stricklin
Sarah Bane
Selvihan Kılıc Ates
Hilary Letwin
Jeff White
Matthew H. Fisk
Josh Pazda
Benjmain Levy
Ann Chernow
David Barthold
Cade Tompkins
Andrew Horodysky
Alina Martimyanova
Mary Weaver Chapin
Scott Homolka
Jan Howard
Tatiana Reinoza
Sewon Kang
India Young
Sarah McMillan
Jennifer Roberts
James Wehn
Yvonne ReesPagh
Michael Reed
Nancy Kathryn Burns
Crawford Mann
Andrew Saluti
Maria G. Pisano
Daniel Lienau
Cori Sherman North
Helen Burnham
Kathryn Brown
Harry Laughland
Lisa Thornell
Lee Hallman
Kathryn Fields
Norman Stewart
Ad Stijnman
Claudia Worthington Hess
Meghan Ferguson
Jillian Kruse
Maribeth Graybill
Nancy Friese
Joni Moisant Weyl
Susan Tallman
Leslie Cozzi
Claire Cuccio
Julie Warchol
Eduardo C. Fausti
Henry Klein
Brian Cohen
Sarah Pike
Ruth Pelzer Montada
Allison Wucher
Elizabeth Tomos
Katerina Kyselica
Lindsey Tyne
Elisa German
J. Cabelle Ahn
Kate McQuillen
Sienna Brown
Shelley Hagen
Zach Fitchner
Jenn Law
Caitlin Dalton
Debora Wood
Peter S Briggs
Laurence Schmidlin
Amy Hughes
Jennifer Noonan
Christian Rümelin
Mark Pascale
Kit Smyth Basquin
Sarah Kirk Hanley
Susanne Meurer
Max Koss
Shelley Langdale
Katherine Alcauskas
Allison Rudnick
Sarita Zaleha
Christina Weyl
43 in News
Rooted: Family and Nature in Contemporary Children’s Book IllustrationEchoes: Contemporary Trends in Printmaking
New Ground: Jacob Samuel and Contemporary Etching
Summer & Fall 2022 Workshops at the Center for Contemporary Printmaking
Contemporary Expressions: Prints from Flying Horse Editions
A Contemporary Black Matriarchal Lineage in Printmaking
The Contemporary Print: 20 Years at Highpoint Editions
Recent Acquisitions: Modern and Contemporary Drawings and Prints
INK IT: Contemporary Print Practices
Grafiska Sällskapet; Contemporary Swedish Printmaking
Roll, Press, Pull: Contemporary Prints from the Brandywine Workshop and Archives
The Contemporary Print: 20 Years at Highpoint Editions
Recent Acquisitions: Modern and Contemporary Drawings and Prints
INK IT: Contemporary Print Practices
Grafiska Sällskapet; Contemporary Swedish Printmaking
Roll, Press, Pull: Contemporary Prints from the Brandywine Workshop and Archives
Introduction to Artura.org Contemporary Print Resource featuring BIPOC artists
Identity, Experience, and Contemporary Latinx Printmaking: A Conversation (Virtual Event)
Proof of Concept: Artistic Process in Contemporary Printmaking, Selections from the Museum’s Collection
20/20: Contemporary Cuban Printmaking
Graphic Pull: Contemporary Prints from the Collection
Contemporary Designer Bookbindings from the Collection of Neale and Margaret Albert
Identity, Experience, and Contemporary Latinx Printmaking: A Conversation (Virtual Event)
Proof of Concept: Artistic Process in Contemporary Printmaking, Selections from the Museum’s Collection
20/20: Contemporary Cuban Printmaking
Graphic Pull: Contemporary Prints from the Collection
Contemporary Designer Bookbindings from the Collection of Neale and Margaret Albert
Multiple Ones: Contemporary Perspectives in Printmedia
West Coast Woodcut: Contemporary Relief Prints by Regional Artists
Lecture: “Contemporary Presses Led by Women”, History of Art Series: Women in Publishing #WIP
El Grabado: Contemporary Cuban Printmaking
University of Oregon’s Jordan Schnitzer Museum of Art Receives Transformative Gift of Contemporary Art from Artist Hung Liu & Master Printer David Salgado
Triennial of Contemporary Prints
West Coast Woodcut: Contemporary Relief Prints by Regional Artists
Lecture: “Contemporary Presses Led by Women”, History of Art Series: Women in Publishing #WIP
El Grabado: Contemporary Cuban Printmaking
University of Oregon’s Jordan Schnitzer Museum of Art Receives Transformative Gift of Contemporary Art from Artist Hung Liu & Master Printer David Salgado
Triennial of Contemporary Prints
Press Ahead: Contemporary Prints Gifted by Helen and Russell Novak
Life on Paper: Contemporary Prints from South Africa
One Colour at a Time: Contemporary Screenprints
You Are Going On A Trip: Modern and Contemporary Prints from the Permanent Collection
A Wry Eye: Witty, Sardonic, and Ironic Work by Contemporary Printmakers
Off the Shelf: Modern & Contemporary Artists’ Books (Baltimore)
Life on Paper: Contemporary Prints from South Africa
One Colour at a Time: Contemporary Screenprints
You Are Going On A Trip: Modern and Contemporary Prints from the Permanent Collection
A Wry Eye: Witty, Sardonic, and Ironic Work by Contemporary Printmakers
Off the Shelf: Modern & Contemporary Artists’ Books (Baltimore)
Etching Out Dreams: Contemporary Slovak Prints by Dušan Kállay, Kamila Štanclová, and Katarína Vavrová
Flatbed Contemporary Print Fair 2016
CONTEMPORARY MOKUHANGA
Weaving Past into Present: Experiments in Contemporary Native American Printmaking
In Living Color: Andy Warhol and Contemporary Printmaking
Facing History: Contemporary Portraiture
Flatbed Contemporary Print Fair 2016
CONTEMPORARY MOKUHANGA
Weaving Past into Present: Experiments in Contemporary Native American Printmaking
In Living Color: Andy Warhol and Contemporary Printmaking
Facing History: Contemporary Portraiture
Burnishing the Night: Baroque to Contemporary Mezzotints from the Collection
Announcing 2019 APS / CAA Panel “Coloring Print: Reproducing Race Through Material, Process, and Language” (New York, 13-16 Feb 2019)
Announcing Speakers for APS Sponsored CAA Session: “Now You See It, Now You Don’t: Materialism and Ephemeral Prints (Los Angeles, 21 Feb 2018)
Exclusive Events for APS Members at London Original Print Fair (May 2-7, 2017)
Collaborative Printmaking
“The Art of Collecting” (APS Professional Session at CAA 2016)
‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
Translating the Hand into Print: Johann Neudörffer’s Etched Writing Manual
Paint and Print in Motion: Karl Bodmer’s Atlas
The Scottish Origins of Mary Nimmo Moran’s American Landscapes
Announcing 2019 APS / CAA Panel “Coloring Print: Reproducing Race Through Material, Process, and Language” (New York, 13-16 Feb 2019)
Announcing Speakers for APS Sponsored CAA Session: “Now You See It, Now You Don’t: Materialism and Ephemeral Prints (Los Angeles, 21 Feb 2018)
Exclusive Events for APS Members at London Original Print Fair (May 2-7, 2017)
Collaborative Printmaking
“The Art of Collecting” (APS Professional Session at CAA 2016)
51 in Scholarship
Doubled Abstraction: Ruth Asawa’s Stamp and Its Afterlife‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
Translating the Hand into Print: Johann Neudörffer’s Etched Writing Manual
Paint and Print in Motion: Karl Bodmer’s Atlas
The Scottish Origins of Mary Nimmo Moran’s American Landscapes
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
THE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
21 in Opportunities
Bibliographical Society of America’s New Scholars ProgramTHE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
Bibliothèque de l’Arsenal
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
2 in the Print Room Directory
Musée d’art et d’histoireBibliothèque de l’Arsenal