Your search for "Engraving" turned up the following results.
250 in Members
Sarah LundAnn Cannon
Hildegard Homburger
Jörg Diefenbacher
Renata
Heike Berl
Deniz Martinez
Meghan Melvin
Dr Robert Whan
Roderick Miller
Anna Welch
Taylor Ernst
Norwood Creech
Daniel Sachs
Talitha Maria G. Schepers
Silvia Dolinko
Tomas Vales
Jenny MacLeod
Daniel Jinks
Alexandra Kocsis
Christina Faraday
Rachel Skokowski
Genevieve Verdigel
Katherine Goertz
Jeni Peake
Lauren Warner
Kathy Aoki
Patricia Emison
Alice Zamboni
Karen L. Bowen
Suzanne Bailey
Alison Stewart
Maria Aresin
Randy Garber
Margarita Gonzalez
Niccolò D'Agati
Will Motley
Amandine Royer
Grant Mandarino
Trine Nordkvelle
Emily Friedman
Bernadine Barnes
Nora Rosengarten
Kim Raymont
Sarah Bilotta
Claudia Echinger-Maurach
David G. Christie
Volker Schröder
Cristelle Baskins
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Carl Fuldner
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Mel Becker Solomon
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Allan Edmunds
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david K Thompson
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ROSALBA DINOIA
Sarah Bane
Selvihan Kılıc Ates
Hilary Letwin
Kelly Cook
Justin McCann
Matthew H. Fisk
Jamie Kwan
Peter Clericuzio
Jesse Feiman
ruth noyes
Benjmain Levy
Klazina Botke
Silvia Massa
Laura Golobish
David Barthold
Iris Moon
Andrew Horodysky
Andrew Weislogel
Mary Weaver Chapin
Edward Wouk
Saskia Turpijn
Sarah McMillan
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James Wehn
Anne Verplanck
Jeffrey Dell
Olenka Horbatsch
Nancy Kathryn Burns
Andrew Saluti
Hetty Joyce
Victoria Sancho Lobis
Daniel Lienau
Helen Burnham
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Harris Schrank
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Lisa Thornell
Jan Johnson
Lee Hallman
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Ad Stijnman
Claudia Worthington Hess
Annemarie Jordan
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Evelyn Lincoln
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Max Koss
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Galina Mardilovich
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7 in News
Study Day: Scene through Wood: A Century of Wood EngravingEngraving for the King: The Historical Collections of the Louvre Chalcographie
9th International Engraving Exhibition, Cremona 2017
“Rakstot kokā” (“Engraving Wood”)
Stephanie Porras Awarded the 2021 APS Publication Grant
Announcing the Third Annual APS Distinguished Scholar Lecture by Rémi Mathis, “A Means to an End: The Process of Understanding French Prints”
APS Inaugural Symposium
APS Inaugural Symposium
50 in Scholarship
‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German WoodcutsTranslating the Hand into Print: Johann Neudörffer’s Etched Writing Manual
Paint and Print in Motion: Karl Bodmer’s Atlas
The Scottish Origins of Mary Nimmo Moran’s American Landscapes
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Delacroix’s Caricatures and Copies after Goya
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
David Hockney’s Early Etchings: Going Transatlantic and Being British
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
La Société pour l’Etude de la Gravure Française (1911-1914)
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
20 in Opportunities
THE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIESStudio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Bibliothèque de l’Arsenal
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
2 in the Print Room Directory
Musée d’art et d’histoireBibliothèque de l’Arsenal