The Schulman and Bullard Article Prize
The Association of Print Scholars invites applications for the Schulman and Bullard Article Prize. The Prize is given annually to an article published by an early-career scholar that features compelling and innovative research on fine art prints or printmaking (versus printed matter). The award, which carries a $2,000 prize, is generously sponsored by Susan Schulman and Carolyn Bullard. Following the mission of the Association of Print Scholars, articles can feature aspects of printmaking across any geographic region and all chronological periods. Articles will be evaluated by a panel of advanced scholars and print experts for the author’s commitment to the use of original research and the article’s overall contribution to the field of print scholarship.
The Association of Print Scholars invites nominations and self-nominations for the 2020 Schulman/Bullard Article Prize meeting the criteria outlined below:
- Authors must have graduated with an MA, MFA, or PhD fewer than 10 years prior to article publication and have less than 10 years of experience as a practicing professional in an academic or museum institution or as an independent scholar.
- Authors must be current members of APS.
- Articles must have been published in a journal, exhibition catalogue, or anthology between January 1, 2019 and December 31, 2019. Online publications will be considered on a case-by-case basis.
- Articles must be between 3,000 and 10,000 words, inclusive of footnotes and references.
- Entries for consideration must be in English, though the text of the original article may be in any language.
To submit an article for consideration, please send the completed nomination form along with an electronic or hard copy of the article to Angela Campbell, the APS Grants Coordinator.
DEADLINE EXTENDED! The deadline for submissions is February 15, 2020.
Winners of the Schulman and Bullard Article Prize
2019 Prize Year (press release)
Shira Brisman, “A Matter of Choice: Printed Design Proposals and the Nature of Selection, 1470-1610.” In Renaissance Quarterly, volume 71 (2018) pp. 114-64.
Lorenzo Gigante, “The Madonna del Sangue: A Miraculous Print in Bagno di Romagna” in Print Quarterly, Vol XXXV, no. 4 (2018).
2018 Prize Year (press release)
Rebecca Capua, “Japonisme and Japanese Works on Paper: Cross-cultural and hybrid materials.” In Adapt and Evolve: East Asian Materials and Techniques in Western Conservation, proceedings from the International Conference of the Icon Book & Paper Group, London 8-10 April 2015.
Paris Amanda Spies-Gans, “A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV.” Getty Research Journal, no. 9 (2017): 1-22.
Sileas Wood, “Moving Pictures: Nineteenth-Century British Mechanical Prints” Print Quarterly 34, no. 2 (June 2017): 162-176.
2017 Prize Year (press release)
Jonas Beyer, “Pictures in Flux: Degas’s monotypes and some notes on their relation to other media.” In Perspectives on Degas, ed. Kathryn Brown (London: Routledge, 2016): 164-176.
Shira Brisman, “Relay and Delay: Dürer’s Triumphal Chariots in the Era of the Post.” Art History 39, no. 3. (June 2016): 437-465.
2016 Prize Year (press release)
Joyce Zelen, “The Venetian Print Album of Johann Georg I Zobel von Giebelstadt.” Rijksmuseum Bulletin 63, no. 4 (2015):3-25.
Jamie Gabbarelli, “Phillippe Thomassin and Giulio Mancini’s Art Collection.” Print Quarterly 32, no. 4 (2015): 379-394.
2015 Prize Year (press release)
Morgan Ng, “Milton’s Maps.” Word & Image: A Journal of Verbal/Visual Enquiry 29, no. 4 (2013*): 428-442.
* The 29th volume of Word & Image has an official publication year of 2013, although this issue was released in March 2014 both online and in print.
Marisa Anne Bass, “Hieronymous Bosch and His Legacy as ‘Inventor.” In Beyond Bosch: The Afterlife of a Renaissance Master in Print. St. Louis, MO: Saint Louis Art Museum, 2015: 8-29.
Alexandra Onuf, “Old Plates, New Impressions: Local Landscape Prints in Seventeenth-Century Antwerp.” Art Bulletin 96, no. 4 (Dec. 2014): 424-440.