The 528.0 Regional Juried Printmaking Exhibition is open to artists residing within a 528.0 mile radius of Denver, Colorado. This exhibition will be sponsored by the Invisible Museum and take place at the Arvada Center for the Arts and Humanities in Arvada, Colorado. The number 5,280 refers to Denver’s status as the Mile High City. This exhibition seeks to celebrate the expansive diversity of contemporary printmaking found within this western region. It will fill the Arvada Center’s Main Gallery, a nearly 6,000 square foot space, and at the same time in the Arvada Center’s other two exhibition spaces, an exhibition of Print Educators of Colorado will take place, all in conjunction with Denver’s Month Of Printmaking (March 2020).

Eligible Artworks
The 528.0 Regional Juried Printmaking Exhibition 2020 aims to highlight both traditional and alternative printmaking methods being used in the field of contemporary printmaking. Submissions must utilize a form of traditional hand printed media as their primary technique but may include digital output elements within the greater work. Artwork submissions may include but are not limited to: monoprint, monotype, screen print, intaglio, photopolymer, photogravure, collagraph, stone or plate lithography, woodcut, linocut, steamroller, letterpress, and book-arts. Book-arts submissions must contain printed artworks and cannot be blank journals or inkjet-based text blocks. Any oversized steamroller prints accepted will require installation instructions provided by the artist. Installation, mixed media, video**, and audio work** will be considered if it includes the use of hand-pulled prints and is accompanied by detailed presentation/installation instructions and images within your application. Finished artworks that are composed solely of inkjet, risograph, photocopy, laser engraving, or giclée reproductions will not be accepted. For questions regarding eligible artwork, please contactgalleries@arvadacenter.org

**The Arvada Center has basic projectors, media players, and an assortment of TV screens. Please describe how best your new media work would be displayed. If you would like to provide equipment, that is also an option.

Awards
3 Cash awards will be given to Jurors Choice recipients (1 per juror). Other awards may also be given.

Please visit the 'External Link' below for more information, including the full submission guidelines and link to the application.

Contested Spaces: 2019 Harnett Biennial of American Prints is the twelfth competitive national exhibition organized by the University of Richmond Museums. Submissions are encouraged by artists addressing the topic of “contested spaces” from both content and aesthetic perspectives. The theme provides an opportunity for artists to focus on their own understandings of “contested spaces” with a variety of interpretations, styles, and techniques. Open to all forms of prints, the exhibition is presented as a celebration and examination of contemporary printmaking by artists from throughout the United States. The Harnett Biennial will be on view from October 22 to December 6, 2019, in the Joel and Lila Harnett Museum of Art, University Museums.

The juror of this year’s Harnett Biennial is Carmen Hermo, Associate Curator, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum. She has curated the exhibition Roots of “The Dinner Party”: History in the Making, and co-curated the exhibitions Half the Picture: A Feminist Look at the Collection and Something to Say: Brooklyn Hi-Art! Machine, Deborah Kass, Kameelah Janan Rasheed, and Hank Willis Thomas. Additionally, she co-organized Marilyn Minter: Pretty/Dirty (2016-2017) and Radical Women: Latin American Art, 1960-1985 (2018). She co-curated the current exhibition Nobody Promised You Tomorrow: Art 50 Years After Stonewall, on view at the Brooklyn Museum through December 8, 2019. Previously, she was Assistant Curator for Collections at the Solomon R. Guggenheim Museum (2010-2016). She has worked with the collections of the Whitney Museum of American Art and the Museum of Modern Art. Ms. Hermo received her B.A. in Art History and English from the University of Richmond in 2007 and her M.A. in Art History at Hunter College in 2019.

The exhibition is open to all artists residing in the United States. Entries must be in the category of printmaking using any traditional and/or experimental techniques and media. Eligible entries include prints on paper using, but not limited to, such media as intaglio, relief, planographic, stencil, monotype, and digital processes (no giclée reproductions are allowed). Photographs on paper are eligible. Prints must have been completed in the last two years.

August 1, Entries due to the Harnett Museum of Art
September 5, Notifications e-mailed to artists
October 8, Works received by the Harnett Museum of Art
October 22, Talk by the juror at 6 p.m., followed by the opening reception, 7-8 p.m.
October 23 to December 6, Exhibition on view at the Harnett Museum of Art.

Please visit the 'External Link' below for more information.

Islands are vessels anchored at sea. Moored between the cultures of two continents, Borikén —the original name of Puerto Rico— has been a center of cultural exchange for centuries, with a rich and complex heritage. From the early engravings on stone, to the intense printmaking production of the 20th Century and the present, Puerto Rican graphic artists have sought cultural interaction with the world by sea and air. PUERTOGRÁFICO will showcase, through artistry, technique and dialogue, one of the strongest callings for our work: the tracing of History. Welcome aboard.

Las islas son embarcaciones ancladas al mar. Firme entre las culturas de dos continentes, Borikén —nombre original de Puerto Rico—ha sido centro de intercambio cultural durante siglos, sobre una herencia rica y compleja. De los primeros grabados en piedra, a la intensa producción de carteles del Siglo 20 al presente, los artistas gráficos puertorriqueños han procurado la interacción cultural con el mundo por cielo y por mar. En PUERTOGRÁFICO, entre la técnica, la destreza y el diálogo, compartiremos uno de los llamados principales para nuestra obra: el registro histórico. Bienvenidos a bordo.

Timeline
May 1: Abstract and Call for Participation announced
May 15: Online submission forms go live (submissions by mail accepted only for applicants in Puerto Rico)
June 15: Round 1: Event Proposals due (Inkubators, Plenary Panels, Demos, Pop-Up Exhibitions, Themed Portfolios, Mobile Events, Special Events)
July 1: Acceptances announced
July 14: Event Confirmation due (email: admin@sgcinternational.org)
July 15: Round 2: Event Participant Call goes live! (Plenary Panel participants, Themed Portfolios participants, Special Event participants). Email applications directly to Event organizers based on their specifications.
August 15: Round 2: Event Participant applications due (participants selected by Event Organizers)
September 15: Event Organizers send final list of participants to SGCI

Calendario
Mayo 1ro: Posteamos la Convocatoria de Participación en nuestra página
Mayo 15: Subimos los formularios de solicitud en línea (las propuestas generadas en Puerto Rico también se aceptarán por correo*)
Junio 15: Fase 1: Día límite a propuestas para eventos (Inkubadoras, Foros Plenarios, Demos, Exhibiciones Pop-Up, Portafolios Temáticos, Eventos Rodantes, Eventos Especiales)
Julio 1ro: Anunciamos las propuestas aceptadas
Julio 14: Fase 1: Día límite para confirmar eventos aceptados (por correo electrónico: admin@sgcinternational.org)
Julio 15: Fase 2: Posteamos la Convocatoria de Participación en Eventos (participaciones a Foros Plenarios, participaciones de Portafolio Temático, participaciones para Eventos Especiales). Cada formulario de solicitud debe enviarse por correo electrónico directamente a los organizadores de eventos en cada categoría, con la información correspondiente (indicada en cada formulario).
Agosto 15: Fase 2: Día límite para solicitudes de Participantes de Eventos (a ser seleccionados por los organizadores de cada evento)
Septiembre 15: Los organizadores de evento someten su selección a SGCI

Please visit the 'External Link' below for more information, including conference FAQs and the submission form.

From the printed word to narrative scenes using images and symbols and beyond to the mysterious realm of abstraction, printmaking has a story to tell.

We want to inspire artists to reflect on their stories either personal or popular from daily life, imagination or those drawn from a text, well-known folk tale or myths and come up with imagery that iconizes these stories.

Prints mixed with Writings • Illustrations • Narrative Etchings & Abstractions • Artist Books • Photography • Mixed Media

Printmaking methods include various forms of intaglio, aquatint, monoprint, lithography, silkscreen, stencils, photography, book arts, pen and ink, sculptural and experimental processes.

Curated by members of RAA Press, the exhibition Stories in Print will be presented at Studio 7 Gallery, Fort Tilden, Rockaway, New York from June 8–30, 2019.

Entry Fee (Non-refundable):
$35 RAA Members
$50 Non-Members

Handling Fee:
A handling fee is required for artists who will need work returned via shipping.

Commission:
A 20% commission is due to RAA on all sales.

Once the submissions have been juried, artists will be notified via email or phone.

Please visit the 'External Link' below for more information.

Art in Print encourages all printmaking artists to submit images of their work to Art in Print’s Prix de Print before the submission deadline of midnight March 15, 2019. Anyone with a subscription can enter.

Each issue of Art in Print features a full-page reproduction and brief essay about the work of one artist, chosen by an outside juror. Jurors include artists, curators, printers, publishers and dealers from around the world. This global exposure has resulted in museum shows and gallery invitations for the winning artist.

Who can enter?
One submission is permitted per membership per issue. With regard to institutional memberships (e.g. schools/universities, libraries) for any given competition, we will accept the first entry submitted under that membership.

Do I have to be a subscriber to submit?
Yes; Art in Print is a not-for-profit organization that depend on member support for all its programs. Subscriptions start at $38. Art in Print keeps the digital membership at just $38 specifically to accommodate students. A year’s membership enables entry to six competitions—just $6.33 per entry, plus access to all Art in Print content, including the biweekly newsletter announcing other competitions.

About Art in Print
Founded in 2011 to address the persistent invisibility of printed art in the general art press, Art in Print is a bimonthly journal and website dedicated to the art that most people are most likely to meet in person—the print. The publication provides important contemporary criticism, fundamental historical research and timely information about current events, while championing thoughtful looking, clear prose, and lucid design. Art in Print also commissions artists’ projects that take advantage of the social distribution of the periodical, and runs a bimonthly print competition that allows artists—with and without gallery affiliation—to reach an international audience. The only publication of its kind, Art in Print has emerged as a critical resource for artists, curators, scholars, collectors and viewers around the world.

Please visit the 'External Link' below for more information and access to the submission form.

New Prints 2019/Summer will be the 60th presentation of IPCNY's New Prints Program. Established in 2000, the New Prints Program is a twice-annual, juried open call for prints and print-based work created in the preceding twelve months, in keeping with IPCNY's mission of supporting print artists and broadening access to the medium. The juror for New Prints 2019/Summer is Alison Saar.

Artists selected for the exhibition will also be invited to apply for IPCNY's New Prints Artist Development Program. The program includes three opportunities to receive further training, guidance, and exposure for their printmaking practice: an artist residency program, artist mentorship program, and sponsored coursework.

Apply today! Open internationally, no nationality requirements.
-Editioned prints, unique printed works, printed installations, artist’s books, print-based animations, and ephemeral formats are eligible.
-Photography or direct reproductions of other artworks, such as drawings or paintings, are NOT eligible.
-Prints must have been completed 12 months prior to the beginning of the open call, or after. (February 2018 and before are ineligible.)
-Up to 3 images may be submitted.
- There is no entry fee. Self-published artists, workshops, publishers, and galleries are welcome to submit print projects completed within the past twelve months.

IMAGE REQUIREMENTS:
-Images must be in jpeg format, the largest dimension at 1000 pixels.
-Image resolution at 100 dpi or higher.
-Name each image as follows: artist's last name_first name_entry number. (For example: smith_john_01.jpg, smith_john_02.jpg, etc)

Selected artists will be notified by email. If you have not received word by mid-May, please check our website or Facebook for a list of artists.
Selected artists or their workshops/publishers will be responsible for the framing and delivery of work to IPCNY by June 21, 2019. IPCNY will cover the return cost of delivery within reason (up to $100).

We encourage you to apply as early as possible. The deadline is 11:59PM EST on Thursday, May 2, 2019. Applications received after the deadline will not be accepted. Please note: Artists who have exhibited at IPCNY within the past 2 years (New Prints 2017/Summer and later) may NOT submit their work for consideration.

For any questions, contact ljmcnerney@ipcny.org.

Please visit the 'External Link' below for more information about the application process, exhibition juror Alison Saar, and IPCNY's New Prints Artist Development Program.

The Center for Contemporary Printmaking is delighted to announce the 12th Biennial International Miniature Print Competition and Exhibition. This juried competition and exhibition, limited to works that are no more than four square inches (25.8 square cm), encourages artists to explore the miniature print format and provides them with an opportunity for exhibition. It is also an opportunity for artists and the public to view the current concerns of printmakers from around the world. Since its inception in 1997, the competition has attracted entries by more than 1500 artists from around the world and across the U.S.A.

The International Miniature Print Competition is held every other year, alternating with CCP’s other biennial, FootPrint International (for prints measuring exactly 12 x 12 in. square).

ENTRY DEADLINE:
March 8, 2019 (postmark)

JURY NOTIFICATION:
April 6, 2019

JUROR: Tomas Vu-Daniel, Artistic Director for LeRoy Neiman Center for Print Studies at Columbia University
Tomas Vu-Daniel received a BFA from the University of Texas, El Paso, and went on to earn an MFA from Yale University. He has been a professor at Columbia University School of the Arts since 1996, when he helped found the LeRoy Neiman Center for Print Studies. In 2000, he was appointed the LeRoy Neiman Professor of Visual Arts. Since its inception, VuDaniel has served as Director/Artistic Director of the Neiman center. Vu-Daniel has exhibited nationally and internationally and has had solo museum shows in Japan, Italy, China, and Vietnam. Vu-Daniel currently lives and works in New York City.

EXHIBITION DATES:
June 2 – August 25, 2019
Opening Reception: Sunday, June 2, 2019, 2:00 - 4:00 pm

ABOUT CCP:
The Center for Contemporary Printmaking is a nonprofit printmaking studio and gallery dedicated to the art of the print.
At CCP artists can work independently, collaborate with master printers, or enroll in workshops conducted by nationally
recognized artists. We provide studios, equipment, and technical expertise. Exhibitions of original prints are held regularly
in the gallery, and diverse educational programs are offered for experienced and emerging artists.

Please visit the 'External Link' below for more information, including copies of the MiniPrint competition prospectus (available in English and Spanish).

The Awagami International Miniature Print Exhibition (AIMPE) 2013 was held to commemorate the 25th anniversary of Awagami’s Hall of Awa Japanese Handmade Paper. This year, we mark the 30th anniversary of Awagami's 'Hall of Awa Japanese Paper Museum' by hosting AIMPE 2019.

The purpose of this exhibition is to introduce ‘washi’; Japan's traditional handmade paper (and cultural treasure) to international printmakers. In so doing, we are pleased to provide an opportunity for artists to exhibit their prints and to promote expressionistic fine art printmaking. Both Japanese and International artists are all invited to submit their miniprints created on Japanese washi paper --- washi has recently been designated as a UNESCO intangible cultural heritage craft. Digital (Inkjet/Giclee) prints on washi will also be accepted.

Award-winning works will be displayed within Awagami’s Hall of Awa Japanese Handmade Paper Museum. All other prints will be displayed in Awagami’s spacious post-industrial gallery “Inbe Art Space”. Prizewinners from prior years will be displayed at satellite venues in Japan. Concurrently, an exhibition of commissioned works by printmakers hailing from both Japan and the US entitled “Awagami and Print Expression” will be held at Inbe Art Space. During the AIMPE exhibition, printmaking specialists and selected artists will conduct workshops and print-related symposiums at the exhibition sites.

Entries will be accepted from May 1 to July 31, 2019.
The first 500 artists registered by May 31 will receive a free sample pack of Awagami washi papers suitable for printmaking

Please visit the 'External Link' below for more information, including the application form.

MISPRINTS will be a contemporary art exhibition that celebrates the unique outcomes of a printer’s mistake on the 100th anniversary of the first airmail flight and the infamous “Inverted Jenny” stamp.” For stamp collectors, the mistakes are what make a stamp more valuable. For artists, mistakes can also be valuable—leading to new discoveries. This exhibition will lean into the positive outcome of the mistake.

This exhibition is funded in part by a grant from Anacostia Trails Heritage Area.

JUROR:
Gretchen Schermerhorn, Artistic Director, Pyramid Atlantic

ELIGIBILITY:
Artists working in all print media are invited to apply. All work submitted must be available for sale.

SALES:
The sales split will be 60/40, artists’ favor.

NOTIFICATION:
All applicants will be notified via email on February 1. Accepted artists will be given drop off and shipping instructions at this time.

Founded in 1981, Pyramid Atlantic is a nonprofit contemporary art center fostering the creative disciplines of papermaking, printmaking, and book arts within a collaborative community. We equip, educate, and exhibit in our historic Hyattsville home. Our vision is to create an artistic hub in Hyattsville that inspires and enables local, national, and international artists to create and innovate in our core disciplines; elevates the local arts and small business scene; and enhances the quality of life for artists and neighbors. We value artistic excellence, infrastructure for artists, hands-on experiences, and collaboration.

ELIGIBILITY: This exhibit is open to all Atlanta Printmakers Studio members. Each member may enter up to 3 entries for selection. At least one piece will be chosen from each member, and you will receive email notification.

ELIGIBLE TYPES OF WORK: Any type of original, hand-pulled printmaking processes. Entries must incorporate at least one hand-pulled printmaking process and not have been shown in a previous Pressing Matters exhibition. All work must be framed with glass or plexi and ready to hang and not exceed 48 inches in any direction.

AWARDS: A “Best in Show” award of $100 and three “Honorable Mention” awards of $50 each will be selected by Gallery Director Christina Bray.

ABOUT THE GALLERY: The Callanwolde Fine Arts Center is a community arts conservatory and renowned venue located on a historic 12-acre campus in the heart of Atlanta. The gallery features rotating exhibits throughout the year and is located on the second floor of the historic Candler Mansion.
Callanwolde Fine Arts Center 980 Briarcliff Rd, NE Atlanta, GA 30306
404-872-5338

Gallery Hours: Mon-Thurs 9-5pm, Fri 9-2pm, Sat-Sun 9-12pm
Reception: Thursday, February 21, 6-8pm