Britany Salsbury.
"‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme."
Print Quarterly
37, no. 2 (June 2020): 152-165.
Degree | PhD |
Professional Affiliation | Associate Curator of Prints and Drawings, Cleveland Museum of Art |
Research/Current Projects | |
Time Period Interests | 19th Century |
Area Interests | Western Europe |
Media Interests | Book arts, Engraving, Etching, Lithography, Monoprinting, Papermaking, Relief printing |
CV |