Your search for "20th Century" turned up the following results.
205 in Members
Bridget GilmanSarah Kennel
Akemi May
CORA CHALABY
Alan Platt
Wuon-Gean Ho
Louise Rouse
India Young
Benjamin Weiss
Sandra Ramos
Ann Cannon
Fu Bin
Hannah Wier
Ivan Cherniakov
Michael Schantz
Marco Polo Juarez Cruz
Deniz Martinez
Meghan Melvin
Fletcher Coleman
Anthea Black
Taylor Ernst
Norwood Creech
Wendy Snyder
Kristin Bluemel
Silvia Dolinko
Thomas Richard Broker
Jenny MacLeod
Alexandra Kocsis
Zeina Maasri
Victoria H. F. Scott
Chris Dingwall
Katherine Goertz
Barret Oliver
Lauren Warner
William Rhoads
Suzanne Bailey
Niccolò D'Agati
Henry Brown
Marian Dirda
Grant Mandarino
Nora Rosengarten
Serena Smith
Sarah Bilotta
David G. Christie
Vanesa Rodriguez-Galindo
Martha Mahard
Marie Gasper-Hulvat
Geoffrey Bertram
Patricia Mainardi
Karen L. Carter
Carl Fuldner
Stephanie Su
Anatole Upart
Gemma Sharpe
Anastasia Belyaeva
Blanche Llaurens
Orit Hofshi
David S. Areford
Laura Neufeld
ARVON WELLEN
Courtney Wilder
Cyntia Karnes
Elissa Watters
Krystle Farrugia
Ziyi Song
Mei Sheong Wong
Paul Coldwell
Mel Becker Solomon
Angela Griffith
Sarah McCoy
Benjamin Dunham
Steven Daiber
Allan Edmunds
Gordon Cooke
Catherine Prose
Anne Marble
georgie gerrish
Adrienne Fast
Margherita Clavarino
Stephen Goddard
Gemma Cornetti
Michael Hager
Seth Daulton
Rachel Vogel
Vaibhav Singh
Julie Dunn-Morton
Louise Siddons
Nikki Otten
Peter Moore
Nancy Barr
Theresa Moir Engelbrecht
DDR Ludwig Mohr
Angelina Lippert
Roslyn Bakst Goldman
Mary Ikoniadou
Elizabeth G Seaton
david K Thompson
Shannon Connelly
Craig Calvert
Gretchen L. Wagner
Jared Ash
Charlotte Healy
Kristie Couser
Abigail Bainbridge
Michelle Donnelly
Andrea Ferber
Sonja Kelley
Ricardo Chavez
Sherry S. Bell
Diana Gaston
Valerie Littlewood
Stuart Denenberg
Sharon Clarke
Julia Beaumont-Jones
Laureline Meizel
Sara Woodbury
Richard Waller
Sarah Bane
Selvihan Kilic Ates
Hilary Letwin
Erin Monroe
Matthew H. Fisk
Peter Clericuzio
Josh Pazda
Benjmain Levy
Ann Chernow
David Barthold
Andrew Horodysky
Alina Martimyanova
Mary Weaver Chapin
Scott Homolka
Jan Howard
Sewon Kang
India Young
Sarah McMillan
Jennifer Roberts
James Wehn
Anne Verplanck
Nancy Kathryn Burns
Crawford Mann
Andrew Saluti
Gala Chamberlain
Daniel Lienau
Cori Sherman North
Helen Burnham
Kathryn Brown
Harris Schrank
Harry Laughland
Lisa Thornell
Lee Hallman
Kathryn Fields
Ad Stijnman
Claudia Worthington Hess
Pierre Juhel
Jane Allinson
Dorothy Price
Jillian Kruse
Marilyn Kushner
Maribeth Graybill
Nancy Friese
Susan Tallman
Leslie Cozzi
Claire Cuccio
Julie Warchol
Katharine Larson
Brian Cohen
Sarah Pike
Ruth Pelzer Montada
Marieke Jooren
Allison Wucher
Elizabeth Tomos
Katerina Kyselica
Beth Knazook
Rena M. Hoisington
Lindsey Tyne
Erin Sullivan Maynes
Elisa German
Stephanie Hackett
Carey Gibbons
Sienna Brown
Shelley Hagen
Allison Morehead
Shannon Vittoria
Caitlin Dalton
Debora Wood
Peter S Briggs
Laurence Schmidlin
Amy Hughes
Jennifer Noonan
Christian Rümelin
Leslie Anderson
Mark Pascale
Rebecca Capua
Kit Smyth Basquin
Elizabeth DeRose
Max Koss
Kristine Ronan
Shelley Langdale
Jeannie Kenmotsu
Katherine Alcauskas
Galina Mardilovich
Allison Rudnick
Sarita Zaleha
Christina Weyl
Alison Chang
10 in News
Competing Currents: 20th-Century Japanese PrintsOut of Print: Innovations of 19th- and 20th-Century Printmaking from the Collection of Phoenix Art Museum and the Schorr Collection
Changed Times: Sources & Methods Behind 20th-Century Japanese Woodblock Prints
Seven Masters: 20th-Century Japanese Woodblock Prints
To Catch the Eye: A Roundtable Discussion About the History and Digital Relevancy of Moving Pictures before the 20th Century
CONF: The End of Architectural Drawings? Representation and Construction in the 20th and the 21st Century (Rome, 21-23 Nov 18)
City and Country: Prints from Early 20th-Century Japan
Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection
Announcing the Fifth Annual Distinguished Scholar Lecture by Mari Carmen Ramírez, “Marks, Materials, and Matrices: Experimental Printmaking and Drawing Practices in Latin America” (New York, 24 Jan 2020)
Announcing Speakers for APS Sponsored CAA Session: “Now You See It, Now You Don’t: Materialism and Ephemeral Prints (Los Angeles, 21 Feb 2018)
City and Country: Prints from Early 20th-Century Japan
Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection
Announcing the Fifth Annual Distinguished Scholar Lecture by Mari Carmen Ramírez, “Marks, Materials, and Matrices: Experimental Printmaking and Drawing Practices in Latin America” (New York, 24 Jan 2020)
Announcing Speakers for APS Sponsored CAA Session: “Now You See It, Now You Don’t: Materialism and Ephemeral Prints (Los Angeles, 21 Feb 2018)
52 in Scholarship
The Circulating Lifeblood of Ideas: Leo Steinberg’s Library of PrintsDoubled Abstraction: Ruth Asawa’s Stamp and Its Afterlife
‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
Translating the Hand into Print: Johann Neudörffer’s Etched Writing Manual
Paint and Print in Motion: Karl Bodmer’s Atlas
The Scottish Origins of Mary Nimmo Moran’s American Landscapes
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
THE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
21 in Opportunities
Bibliographical Society of America’s New Scholars ProgramTHE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
Bibliothèque de l’Arsenal
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
2 in the Print Room Directory
Musée d’art et d’histoireBibliothèque de l’Arsenal