APS is a group for print enthusiasts that brings together the diverse print community: curators, collectors, academics, graduate students, artists, paper conservators, critics, independent scholars, and dealers. APS’s goals are to facilitate dialogue among its members and encourage innovative print scholarship.
Recent News
Buzz Spector: Alterations
Gretchen L. Wagner, Elizabeth Wyckoff, Andrea Ferber.
Saint Louis Art Museum,
St. Louis,
MO, United States.
11/20/2020-
05/31/2021.
Recent Scholarship
Antoine Gallay.
"Le problème de l’invention en gravure. L’émergence d’une théorie de la gravure comme art libéral au sein de l’Académie royale de peinture et de sculpture (1651-1674)."
Dix-septième siècle
287, no. 2 (2020): 277-295.
Britany Salsbury.
"‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme."
Print Quarterly
37, no. 2 (June 2020): 152-165.
Lisa Pon.
"Printing Communities: Blaffer Books and Jewish-Christian Relationships in Early Modern Venice."
In A Golden Age of European Art: Celebrating Fifty Years of the Sarah Campbell Blaffer Foundation, edited by James Clifton.
New Haven:
Yale University Press,
2016: 132-143.
APS Highlights
2020 Schulman and Bullard Article Prize
Awarded to Elizabeth Savage for “Identifying Hans Baldung Grien’s Colour Printer, c. 1511-12”
Awarded to Jennifer Chuong and Kailani Polzak, co-organizers of Imprinting Race
Resource Guide for the APS website
Get information on how to use the Association of Print Scholars site.