Your search for "Book arts" turned up the following results.
163 in Members
William RhoadsPatricia Emison
Alice Zamboni
Karen L. Bowen
Suzanne Bailey
Alison Stewart
Maria Aresin
Margarita Gonzalez
Niccolò D'Agati
Nicole Pietrantoni
Will Motley
Amandine Royer
Grant Mandarino
Trine Nordkvelle
Tomasz Grusiecki
Nora Rosengarten
Serena Smith
Kim Raymont
Claudia Echinger-Maurach
David G. Christie
Volker Schröder
Cristelle Baskins
Martha Mahard
Marie Gasper-Hulvat
Patricia Mainardi
Stephanie Su
Anatole Upart
Gemma Sharpe
Anastasia Belyaeva
ARVON WELLEN
Krystle Attard Trevisan
Ziyi Song
Jelena Sredanović
Nicholas JS Knowles
Mei Sheong Wong
Paul Coldwell
Sarah Schaefer
Erin Giffin
Angela Griffith
Sarah McCoy
Paloma Barhaugh-Bordas
Steven Daiber
Katherine Rhodes Fields
Trisha Gupta
Adrienne Fast
Helen Williams
Stephen Goddard
Gemma Cornetti
Anya Perse
Irene Brooke
Rachel Jacobs
Alec Aldrich
Maria Fredericks
Bob Tomolillo
Stephanie Porras
Kelsey Martin
Katherine Brimberry
Peter Moore
Giorgia Fiorini
Carol Barbour
Michela Gianfranceschi
Katy Barrett
DDR Ludwig Mohr
Richard Taws
Marie-Stephanie Delamaire
Genevieve Verdigel
Kristel Smentek
Mengge Cao
david K Thompson
Shannon Connelly
Jared Ash
Louise Box
Charlotte Healy
David G. Wright
Rebecca Carnevali
victoria hobday
Sherry S. Bell
Diana Gaston
Valerie Littlewood
Stuart Denenberg
Sarah Mirseyedi
Sharon Clarke
Julia Beaumont-Jones
Laureline Meizel
Sara Woodbury
Richard Waller
Naomi Lebens
Guy Stricklin
ROSALBA DINOIA
Sarah Bane
Selvihan Kılıc Ates
Kelly Cook
Matthew H. Fisk
Jamie Kwan
Jun Nakamura
ruth noyes
Klazina Botke
Laura Golobish
David Barthold
Iris Moon
Andrew Weislogel
Mary Weaver Chapin
Jeffrey Dell
Michael Reed
Olenka Horbatsch
Maria G. Pisano
Hetty Joyce
Victoria Sancho Lobis
Gala Chamberlain
Daniel Lienau
Helen Burnham
Kathryn Brown
Aaron Hyman
Lisa Thornell
Lee Hallman
Ad Stijnman
Annemarie Jordan
Matthew Day
Maribeth Graybill
Yana van Dyke
Evelyn Lincoln
Susan Tallman
Larry Silver
Joris Van Grieken
Leslie Cozzi
Martina Manfredi
Anna Bianco
Suzanne Karr Schmidt
Julie Warchol
Katharine Larson
Eduardo C. Fausti
Henry Klein
Brian Cohen
Sarah Pike
Marieke Jooren
Elizabeth Palmer (Tomos)
Katerina Kyselica
Alexa A. Greist
Erin Sullivan Maynes
Theresa Smith
Elisa German
Fleur Roos Rosa de Carvalho
Susanne Anderson-Riedel
Sienna Brown
Jenn Law
Caitlin Dalton
Rémi Mathis
Laurence Schmidlin
Rebecca Quinn Teresi
Elizabeth Ross
Elizabeth Savage (Upper)
Allison Stagg
Sarah Kirk Hanley
Corine McHugh
Brooks Rich
Max Koss
Nadine Orenstein
Maureen Warren
Shelley Langdale
Jeannie Kenmotsu
Galina Mardilovich
Sarita Zaleha
Britany Salsbury
6 in News
French Book Arts: Manuscripts, Books, Bindings, Prints, and Documents, 12th–21st CenturyGraphic Passion: Matisse and the Book Arts
Announcing the Fifth Annual Distinguished Scholar Lecture by Mari Carmen Ramírez, “Marks, Materials, and Matrices: Experimental Printmaking and Drawing Practices in Latin America” (New York, 24 Jan 2020)
Aaron M. Hyman and Dana Leibsohn Awarded The 2018 APS Publication Grant
Galina Mardilovich Awarded the 2017 APS Publication Grant
45 in Scholarship
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La FemmeThe Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
18 in Opportunities
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Bibliothèque de l’Arsenal
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
2 in the Print Room Directory
Musée d’art et d’histoireBibliothèque de l’Arsenal