Your search for "19th Century" turned up the following results.
201 in Members
Ian HerbertsonBridget Gilman
Sarah Kennel
Akemi May
Erin Duncan-O'Neill
India Young
Benjamin Weiss
Sarah Lund
Ann Cannon
Fu Bin
Hannah Wier
Michael Schantz
Peter Cohen
Deniz Martinez
Kit Brooks
Meghan Melvin
Fletcher Coleman
Norwood Creech
Daniel Sachs
Kristin Bluemel
Silvia Dolinko
Thomas Richard Broker
Tomas Vales
Jenny MacLeod
Daniel Jinks
Alexandra Kocsis
Shijia Yu
Rachel Skokowski
Chris Dingwall
Barret Oliver
Lauren Warner
Suzanne Bailey
Maria Aresin
Niccolò D'Agati
Henry Brown
Will Motley
Amandine Royer
Grant Mandarino
Trine Nordkvelle
Theresa A. Cunningham
Nora Rosengarten
Sarah Bilotta
Claudia Echinger-Maurach
David G. Christie
Manon van der Mullen
Vanesa Rodriguez-Galindo
Martha Mahard
Patricia Mainardi
Karen L. Carter
Carl Fuldner
Stéphane Roy
Stephanie Su
Gemma Sharpe
Anastasia Belyaeva
Orit Hofshi
Laura Neufeld
Sarah Jane Kim
ARVON WELLEN
Courtney Wilder
Cyntia Karnes
Elissa Watters
Krystle Farrugia
Ziyi Song
Mei Sheong Wong
Sarah Schaefer
Mel Becker Solomon
Angela Griffith
Sarah McCoy
Gordon Cooke
Catherine Prose
Joanna Sheers Seidenstein
georgie gerrish
Adrienne Fast
Margherita Clavarino
Stephen Goddard
Vaibhav Singh
Rachel Jacobs
Paula Fayos-Perez
Kemille Moore
Julie Dunn-Morton
Hollis Clayson
Alison Petretti
Louise Siddons
Kelsey Martin
Nikki Otten
Peter Moore
Theresa Moir Engelbrecht
Michela Gianfranceschi
Katy Barrett
DDR Ludwig Mohr
Alexandra Letvin
Richard Taws
Joshua Brown
Angelina Lippert
Marie-Stephanie Delamaire
Roslyn Bakst Goldman
Shannon Connelly
Jared Ash
Kristie Couser
Jennifer Pride
Michelle Donnelly
David G. Wright
Valerie Littlewood
Stuart Denenberg
Sarah Mirseyedi
Sharon Clarke
Aaron Slodounik
Julia Beaumont-Jones
Laureline Meizel
Sara Woodbury
Richard Waller
ROSALBA DINOIA
Sarah Bane
Erin Monroe
Justin McCann
Matthew H. Fisk
Jamie Kwan
Peter Clericuzio
Jesse Feiman
Benjmain Levy
Ann Chernow
Laura Golobish
David Barthold
Kate Addleman-Frankel
Iris Moon
Alina Martimyanova
Mary Weaver Chapin
Edward Wouk
Saskia Turpijn
Sarah McMillan
Jennifer Roberts
James Wehn
Anne Verplanck
Nancy Kathryn Burns
Crawford Mann
Andrew Saluti
Daniel Lienau
Cori Sherman North
Helen Burnham
Kathryn Brown
Harris Schrank
Lisa Thornell
Jan Johnson
Lee Hallman
Ad Stijnman
Pierre Juhel
Jane Allinson
Dorothy Price
Jillian Kruse
Marilyn Kushner
Maribeth Graybill
Yana van Dyke
Nancy Friese
Evelyn Lincoln
Susan Tallman
Anne Bloemacher
Leslie Cozzi
Claire Cuccio
Martina Manfredi
Helena Wright
Elizabeth M. Rudy
Sarah Grant
Julie Warchol
Katharine Larson
Brian Cohen
Marieke Jooren
Allison Wucher
Beth Knazook
Rena M. Hoisington
Alexa A. Greist
Erin Sullivan Maynes
Elisa German
Fleur Roos Rosa de Carvalho
Stephanie Hackett
Erika Piola
Susanne Anderson-Riedel
Carey Gibbons
Grayson Van Beuren
Allison Morehead
Shannon Vittoria
Debora Wood
Laurence Schmidlin
Amy Hughes
Elizabeth Simmons
Christian Rümelin
Leslie Anderson
Rebecca Capua
Allison Stagg
Amy Torbert
Max Koss
Kristine Ronan
Maureen Warren
Shelley Langdale
Simon Turner
Jeannie Kenmotsu
Katherine Alcauskas
Galina Mardilovich
Sarita Zaleha
Britany Salsbury
Christina Weyl
Alison Chang
12 in News
Virtual Talk: Love Me, Love Me Not: Emotion and Identity in 19th-Century Valentines, Library Company of PhiladelphiaVirtual Symposium: Picturing Women at Work in the 19th Century
“Destined to be born and perish with equal quickness”: The Making and Unmaking of 19th-Century Paper
WEBINAR: Rembrandt in Russia in the 19th Century: Prints and their Collectors
Out of Print: Innovations of 19th- and 20th-Century Printmaking from the Collection of Phoenix Art Museum and the Schorr Collection
The Idea of America in 19th-Century Japanese Prints
Exterior – Interiors. Interior design by architects in the 19th century
Drawing in the Open Air: Variations in Drawing from Nature in the First Half of the 19th Century
Living Proof: Drawing in 19th-Century Japan
Altered States: Etching in Late 19th-Century Paris
Writing the History of 19th-Century European Art and Architecture Today
Doubled Abstraction: Ruth Asawa’s Stamp and Its Afterlife
‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
Translating the Hand into Print: Johann Neudörffer’s Etched Writing Manual
Paint and Print in Motion: Karl Bodmer’s Atlas
Exterior – Interiors. Interior design by architects in the 19th century
Drawing in the Open Air: Variations in Drawing from Nature in the First Half of the 19th Century
Living Proof: Drawing in 19th-Century Japan
Altered States: Etching in Late 19th-Century Paris
Writing the History of 19th-Century European Art and Architecture Today
52 in Scholarship
The Circulating Lifeblood of Ideas: Leo Steinberg’s Library of PrintsDoubled Abstraction: Ruth Asawa’s Stamp and Its Afterlife
‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
Translating the Hand into Print: Johann Neudörffer’s Etched Writing Manual
Paint and Print in Motion: Karl Bodmer’s Atlas
The Scottish Origins of Mary Nimmo Moran’s American Landscapes
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
THE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
21 in Opportunities
Bibliographical Society of America’s New Scholars ProgramTHE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
Bibliothèque de l’Arsenal
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
2 in the Print Room Directory
Musée d’art et d’histoireBibliothèque de l’Arsenal