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Exhibition Participation Posted: 05/05/2025
Posted by: Karen Gallagher-Iverson Expires: 07/09/2025

Call For Entry | Expanding the Field: New Ideas in & Beyond Print

Triton Museum, Santa Clara, CA
Santa Clara, CA, United States
08/30/2025 to 01/11/2026
Submissions due: 07/09/2025
Call For Entry, California Society of Printmakersat the Triton Museum
Expanding the Field: New Ideas in and Beyond Print.
Submission deadline: July 9, 2025.

California Society of Printmakers is partnering with the Triton Museum in Santa Clara, CA to highlight the power and possibilities of contemporary printmaking. This call aims to give printmakers the opportunity to showcase and exhibit their most innovative, and evolving work. Successful entrants will produce uniquely thoughtful imagery. Artwork will go beyond the traditional bounds of printmaking, in terms of technique, content, or concept. This exhibition seeks to encourage work that expands beyond the paper’s edge, extends off the wall, interlocks, or expresses in multiples, tells a great story, and propels what we consider printmaking.

This is a National Call for Entry on the callforentry.org platform; open to all artists working in the United States in any printmaking medium. Work must incorporate a form of hand pulled printmaking.

Link to submission application, full prospectus, restrictions and requirements:
https://artist.callforentry.org/festivals_unique_info.php?ID=15164

The juror will accept submissions based on the works unique vision, aesthetic depth, and innovative outcomes.
Selected artwork will be on view at the Triton Museum. The juror will choose a larger collection, up to 50 artworks, from the submitted entries to be shown on the CSP website. The number of works displayed at the Triton Museum is dependent on the size of the work selected and the museum’s main Warburton Gallery exhibition space.

This call will be juried by Monique Martin.
www.moniqueart.com
x/insta: @moniquesart

Entry Fee: $35 for up to 2 artworks. CSP Members $25 for up to 2 artworks.
(includes .jpgs for 2 works, with allowance for 2 detail images and 1 video, per each artwork entry)

Schedule of Important Dates
• Submission deadline: July 9, 2025.
• Exhibition dates: August 30, 2025–January 11, 2026
• Submission deadline: July 9, 2025
• Participants notified: July 29–31, 2025
• Delivery / drop off: Aug 5-19, 2025
• Opening reception: August 30, 2025
• Artwork pick up: Beginning January 16, 2026

A video link will be announced to discuss all aspects and possibilities of this call: caprintmakers.org.

For reduced entry fee for CSP Members visit:
https://www.caprintmakers.org/2025/03/30/call-for-entry-csp-at-the-triton-museum/

Please email exhibitions@caprintmakers.org with any questions.
Relevant research areas: North America, Contemporary, Book arts, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 04/27/2025
Posted by: Karen Gallagher-Iverson Expires: 07/09/2025

CFE: Expanding the Field; New Ideas in and Beyond Print

Triton Museum
Santa Clara, CA, United States
08/30/2025 to 01/11/2026
Submissions due: 07/09/2025
Call For Entry, CSP at the Triton Museum | Expanding the Field; New Ideas in and Beyond Print.
Submission deadline: July 9, 2025.

California Society of Printmakers is partnering with the Triton Museum in Santa Clara, CA to highlight the power and possibilities of contemporary printmaking. This call aims to give printmakers the opportunity to showcase and exhibit their most innovative, and evolving work. Successful entrants will produce uniquely thoughtful imagery. Artwork will go beyond the traditional bounds of printmaking, in terms of technique, content, or concept. This exhibition seeks to encourage work that expands beyond the paper’s edge, extends off the wall, interlocks, or expresses in multiples, tells a great story, and propels what we consider printmaking.

This is a National Call for Entry on the callforentry.org platform; open to all artists working in the United States in any printmaking medium. Work must incorporate a form of hand pulled printmaking.

The juror will accept submissions based on the works unique vision, aesthetic depth, and innovative outcomes.
Selected artwork will be on view at the Triton Museum. The juror will choose a larger collection, up to 50 artworks, from the submitted entries to be shown on the CSP website. The number of works displayed at the Triton Museum is dependent on the size of the work selected and the museum’s main Warburton Gallery.

Link to submission application, full prospectus, restrictions and requirements:
https://artist.callforentry.org/festivals_unique_info.php?ID=15164

This call will be juried by Monique Martin.
www.moniqueart.com
x/insta: @moniquesart

Entry Fee: $35 for up to 2 artworks. CSP Members $25 for up to 2 artworks.
(includes .jpgs for 2 works, with allowance for 2 detail images and 1 video, per each piece of artwork)

Schedule of Important Dates
Submission deadline: July 9, 2025.
Exhibition dates: August 30, 2025–January 11, 2026
Submission deadline: July 9, 2025
Participants notified: July 29–31, 2025
Delivery / drop off: Aug 5-19, 2025
Opening reception: August 30, 2025
Artwork pick up: Beginning January 16, 2026

A video link will be announced to discuss all aspects and possibilities of this call: caprintmakers.org.

For reduced entry fee for CSP Members visit:
https://www.caprintmakers.org/2025/03/30/call-for-entry-csp-at-the-triton-museum/

Please email exhibitions@caprintmakers.org with any questions.
Relevant research areas: Contemporary, Book arts, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 10/26/2024
Posted by: Karen Gallagher-Iverson Expires: 11/15/2024

Impressions In Ink: Celebrating Printmaking In All Forms (expired)

SebArts
Sebastopol, Sonoma County, CA, United States
01/04/2025 to 02/02/2025
Submissions due: 11/15/2024
This call is open to artists of all levels, from emerging talents to established professionals, who work with printmaking in any of its myriad forms. We welcome entries in traditional techniques such as etching, lithography, woodcut, and screen printing, as well as contemporary and experimental approaches that push the boundaries of the medium.

Awards: 1st place $300, 2nd place $200, 3rd place $100, two $50 Coordinators awards.

For over thirty years, SebArts’ gallery and exhibitions have been rated the best of Sonoma County. Major exhibitions have featured world-renowned artists and jurors, such as Reverberations, the International Fiber Show and many others. Each exhibition features local, regional, national and international artists displaying award winning works for the community. Our exhibitions are well attended, and the art at the show is often sold.

SebArts is one of the most vibrant arts organizations in Northern, California. Since 1988 it has engaged and inspired the community through presentations of contemporary art, music, dance, film, and literary events. Through classes and workshops it strives to educate and deepen the interest in the arts for adults, teens and children. The Center is located in a 17,800 square foot building in downtown Sebastopol where it offers a large variety of arts programs and is a creative force in California. Sebastopol, located 60 miles north of San Francisco, is one of America’s premier destinations for food, wine, and the arts, attracting thousands of visitors each year.

Entry Deadline: Nov. 15, 2024.
Exhibition Dates: Jan. 4–Feb. 2, 2025.
Entry Fee: $35.00
Eligibility: International.
Artwork Images: minimum 1, maximum 3.
Submit online through CaFE: www.callforentry.com.
Prospectus and Details: www.sebarts.org/call-for-entries.

ELIGIBILITY
– Open to artists worldwide.
– Maximum of 3 pieces (artwork) per artist.
– Wall hung work may not exceed 8ft height x 5ft width
– Wall mounted work needs to include fixtures and be ready to hang.
– All work must be original (no reproductions of original artwork)
– All work must not have been previously shown in the SebArts Gallery.

SELECTION
Work will be selected from online applications.
The juror will view all work in an anonymous manner.
SebArts may exclude work that does not reflect the quality of the work presented in the application.

NOTIFICATION
Artists will be notified by email of acceptance by December 1, 2024

SUBMISSIONS MAY BE ENTERED ONLINE ONLY
Please ensure that all images are 5MB or less in size and are in JPEG format.
Each entry/piece can have one main image and up to two additional images/views (to show perspective or detail).
We advise that you submit high quality images that best represent your work. Work that differs from the submission image may not be included in the exhibition.

CONTACT
https://www.sebarts.org
visualarts@sebarts.org
(707) 829-4797
Relevant research areas: North America, South America, Western Europe, Eastern Europe, South Asia, East Asia, Africa, Australia, Middle East, Contemporary, Book arts, Collograph, Engraving, Etching, Lithography, Monoprinting, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 09/25/2024
Posted by: Catherine Savage Expires: 10/01/2024

The Contemporary Print 2025

The Art Galleries at Austin Community College
Austin, TX, United States
01/21/2025 to 03/20/2025
Submissions due: 10/01/2024
PrintAustin is excited to announce the open call for its 12th annual juried international exhibition, The Contemporary Print. Presented in collaboration with The Art Galleries at Austin Community College, this year’s exhibition will be juried by Laurel Gerber, Park Family Assistant Curator of Prints and Drawings, Philadelphia Museum of Art.

The Contemporary Print is a survey of traditional printmaking techniques and innovative approaches in contemporary printmaking. While non-traditional or digital output is accepted as a print element, submissions must utilize traditional print media as their primary technique. These include lithography, relief, intaglio, silkscreen, photopolymer plate (i.e. SolarPlates), and monotype. Solely digital and photographic prints are not eligible. For questions regarding eligible media, please contact info@printaustin.org.

Prizes!
Best is Show receives $500 in cash and a podcast interview by Hello, Print Friend (English or Spanish)
Runners up receive a podcast by Platemark or Studio Noize
Vendor booth and conference ticket to SGCI's upcoming conference in Puerto Rico (April 2025)
$150 gift certificate to Takach Press
$150 worth or printmaking supplies by LardeCorp
$75 gift certificate to The Morgan Conservatory

Please visit printaustin.org for more information.
Relevant research areas: North America, Contemporary, Book arts, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 07/24/2024
Posted by: Diego Briceno Expires: 09/06/2024

3rd Mini Gems Open Call

SAGA Gallery, NYC.
New York, NY, United States
12/07/2024 to 01/04/2025
Submissions due: 09/06/2024
SAGA is happy to announce its 3rd Mini Gems Open Call. Get ready to submit your miniature prints for jurying consideration by September 6, 2024.

SAGA’s Mini Gems is a national, juried miniature print exhibition, held in our gallery in Union Square, NYC since 2022. This year we will show 200 miniature prints on Saturdays from December 7, 2024 to January 4, 2025, giving over $1000 in awards. This is a call open to all print artists across the country.

Juror: Katie Michel, founder & director of Planthouse Gallery, NYC.

Relevant research areas: North America, Contemporary, Book arts, Collograph, Digital printmaking, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 05/24/2023
Posted by: Diego Briceno Expires: 07/14/2023

2nd Annual Mini Gems Open Call

SAGA Gallery
New York, NY, United States
09/08/2023 to 09/23/2023
Submissions due: 07/14/2023
The Society of American Graphic Artists (SAGA) is happy to announce its 2nd Annual Mini Gems Print Exhibition. Due to the success of our 1st Mini Gems, we are able to increase capacity by 50% this year. Hundreds of miniature prints will be exhibited in SAGA Gallery, located in Union Square, New York City, and will run on September 8, 9, 15, 16, 22, 23, and by appointment during September 2023.

Relevant research areas: North America, Contemporary, Collograph, Engraving, Etching, Lithography, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 04/18/2023
Posted by: Association of Print Scholars Expires: 05/19/2023

Atlanta Print Biennial

Kai Lin Art
Atlanta, GA, United States
07/14/2023 to 08/25/2023
Submissions due: 05/19/2023
The Atlanta Print Biennial is an international juried exhibition, open to all artists working in hand-pulled printmaking processes. The exhibit is organized by Atlanta Printmakers Studio and hosted by Kai Lin Art, a contemporary art gallery located in the vibrant Westside District of Midtown Atlanta, GA.

This year’s juror is Miranda K. Metcalf. Metcalf holds a B.A. from the University of Washington in Philosophy and an M.A. from the University of Arizona in Art History, focusing on printmaking. After graduating, she became the Director of Contemporary Printmaking at Davidson Galleries in Seattle, Washington. In 2017 she moved to Sydney, Australia, where she worked with the world-renowned Cicada Press at the University of New South Wales. After two years Down Under, she relocated to Bangkok, Thailand, to take a director position at S.A.C. Gallery. She returned to the United States in 2021 and is a freelance writer, podcaster, and director of the month-long printmaking festival Print Santa Fe. Her podcast Hello, Print Friend is the longest-running print-centric podcast, with over 200 episodes featuring artists from thirty countries. When not working, she is gazing adoringly at her two Thai street dogs, which now live with her in Santa Fe, New Mexico.

Please visit the link below for submission guidelines.

External Link
Exhibition Participation Posted: 01/29/2023
Posted by: Eddy Lopez Expires: 03/20/2023

Call for prints – To Be Cool, Fearless: Dialogos e Interpretaciones 2023

Palacio de Bellas Artes, Universidad de Caldas, Manizales, Colombia
Manizales, Colombia
05/16/2023 to 05/30/2023
Submissions due: 03/20/2023
CALL FOR PRINTS
Dialogos E Interpretaciones was established in 2012 with the goal of creating greater artistic and cultural exchange between printmakers of the United States, Colombia, and Latin America.

Colombia is going through a historic moment, for more than 300 years the Colombian people have been led by right-wing political parties, which have increased the physical and spiritual poverty of Colombians. A historic moment because this year the "historical pact" political party was elected by popular vote, of which one of its slogans of its mottos is to govern to “vivir sabroso, vivir sin miedo” -- “To be cool, fearless.” It is clear, and it is stated in its government plan, that the party that won the presidential elections is not from the "left" as its detractors want to delegitimize it. It is a social democratic party, which will lead Colombia with the desire to close the inequality gap, where more than 21 million people live in misery, that is, they want us to live well, with joy, without fear.

Important dates
Deadline: March 15, 2023 11:59pm
Fee: US $35 non-refundable for up to three prints
Exhibition date: May 16 – May 30, 2023
Jury notification: April 1, 2023
Exhibition partner: Palacio de Bellas Artes, Universidad de Caldas, Manizales, Colombia

Participation fee:
US$35 non-refundable entry fee, payable via paypal.me/dialogoseinterpreta

The exhibition project raises 100% of its operating budget, and the fees directly support the prizes for the winners and the installation of the exhibition.

Prize:
The most outstanding artist will be awarded a solo exhibition in 2024 in La Rotonda Gallery of the Palace of Fine Arts, University of Caldas, Manizales, Colombia.

Eligibility
• Any artist over the age of 18 is eligible to participate and/or any person who uses printmaking as a creative process.
• All fine art print media, including woodcut, gravure, lithography, screen printing, monotype, contemporary media such as waterless, lithopolyester, collagraphy, and original digital media are acceptable.
• Drawings, photographs or direct offset reproductions are not accepted.
• All prints must be numbered and signed in pencil by the artist.
• The format and size is open.
• the maximum size of the paper must be 14.4” on the longest side
• Only two-dimensional works will be accepted.
• The submitted work must have been completed within the last three years
• Up to three images can be submitted and only one submission per person is allowed.

Submitting work for jurying:
• Submit JPEG photos of your prints via email by the due date, March 15, 2023. Please send submission to: dialogoseinterpretaciones@gmail.com
• Title your email subject line: "your name_ dialogoseinterpretaciones 2023", example: "perez jose_ dialogoseinterpretaciones 2023"
• Submit up to three prints, in JPEG format, 1200-2000 pixels in the longest side, with a maximum file size for each image of 1MB.
• JPEG files must be tagged as follows:
surname_firstname _shipping number
example: perez_jose_1.jpeg; perez_jose_2.jpeg; perez_jose_3.jpeg
• Attach a PDF document that includes information about each of your submissions. Please include your full name, address, email, phone number and all artwork information (title, full author name, medium, year of execution, paper size, print size, class or type of paper) for each image.

The evaluation to select the works for exhibition will be carried out by an external jury. Selected prints for exhibition will be announced on April 1, 2023. Awards will be announced during the opening of the exhibition on May 23, 2023.

Juror
Eddy López, Assistant Professor of Art, Department of Art and Art History, Bucknell

Accepted artists will be notified on April 1, 2023. Details for shipping will be shared then. For questions, please email: dialogoseinterpretaciones@gmail.com
Relevant research areas: South America, Contemporary, Book arts, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
Exhibition Participation Posted: 10/14/2022
Posted by: Catherine Savage Expires: 11/01/2022

The Contemporary Print

https://admc.austincc.edu/tag/
Austin, TX, United States
01/23/2023 to 03/13/2023
Submissions due: 11/01/2022
The Contemporary Print is presented in collaboration with The Art Galleries at Austin Community College for an exhibit from January 23 through March 13, 2023. Zane Bennett Contemporary Gallery representatives will be extending individual invitations to artists selected to TCP for exhibition in their gallery during Print Santa Fe in April 2023. PrintAustin will be responsible for shipping the work from Austin to Santa Fe. Reception dates TBD.

JUDGING: This is a blind jury, and works will be judged on traditional printmaking techniques and innovative approaches in contemporary printmaking. While non-traditional or digital output is accepted as a print element, submissions must utilize traditional print media as their primary technique. These include lithography, relief, intaglio, silkscreen, photopolymer plate (i.e. SolarPlates), and monotype. Solely digital and photographic prints are not eligible. For questions regarding eligible media, please contact info@printaustin.org. NOTE: You may enter the same work into 5×5 and TCP should you decide to enter both contests. However, you will be disqualified from winning top prize in TCP should you be selected into 5×5.

ABOUT OUR JUROR: Rashaun Rucker (b. 1978, Winston-Salem, NC) ) is a product of North Carolina Central University and Marygrove College. He makes photographs, prints and drawings and has won more than 40 national and state awards for his work. In 2008 Rucker became the first African American to be named Michigan Press Photographer of the Year. He also won a national Emmy Award in 2008 for documentary photography on the pit bull culture in Detroit. Rucker was a Maynard Fellow at Harvard in 2009 and a Hearst visiting professional in the journalism department at UNC-Chapel Hill in 2013. In 2014 Rucker was awarded an artist residency at the Red Bull House of Art. In 2016 Rucker was honored as a Modern Man by Black Enterprise magazine. In 2017 Rucker created the original artwork for the critically acclaimed Detroit Free Press documentary 12 and Clairmount. His work was recently featured in HBO’s celebrated series Random Acts of Flyness and Native Son. In 2019 Rucker was awarded the Red Bull Arts Detroit micro grant and was named a Kresge Arts Fellow for his drawing practice. In 2020 Rucker was named A Sustainable Arts Foundation Awardee. Rucker was a 2021 resident at the International Studios and Curatorial Program (ISCP) in Brooklyn, New York and is currently a Mellon Resident at the University of Michigan Institute of Humanities. Rucker’s diverse work is represented in numerous public and private collections.

Discounts: PrintAustin members will be able to pay $2 to enter vs the regular $35 fee. Find out more about membership. We have a limited number of waived registration fees regardless of membership status for artists in need should you be experiencing hardship. Please email us at info@printaustin.org if you’d like to check availability. All applications need to go through the CaFE application system.

Mission Statement for The Art Galleries at Austin Community College: We believe that community-wide engagement with the visual arts produces important dialogues, creates new ideas, and gives voice to diverse viewpoints. We value arts education and open artistic expression through exhibitions and programming as a service to ACC and our community.

Deadline to apply: November 1, 2022 at 11:59pm (CST)
Relevant research areas: North America, Contemporary, Book arts, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
Exhibition Participation Posted: 10/14/2022
Posted by: Catherine Savage Expires: 11/01/2022

PrintAustin 5X5 and Print Santa Fe 5X5

Link and Pin Gallery (Austin), Form & Concept (Santa Fe)
Austin, TX and/or Santa Fe, NM, United States
01/15/2023 to 02/15/2023
Submissions due: 11/01/2022
Juried exhibitions to be shown during PrintAustin and Print Santa Fe. Only one entry needed to apply to both exhibitions!

We’re excited to announce its 3rd iteration of 5X5, our juried exhibition with extended artist features. We’ve added a new dynamic this time and will have two jurors pulling from identical submissions, creating two exhibitions. Our jurors are Holly Borham, Curator of Exhibitions at the Blanton Museum of Art for the Austin exhibit and Jordan Eddy, Gallery Director at Zane Bennett, for the Santa Fe exhibit. For PA 5×5 we will have an in-person element at Link & Pin Gallery in Austin (Jan-Feb, 2023) for artists chosen by Holly Borham, and for PSF 5×5, an exhibition at Zane Bennett Gallery in Santa Fe (April 2023) of works chosen by Jordan Eddy. The 5X5 will feature five artists per juror, with artists selected based on their collective submission. Each winner will be awarded a $500 stipend.

The ten 5X5 Selected artists will receive:

A stipend of $500
Catalog of exhibition
A podcast interview with either Hello, Print Friend or Studio Noize
An invitation to participate in our Instagram Residency where they will take over PrintAustin’s Instagram account for up to 3 days to help promote their work
The opportunity to participate in additional programming such as IGTV, Zoom conference, podcast, or panel discussion related to their work or studio practice
An Artist Feature in one of our weekly e-newsletter blasts during PrintAustin or Print Santa Fe 2023
Two pieces chosen to hang in an in-person exhibition at Link & Pin, mid January – February, 2023
All five pieces to hang in an in-person exhibition at Zane Bennett, April 2023
JUDGING: This is a blind jury and works will be judged on traditional printmaking techniques and innovative approaches in contemporary printmaking. While non-traditional or digital output is accepted as a print element, submissions must utilize traditional print media as their primary technique. These include lithography, relief, intaglio, silkscreen, photopolymer plate (i.e. SolarPlates), and monotype. Solely digital and photographic prints are not eligible. For questions regarding eligible media, please contact info@printaustin.org.

ABOUT OUR JURORS:
Holly Borham has been at the Blanton Museum of Art since 2017, where she is Associate Curator of Prints, Drawings, and European Art. Her exhibitions include Fantastically French! Design and Architecture in 16th to 18th-Century Prints (2022), After Michelangelo, Past Picasso: Leo Steinberg’s Library of Prints (2021), and Copies, Fakes and Reproductions: Printmaking in the Renaissance (2019). Holly earned her PhD in Art and Archaeology from Princeton University and is a member of Print Council of America.

Jordan Eddy is a Santa Fe-based writer, curator, and gallerist. He is the director of form & concept and Zane Bennett Contemporary Art, and he is cofounder of the project space No Land. He has contributed to multiple print and digital publications.

FEES AND DISCOUNTS: PrintAustin members will be able to pay $2 to enter vs the regular $35 fee. Find out more about membership. We have a limited number of waived registration fees regardless of membership status for artists in need should you be experiencing hardship. Please email us at info@printaustin.org if you’d like to check availability. All applications need to go through the CaFE application system.

Deadline to apply: November 1, 2022 at 11:59pm (CST)
Relevant research areas: North America, Contemporary, Book arts, Collograph, Engraving, Etching, Letterpress, Lithography, Monoprinting, Papermaking, Relief printing, Screenprinting
External Link
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