Your search for "Screenprinting" turned up the following results.
119 in Members
Bridget GilmanSarah Kennel
Akemi May
Alan Platt
Wuon-Gean Ho
Louise Rouse
India Young
Nava
Hildegard Homburger
Anne Beidler
Heike Berl
Marco Polo Juarez Cruz
Anna Welch
Taylor Ernst
Ivana Gagić Kičinbači
Silvia Dolinko
Alexandra Kocsis
Victoria H. F. Scott
Chris Dingwall
Randy Garber
Henry Brown
Nicole Pietrantoni
Nora Rosengarten
Kim Raymont
David G. Christie
Geoffrey Bertram
Patricia Mainardi
Orit Hofshi
Courtney Wilder
Cyntia Karnes
Krystle Farrugia
Jelena Sredanović
Mei Sheong Wong
Paul Coldwell
Mel Becker Solomon
Paloma Barhaugh-Bordas
Steven Daiber
Allan Edmunds
Katherine Rhodes Fields
Catherine Prose
Trisha Gupta
georgie gerrish
Margherita Clavarino
Karen Gallagher-Iverson
Seth Daulton
Rachel Vogel
Bob Tomolillo
Katherine Brimberry
Theresa Moir Engelbrecht
Roslyn Bakst Goldman
Mary Ikoniadou
david K Thompson
Jared Ash
Abigail Bainbridge
Michelle Donnelly
Sonja Kelley
Ricardo Chavez
Sherry S. Bell
Diana Gaston
Stuart Denenberg
Sharon Clarke
Julia Beaumont-Jones
Laureline Meizel
Richard Waller
Sarah Bane
Selvihan Kilic Ates
Hilary Letwin
Peter Clericuzio
Josh Pazda
Benjmain Levy
Cade Tompkins Projects
Andrew Horodysky
Mary Weaver Chapin
Scott Homolka
Tatiana Reinoza
India Young
Jennifer Roberts
James Wehn
Jeffrey Dell
Yvonne ReesPagh
Michael Reed
Daniel Lienau
Helen Burnham
Harry Laughland
Lisa Thornell
Norman Stewart
Claudia Worthington Hess
Marilyn Kushner
Joni Moisant Weyl
Susan Tallman
Leslie Cozzi
Julie Warchol
Katharine Larson
Henry Klein
Sarah Pike
Allison Wucher
Elizabeth Tomos
Margaret Holben Ellis
Erin Sullivan Maynes
Elisa German
Kate McQuillen
Sienna Brown
Zach Fitchner
Jenn Law
Caitlin Dalton
Rémi Mathis
Peter S Briggs
Laurence Schmidlin
Amy Hughes
Jennifer Noonan
Christian Rümelin
Rebecca Capua
Kit Smyth Basquin
Corine McHugh
Max Koss
Nadine Orenstein
Kristine Ronan
Shelley Langdale
Sarita Zaleha
52 in Scholarship
The Circulating Lifeblood of Ideas: Leo Steinberg’s Library of PrintsDoubled Abstraction: Ruth Asawa’s Stamp and Its Afterlife
‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
Translating the Hand into Print: Johann Neudörffer’s Etched Writing Manual
Paint and Print in Motion: Karl Bodmer’s Atlas
The Scottish Origins of Mary Nimmo Moran’s American Landscapes
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
THE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
21 in Opportunities
Bibliographical Society of America’s New Scholars ProgramTHE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
Bibliothèque de l’Arsenal
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
2 in the Print Room Directory
Musée d’art et d’histoireBibliothèque de l’Arsenal