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Book Chapter
Posted: 05/15/2016
Jun Nakamura.
"On Hercules Segers’s ‘Printed Paintings’."
In
Printing Colour 1400–1700: Histories, Techniques, Functions and Receptions, edited by Ad Stijnman and Elizabeth Savage.
Leiden:
Brill,
2015: 189-195.
Book Chapter
Posted: 03/10/2016
Maureen Warren.
"Fame’s Two Trumpets: Portrait Prints and Politics in Early Modern Europe."
In
Van Dyck, Rembrandt, and the Portrait Print.
New Haven:
Yale University Press,
2016: 72-85.
Book Chapter
Posted: 02/27/2016
Kathryn Brown.
"Enacting Beauty: Baudelaire, Matisse, and Les Fleurs du mal.."
In The Art Book Tradition in Twentieth-Century Europe: Picturing Language, edited by Kathryn Brown.
Farnham:
Ashgate,
2013: 31–44.
Book Chapter
Posted: 09/15/2015
Simon Turner.
"‘I will not alter an Iota for any Mans Opinion upon Earth’: James Gillrayʼs Portraits of William Pitt the Younger."
In
Burning Bright: Essays in Honour of David Bindman, edited by Diana Dethloff, Tessa Murdoch and Kim Sloan, with Caroline Elam.
London:
UCL Press,
2015: 197-206.
Book Chapter
Posted: 09/08/2015
Christina Weyl.
"Emily Mason: A Painterly Printmaker."
In
Emily Mason: The Light in Spring.
Lebanon, NH:
University Press of New England,
2015: 92-99.
This essay contribution to a new monograph about Emily Mason (b. 1932) provides an overview of the artist's inventive and unorthodox prints made throughout the last 25 years. Mason is known for breaking the established "rules" of printmaking by reimagining innovative applications of existing methods. Further distancing herself from printmaking’s conventions, Mason rarely produces editions, but instead pursues what she calls “unique states,” allowing her to explore a multitude of effects. The catalogue is richly illustrated with over 100 color plates.
Book Chapter
Posted: 06/09/2015
Ad Stijnman.
"Frankfurt Black : tryginon appelantes, faex vini arefacta et cocta in fornace."
In
Trade in Artists’ Materials: Markets and Commerce in Europe to 1700, edited by Jo Kirby, Susie Nash and Joanna Cannon.
London:
Archetype,
2010: 415-425 .
Book Chapter
Posted: 06/09/2015
Ad Stijnman, Ulla Knuutinen
.
"Analysing intaglio printing ink."
In
Choices in conservation : practice versus research. Proceedings of the interim meeting of the ICOM-CC working group Graphic Documents.
Copenhagen:
Royal Library,
2010: 89-93 .
Book Chapter
Posted: 06/09/2015
Ad Stijnman.
"A short-title bibliography of the Secreti by Alessio Piemontese."
In
The artist's process : technology and interpretation : proceedings of the fourth symposium of the Art Technological Source Research working group, edited by Sigrid Eyb-Green, Joyce H. Townsend, Mark Clarke, Jilleeen Nadolny and Stefanos Kroustallis.
London:
Archetype,
2012: 32-47.
The first edition of the 'Secreti' by Alessio Piemontese has the oldest printed recipe for intaglio printing ink, on pp. 188-189. The recipe is repeated in a number of its 266 editions, translations, reworked versions and photomechanical reprints.
Book Chapter
Posted: 06/09/2015
Ad Stijnman.
"Artificial black pigment : the case of Frankfurter Schwarz / Frankfurt Black / Noir de Francfort / Frankfort Zwart / Negro de Frankfurt.."
In
Fatto d’archimia : los pigmentos artificiales en las téchnicas pictóricas, edited by Marián del Egido, Stefanos Kroustallis.
Madrid:
Ministerio de Educacion, Cultura y Deporte,
2012: 293-306.
Book Chapter
Posted: 06/09/2015
Ad Stijnman.
"The Colours of Black : Printing Inks for Blockbooks."
In
Blockbücher des 15. Jahrhundert, eine Experimentierphase im frühen Buchdruck : Beiträge der Fachtagung in der Bayerischen Staatsbibliothek München am 16. und 17. Februar 2012, edited by Bettina von Wagner.
Wiesbaden:
Harrassowitz,
2013: 59–80.
Bibliothek und Wissenschaft 46
