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Exhibition Participation Posted: 12/13/2018
Posted by: Kate McQuillen Expires: 01/15/2019

37th Bradley International Print and Drawing Exhibition

Gormley Gallery at Notre Dame of Maryland University
Baltimore, MD, United States
03/18/2019 to 04/26/2019
Submissions due: 01/15/2019
Gormley Gallery at Notre Dame of Maryland University is now accepting entries for the 30th National Drawing & Print Competitive Exhibition. The deadline for submissions is January 15, 2019. The exhibition will be held March 18 through April 26, 2019.
Relevant research areas: North America, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 11/28/2018
Posted by: Association of Print Scholars Expires: 01/15/2019

Call for Entries: 30th National Drawing & Print Competitive (Baltimore, MD, March – April 2019)

Gormley Gallery, Notre Dame of Maryland University
Baltimore, MD, United States
03/18/2019 to 04/26/2019
Submissions due: 01/15/2019
Gormley Gallery at Notre Dame of Maryland University is now accepting entries for the 30th National Drawing & Print Competitive Exhibition. The juror for the 2019 exhibition is Ginevra Shay, former Artistic Director of The Contemporary. The show will run from March 18 through April 26, 2019. More information is on the gallery webpage accessible via the "External Link" below. Entries may be submitted on SlideRoom.

Awards
A minimum of $1,500 available in purchase prize money.

Juror
Ginevra Shay, Artist and Curator, Former Artistic Director of The Contemporary

Eligibility and Media
Drawings and prints (not photography) in any medium up to 60 inches high, framed are eligible with no limitations as to color, surface or materials.
All drawings and prints must be original works of art.
Each artist may submit up to 3 works on online only.
No mailed or emailed entries will be accepted.

Selection Process
Initial jury will be of online submissions received by January 15, 2019. Notification will be by email. Be sure to add gormleygallery@ndm.edu to your contacts so that notification email is not sent to your junk folder.

Accepted drawings and prints received by March 4 will be juried for purchase prize awards at the value set by the artist. No substitutions will be accepted.

Works selected for purchase prize awards will become the property of Notre Dame of Maryland University.

Shipping
All accepted works must be ready to exhibit: framed with plexiglass (no glass), wired and ready to hang.
Ship by UPS, no FedEx, using strong, re­usable crates or cardboard cartons. No packing peanuts please.
Include return shipping document with a scannable barcode.
Ship prepaid to:

Drawing and Print Competitive Exhibition
Notre Dame of Maryland University
4701 North Charles Street
Baltimore, MD 21210

Hand delivery drop-off dates TBA

Contact Us
gormleygallery@ndm.edu
Relevant research areas: North America, Contemporary, Book arts, Collograph, Digital printmaking, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 09/27/2018
Posted by: Catherine Savage Expires: 11/01/2018

The Contemporary Print, 2019

Big Medium
Austin, TX, United States
01/19/2019 to 02/16/2019
Submissions due: 11/01/2018
PrintAustin is thrilled to announce the open call for its 6th annual juried international exhibition, The Contemporary Print. Presented in collaboration with Big Medium, this year’s exhibition will be juried by Dr. Anna Katherine Brodbeck, and be held at Big Medium Gallery during PrintAustin 2019.

The Contemporary Print is a survey of traditional printmaking techniques and innovative approaches in contemporary printmaking. While non-traditional or digital output is accepted as a print element, submissions must utilize traditional print media as their primary technique. These include lithography, relief, intaglio, silkscreen, photo polymer plate (i.e. SolarPlates), and monotype.

Solely digital and photographic prints are not eligible. For questions regarding eligible media, please contact admin@printaustin.org.

Please visit www.printaustin.org or email admin@printaustin.org for more information.

EXHIBITION DATES January 18 – February 16, 2019
MEET THE JUROR & MEMBERS PREVIEW Friday, January 18, 6-7 PM
OPENING RECEPTION Friday, January 18, 7-10 PM
VENUE Big Medium, 916 Springdale Road, Austin, Texas

ABOUT PRINTAUSTIN PrintAustin is an artist-led nonprofit organization working with organizations and individuals throughout the Austin visual arts community to showcase traditional and contemporary approaches in printmaking during its annual festival, held January 15 through February 15. Visit www.printaustin.org to learn more about our open calls, and other exhibition and collaboration opportunities. You may also find us on Instagram, Facebook, and Twitter.

ABOUT BIG MEDIUM Big Medium is a 501(c)(3) nonprofit organization dedicated to supporting and promoting contemporary art in Texas. Big Medium produces the East Austin Studio Tour, the West Austin Studio Tour, the Texas Biennial, and presents innovative exhibitions throughout the year in the Big Medium Gallery. Big Medium provides affordable studio space to artists, and partners with various organizations in Texas to help foster the arts and facilitate an inclusive cultural dialogue between artists and their communities. Visit www.bigmedium.org to learn more.

ABOUT THE JUROR Dr. Anna Katherine Brodbeck has served as the Nancy and Tim Hanley Assistant Curator of Contemporary Art at the Dallas Museum of Art since January 2017. A Ph.D. in art history, Dr. Brodbeck earned her master’s and doctorate degrees from the Institute of Fine Arts at New York University, where she focused on Latin American art, as well as Islamic Art.

From 2013 to 2016, Dr. Brodbeck acted as the Associate Curator at Carnegie Museum of Art for a retrospective of the contemporary Brazilian artist Hélio Oiticica, co-organized with the Art Institute of Chicago and the Whitney Museum of American Art. Previously, she was a curatorial research assistant at The Frick Collection, where she conducted research for Picasso’s Drawings, 1890–1921: Reinventing Tradition (2011). She worked at The Museum of Modern Art on the 2007 exhibition Richard Serra Sculpture: Forty Years as a curatorial intern, as well as gallery assistant at the Bronx Museum of the Arts.

AWARDS
* The PrintAustin Award $500
* The Gamblin Award $200 + $200 Gift Certificate courtesy of Gamblin Artists Colors
* ​The Awagami Paper Award $100 + 50 sheets of "Awagami Editioning" Japanese washi paper ($250 value)
* The Blick Art Materials Award $150 Gift Certificate courtesy of Blick Art Materials

ELIGIBILITY Open to local and international artists 18 years or older. Any 2-D or 3-D work including ceramics, sculpture, mixed media, and artist books that uses printmaking as the sole or primary technique in its execution are eligible. Work cannot exceed 72 inches (183 cm) in any direction.

Relevant research areas: North America, Contemporary, Book arts, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 08/29/2018
Posted by: Association of Print Scholars Expires: 09/16/2018

Call for Entries: “Hot Off the Press”

Carnegie Arts Center
Turlock, CA, United States
10/17/2018 to 01/27/2019
Submissions due: 09/16/2018
Hot Off the Press is a juried exhibition of contemporary prints open to artists working in California. The juried show is presented in conjunction with Posada & the Mexican Penny Press, an exhibition of prints by José Guadalupe Posada and his contemporaries on view at the Carnegie Arts Center in the fall of 2018. Posada utilized his skills as a printer and graphic artist to create works that recorded history, informed the public and stimulated the imagination. Contemporary printmakers continue these traditions as they explore creativity and how art functions in current political and social discourse.

Artists from throughout California are invited to submit work that uses printmaking media and techniques; there is no theme or restriction on subject matter or size.

Dates of Exhibition: October 17, 2018 – January 27, 2019

Media: All fine art printmaking media (intaglio, relief, lithograph, screenprint, monoprint) are eligible. Works in mixed media that include some printmaking techniques may also be submitted. Art must be hand-pulled and generated using at least one traditional printmaking method. Computer generated art is eligible only if it incorporates other methods of hand-pulled printing or handwork. No drawings, photographs, or direct reproductions are eligible.

Awards: Grand Prize $500, Two Awards of Merit $125, Four Honorable Mentions $50

Jurors: Lisa McDermott, Director, Carnegie Arts Center, & Martin Azevedo, Asst. Professor of Graphic Arts, CSU Stanislaus

Submissions: Complete rules for entering can be found on the Carnegie’s website via 'External Link' below. Entries will be accepted online via SmarterEntry.com. All entries must be received by 4 p.m. on Sunday, September 16, 2018. Entry fees apply.

Relevant research areas: North America, Contemporary, Book arts, Collograph, Digital printmaking, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 08/29/2018
Posted by: Association of Print Scholars Expires: 11/09/2018

Call for Entries: 40th Annual “Paper in Particular”

Columbia College Sidney Larson Gallery
Columbia, MO, United States
02/18/2019 to 04/05/2019
Submissions due: 11/09/2018
Paper In Particular is an annual, juried exhbition held by the Columbia College art galleries. The exhibition showcases the very best in art that incorporates paper as a primary element. Prints, drawings, photographs, digital images, paintings, sculpture, etc., are all eligible.

The 40th Annual Paper In Particular exhibition will run from February 18. - April 5, 2019.

Juror: Eric Lutz

Eric Lutz is associate curator of prints, drawings, and photographs at the Saint Louis Art Museum. In 2017, he curated the St Louis presentation of Thomas Struth: Nature and Politics. Since joining the Museum in 2005, he has curated more than 30 exhibitions. He earned a doctorate in art history from the University of California, Santa Barbara. He served as a visiting lecturer at the University of California, Irvine. Lutz has also worked at the Santa Barbara Museum of Art and the Huntington Library and Art Gallery.

Entry fee: $20 (up to 3 pieces)

Important Dates:

Nov 9 - deadline for entries

Nov. 19 - Notification of accepted work

February 18 - deadline for hand-delivered and all accepted works

February 25 - Exhibition opens

March 1 - Reception 5 to 7 pm

For more information and entry form, please click on the 'External Link' below.

Contact: Art Department at artdepartment@ccis.edu or 573-875-7517

Relevant research areas: North America, Contemporary, Book arts, Collograph, Digital printmaking, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 08/14/2018
Posted by: Brian Cohen Expires: 09/16/2018

North Wales PRINT FAIR 2018

MOSTYN
Llandudno, North Wales, United Kingdom
11/10/2018 to 11/11/2018
Submissions due: 09/16/2018
We are pleased to announce the second North Wales Print Fair to be held at MOSTYN in Llandudno, North Wales on Saturday 10th and Sunday 11th November 2018, organised in partnership with Canolfan Argraffu Ranbarthol / Regional Print Centre. Applications are now being taken for a limited number of seller places at the fair. Closing date for applications is Sunday 16th September 2018 at 5pm.

If you are a printmaker, print studio or collective please visit our website for more information. You can also telephone 01492 868191 or email barry@mostyn.org

#mostynprint #nwprint


Relevant research areas: Western Europe, Contemporary, Collograph, Engraving, Etching, Lithography, Monoprinting, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 08/14/2018
Posted by: Brian Cohen Expires: 08/31/2018

International Print Exchange #10

Green Door Printmaking Studio Banks Mill Studios
Derby, United Kingdom
08/31/2018 to 12/01/2018
Submissions due: 08/31/2018
The International Print Exchange is an unjuried print exchange with no assigned theme, open to all, that celebrates fine art printmaking. The IPE is a self-funded project organised by Green Door Printmaking Studio. Our goal is simple; to share prints, promote printmaking and showcase the inspirational, accomplished and passionate printmakers all over the world that utilize contemporary printmaking today.
Relevant research areas: Western Europe, Contemporary, Collograph, Digital printmaking, Engraving, Etching, Lithography, Monoprinting, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 08/14/2018
Posted by: Brian Cohen Expires: 09/02/2018

Pressing Matters 2018 Exhibition for Print Arts

Emerald Art Center, Springfield, OR
Eugene, OR, United States
11/06/2018 to 11/30/2018
Submissions due: 09/02/2018
“Pressing Matters, 2018” Is Whiteaker Printmakers' second juried printmaking exhibition, and will be held at the Emerald Art Center in neighboring Springfield, Oregon. All traditional (hand-pulled) printmaking techniques are eligible for entry. No digital prints, please. Juror is Margaret Prentice, Professor Emerita in the Art Department at the University of Oregon. Four entries will be selected for cash awards up to $500.00.
Relevant research areas: North America, Contemporary, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 08/14/2018
Posted by: Brian Cohen Expires: 08/18/2018

2018 Pacific States Biennial North American Print Exhibition

Campus Center Gallery at the University of Hawaiʻi at Hilo
Hilo, HI, United States
11/02/2018 to 12/28/2018
Submissions due: 08/18/2018
The Pacific States Biennial National juried printmaking exhibition was established by the Art Department Print Studio at the University of Hawaiʻi at Hilo in 1982 and is now the Pacific States Biennial North American. The exhibition is open to all artists 18 years or older presently residing anywhere on the North American continent, its islands, and outlying US territories. This premier Hawaiʻi biennial exhibition is hosted in conjunction with the Campus Center Gallery with support from the Student Activities Council and the East Hawaiʻi Cultural Center.

Juror: Helen Frederick

Relevant research areas: North America, Contemporary, Collograph, Engraving, Etching, Lithography, Monoprinting, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 08/14/2018
Posted by: Brian Cohen Expires: 09/28/2018

Soap Box Prints 3!

Kennesaw State University, Kennesaw Campus, 1000 Chastain Road Kennesaw, GA 30144
Kennesaw, GA, United States
11/06/2018 to 12/31/2018
Submissions due: 09/28/2018
The American Print Alliance in conjunction with the Art Department of Kennesaw State University is asking artists to create prints in a major tradition of our art – commentary on politics and the impact of printmaking on actual events.

The majority of the work must be printmaking; collage, photography, hand coloring and other additions are permitted, but must not interfere with the artwork’s essential character as a two-dimensional, easy-to-disseminate print. Submissions must be original prints, reproductions will not be accepted. The Alliance accepts traditional and non-traditional printmaking, including computer-manipulated and -printed (inkjet or laser) images that are original prints and not reproductions of artwork in other media. Prints may include text that complements the imagery, not text that carries a disproportionate emotional charge.

Relevant research areas: North America, Contemporary, Book arts, Collograph, Digital printmaking, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
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