Seeking additional venues--especially on the west coast--for the exhibition, "Press and Pull: Two Decades at the Robert Blackburn Printmaking Workshop," funded by the Terra Foundation for the Arts and supported by Teiger Foundation and organized by Essye Klempner and Jazmine Catasús from the Robert Blackburn Printmaking Workshop (RBPMW), a program of the Elizabeth Foundation for the Arts.

In 1947, at a time of deep racial segregation, Blackburn founded The Printmaking Workshop in New York City—one of the first interracial, community-based print studios in the United States. Drawing on his formative experiences in Works Progress Administration (WPA) art centers and Harlem's independent artist-run studios, Blackburn created a space devoted to artistic exchange, experimentation, and mutual support.

Artworks include highlights from the Print Archives, a collection of prints including Romare Bearden, Charles White, Robert Blackburn, Faith Ringgold, Camille Billiops and Betty Blayton - contemporary artists include Chakaia Booker, Nontsikelelo Mutiti, Kameelah Janan Rasheed, Dindga McCannon, Baseera Khan and Elliott Jamal Robbins. We also have an interactive educational online platform of the recently completed _The Only Thing That Lasts: An Oral History of Robert Blackburn’s Printmaking Workshop_ funded by Hauser & Wirth Institute and supported by the Dedalus Foundation to be acquired by the Archives of American Art, Smithsonian Institution.
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The exhibition premiered at the James Gallery CUNY Graduate Center Sept 9 - Nov 15, 2025; opened at MassArt Museum of Art Jan 29 - May 31 2026, and opens at the University of Illinois, Chicago - Gallery 400 this September.

Sliding scale $7,500-$16,000 & Sqft. 1,500 - 2,500.

Full color | Monacelli Catalog - Fall 2027 | Contributors include Adrienne L. Childs, Howard Singerman, Yelena Keller, among others.

CALL FOR ENTRIES
Bradbury Art Museum, Arkansas State University
The Bradbury Art Museum (BAM) invites submissions to the 2027 Delta National Small Prints Exhibition (DNSPE), a nationally recognized juried show dedicated to contemporary printmaking. DNSPE showcases the diversity, technical innovation, and conceptual depth of works on paper while supporting the growth of the museum’s permanent collection.
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Deadline: Monday, August 31st, 2026, 11:59PM (CST)
Exhibition Dates: January 29 – March 18, 2027
Juror: Phil Sanders, master printer, educator, author of Prints and Their Makers, 2024, founder of PS Marlowe, a creative services consultancy firm and fine art publisher based in Asheville, NC.
Eligibility: Open to all artists aged 18 or older.
Works must be: Original prints on paper. Created within the past two years.
Acceptable media include, but are not limited to: Intaglio, Lithography, Relief, Serigraphy (screenprint), Digital and photographic processes, Monotype
Not eligible: Reproductions of pre-existing works, Works previously exhibited in DNSPE.

SUBMISSION GUIDELINES
Each artist may submit up to three works.
Images must be: JPEG format (preferred), at least 300 dpi (minimum 2000px on the longest side). All submitted documentation of art works must be publication quality to become accepted works and be reproduced in a full-color exhibition catalog.
By submitting, artists grant permission for images to be used for: Exhibition catalog, promotional materials, and educational purposes.
Unsigned images are preferred.
Selection and Notification: Results will be notified on October 7, 2026. Accepted works must arrive at BAM by November 2, 2026.
Presentation Requirements
Bradbury Art Museum will frame all accepted works.
To ensure proper presentation, works must be: matted or mounted, using only white or off-white matting, or arrive in a ready-to-install state.
Sized to fit one of the following standard dimensions: 16 × 20 inches, 18 × 24 inches, 20 × 24 inches, 24 × 24 inches, 24 × 32 inches. Works that do not meet these specifications cannot be exhibited.
Awards and Acquisitions: Purchase Awards and Juror’s Merit Awards will be announced at the opening.
Award recipients will have an artist statement (up to 100 words) included in the catalog. The artist statement must address the specific work submitted. Please describe the subject matter, the processes and considerations involved in its creation, and the influences that informed it. General or non-specific statements will not be accepted.
Approximately half of the exhibition is traditionally acquired for The Arkansas State University Permanent Collection and Private collectors. Bradbury Art Museum hosts this collection and , for the past 31 years, has amassed an unprecedented archive of contemporary printmaking.

SALES
All works will be available for sale. BAM retains a 30% commission on all sales, including purchase awards. In the event of an unsold work, please indicate whether you would be willing to donate the work to the Bradbury Art Museum’s collection.

ENTRY FEE
$35 (non-refundable),
Includes submission of up to three works.

CONTACT INFO
dnspe@astate.edu
📞 (870) 972-3434
www.bradburyartmuseum.org
Important Note: If you use Gmail, please add dnspe@astate.edu to your contacts to ensure receipt of notifications.

the vermillion zine fest will welcome zinemakers, distributors, and afficionados to vermillion, south dakota, on may 1 and 2, 2026.

tables are free for accepted vendors. vendors do not need previous zine fair/fest experience. small and large zine inventories are welcome. made one zine? come sell and trade. made 100? come sell and trade.

contact: ficklefreckled@gmail.com

Call For Entry, California Society of Printmakersat the Triton Museum
Expanding the Field: New Ideas in and Beyond Print.
Submission deadline: July 9, 2025.

California Society of Printmakers is partnering with the Triton Museum in Santa Clara, CA to highlight the power and possibilities of contemporary printmaking. This call aims to give printmakers the opportunity to showcase and exhibit their most innovative, and evolving work. Successful entrants will produce uniquely thoughtful imagery. Artwork will go beyond the traditional bounds of printmaking, in terms of technique, content, or concept. This exhibition seeks to encourage work that expands beyond the paper’s edge, extends off the wall, interlocks, or expresses in multiples, tells a great story, and propels what we consider printmaking.

This is a National Call for Entry on the callforentry.org platform; open to all artists working in the United States in any printmaking medium. Work must incorporate a form of hand pulled printmaking.

Link to submission application, full prospectus, restrictions and requirements:
https://artist.callforentry.org/festivals_unique_info.php?ID=15164

The juror will accept submissions based on the works unique vision, aesthetic depth, and innovative outcomes.
Selected artwork will be on view at the Triton Museum. The juror will choose a larger collection, up to 50 artworks, from the submitted entries to be shown on the CSP website. The number of works displayed at the Triton Museum is dependent on the size of the work selected and the museum’s main Warburton Gallery exhibition space.

This call will be juried by Monique Martin.
www.moniqueart.com
x/insta: @moniquesart

Entry Fee: $35 for up to 2 artworks. CSP Members $25 for up to 2 artworks.
(includes .jpgs for 2 works, with allowance for 2 detail images and 1 video, per each artwork entry)

Schedule of Important Dates
• Submission deadline: July 9, 2025.
• Exhibition dates: August 30, 2025–January 11, 2026
• Submission deadline: July 9, 2025
• Participants notified: July 29–31, 2025
• Delivery / drop off: Aug 5-19, 2025
• Opening reception: August 30, 2025
• Artwork pick up: Beginning January 16, 2026

A video link will be announced to discuss all aspects and possibilities of this call: caprintmakers.org.

For reduced entry fee for CSP Members visit:
https://www.caprintmakers.org/2025/03/30/call-for-entry-csp-at-the-triton-museum/

Please email exhibitions@caprintmakers.org with any questions.

Call For Entry, CSP at the Triton Museum | Expanding the Field; New Ideas in and Beyond Print.
Submission deadline: July 9, 2025.

California Society of Printmakers is partnering with the Triton Museum in Santa Clara, CA to highlight the power and possibilities of contemporary printmaking. This call aims to give printmakers the opportunity to showcase and exhibit their most innovative, and evolving work. Successful entrants will produce uniquely thoughtful imagery. Artwork will go beyond the traditional bounds of printmaking, in terms of technique, content, or concept. This exhibition seeks to encourage work that expands beyond the paper’s edge, extends off the wall, interlocks, or expresses in multiples, tells a great story, and propels what we consider printmaking.

This is a National Call for Entry on the callforentry.org platform; open to all artists working in the United States in any printmaking medium. Work must incorporate a form of hand pulled printmaking.

The juror will accept submissions based on the works unique vision, aesthetic depth, and innovative outcomes.
Selected artwork will be on view at the Triton Museum. The juror will choose a larger collection, up to 50 artworks, from the submitted entries to be shown on the CSP website. The number of works displayed at the Triton Museum is dependent on the size of the work selected and the museum’s main Warburton Gallery.

Link to submission application, full prospectus, restrictions and requirements:
https://artist.callforentry.org/festivals_unique_info.php?ID=15164

This call will be juried by Monique Martin.
www.moniqueart.com
x/insta: @moniquesart

Entry Fee: $35 for up to 2 artworks. CSP Members $25 for up to 2 artworks.
(includes .jpgs for 2 works, with allowance for 2 detail images and 1 video, per each piece of artwork)

Schedule of Important Dates
Submission deadline: July 9, 2025.
Exhibition dates: August 30, 2025–January 11, 2026
Submission deadline: July 9, 2025
Participants notified: July 29–31, 2025
Delivery / drop off: Aug 5-19, 2025
Opening reception: August 30, 2025
Artwork pick up: Beginning January 16, 2026

A video link will be announced to discuss all aspects and possibilities of this call: caprintmakers.org.

For reduced entry fee for CSP Members visit:
https://www.caprintmakers.org/2025/03/30/call-for-entry-csp-at-the-triton-museum/

Please email exhibitions@caprintmakers.org with any questions.

This call is open to artists of all levels, from emerging talents to established professionals, who work with printmaking in any of its myriad forms. We welcome entries in traditional techniques such as etching, lithography, woodcut, and screen printing, as well as contemporary and experimental approaches that push the boundaries of the medium.

Awards: 1st place $300, 2nd place $200, 3rd place $100, two $50 Coordinators awards.

For over thirty years, SebArts’ gallery and exhibitions have been rated the best of Sonoma County. Major exhibitions have featured world-renowned artists and jurors, such as Reverberations, the International Fiber Show and many others. Each exhibition features local, regional, national and international artists displaying award winning works for the community. Our exhibitions are well attended, and the art at the show is often sold.

SebArts is one of the most vibrant arts organizations in Northern, California. Since 1988 it has engaged and inspired the community through presentations of contemporary art, music, dance, film, and literary events. Through classes and workshops it strives to educate and deepen the interest in the arts for adults, teens and children. The Center is located in a 17,800 square foot building in downtown Sebastopol where it offers a large variety of arts programs and is a creative force in California. Sebastopol, located 60 miles north of San Francisco, is one of America’s premier destinations for food, wine, and the arts, attracting thousands of visitors each year.

Entry Deadline: Nov. 15, 2024.
Exhibition Dates: Jan. 4–Feb. 2, 2025.
Entry Fee: $35.00
Eligibility: International.
Artwork Images: minimum 1, maximum 3.
Submit online through CaFE: www.callforentry.com.
Prospectus and Details: www.sebarts.org/call-for-entries.

ELIGIBILITY
– Open to artists worldwide.
– Maximum of 3 pieces (artwork) per artist.
– Wall hung work may not exceed 8ft height x 5ft width
– Wall mounted work needs to include fixtures and be ready to hang.
– All work must be original (no reproductions of original artwork)
– All work must not have been previously shown in the SebArts Gallery.

SELECTION
Work will be selected from online applications.
The juror will view all work in an anonymous manner.
SebArts may exclude work that does not reflect the quality of the work presented in the application.

NOTIFICATION
Artists will be notified by email of acceptance by December 1, 2024

SUBMISSIONS MAY BE ENTERED ONLINE ONLY
Please ensure that all images are 5MB or less in size and are in JPEG format.
Each entry/piece can have one main image and up to two additional images/views (to show perspective or detail).
We advise that you submit high quality images that best represent your work. Work that differs from the submission image may not be included in the exhibition.

CONTACT
https://www.sebarts.org
visualarts@sebarts.org
(707) 829-4797

PrintAustin is excited to announce the open call for its 12th annual juried international exhibition, The Contemporary Print. Presented in collaboration with The Art Galleries at Austin Community College, this year’s exhibition will be juried by Laurel Gerber, Park Family Assistant Curator of Prints and Drawings, Philadelphia Museum of Art.

The Contemporary Print is a survey of traditional printmaking techniques and innovative approaches in contemporary printmaking. While non-traditional or digital output is accepted as a print element, submissions must utilize traditional print media as their primary technique. These include lithography, relief, intaglio, silkscreen, photopolymer plate (i.e. SolarPlates), and monotype. Solely digital and photographic prints are not eligible. For questions regarding eligible media, please contact info@printaustin.org.

Prizes!
Best is Show receives $500 in cash and a podcast interview by Hello, Print Friend (English or Spanish)
Runners up receive a podcast by Platemark or Studio Noize
Vendor booth and conference ticket to SGCI's upcoming conference in Puerto Rico (April 2025)
$150 gift certificate to Takach Press
$150 worth or printmaking supplies by LardeCorp
$75 gift certificate to The Morgan Conservatory

Please visit printaustin.org for more information.

SAGA is happy to announce its 3rd Mini Gems Open Call. Get ready to submit your miniature prints for jurying consideration by September 6, 2024.

SAGA’s Mini Gems is a national, juried miniature print exhibition, held in our gallery in Union Square, NYC since 2022. This year we will show 200 miniature prints on Saturdays from December 7, 2024 to January 4, 2025, giving over $1000 in awards. This is a call open to all print artists across the country.

Juror: Katie Michel, founder & director of Planthouse Gallery, NYC.

The Society of American Graphic Artists (SAGA) is happy to announce its 2nd Annual Mini Gems Print Exhibition. Due to the success of our 1st Mini Gems, we are able to increase capacity by 50% this year. Hundreds of miniature prints will be exhibited in SAGA Gallery, located in Union Square, New York City, and will run on September 8, 9, 15, 16, 22, 23, and by appointment during September 2023.

The Atlanta Print Biennial is an international juried exhibition, open to all artists working in hand-pulled printmaking processes. The exhibit is organized by Atlanta Printmakers Studio and hosted by Kai Lin Art, a contemporary art gallery located in the vibrant Westside District of Midtown Atlanta, GA.

This year’s juror is Miranda K. Metcalf. Metcalf holds a B.A. from the University of Washington in Philosophy and an M.A. from the University of Arizona in Art History, focusing on printmaking. After graduating, she became the Director of Contemporary Printmaking at Davidson Galleries in Seattle, Washington. In 2017 she moved to Sydney, Australia, where she worked with the world-renowned Cicada Press at the University of New South Wales. After two years Down Under, she relocated to Bangkok, Thailand, to take a director position at S.A.C. Gallery. She returned to the United States in 2021 and is a freelance writer, podcaster, and director of the month-long printmaking festival Print Santa Fe. Her podcast Hello, Print Friend is the longest-running print-centric podcast, with over 200 episodes featuring artists from thirty countries. When not working, she is gazing adoringly at her two Thai street dogs, which now live with her in Santa Fe, New Mexico.

Please visit the link below for submission guidelines.