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Book Chapter
Posted: 02/28/2025
Crawford Mann.
"Raphael, Jonah, and Antinoüs: Problems of Male Beauty and Sexuality on the Grand Tour."
In
Male Bonds in Nineteenth-Century Art, edited by Thijs Dekeukeleire, Henk de Smaele, and Marjan Sterckx.
Leuven, Belgium:
Leuven University Press,
2022: 159-176.
Book Chapter
Posted: 02/28/2025
Crawford Mann.
"Strange Currents: Susan Watkins and the Expatriate Artists of Capri."
In
Toppling Tradition: Susan Watkins and Women Artists of the Progressive Era, edited by Corey Piper.
New Haven, CT:
Yale University Press,
2025: 124-139.
Book Chapter
Posted: 01/09/2025
Lisa Pon.
"Renaissance Color and Religious Ritual."
In
A Cultural History of Color in the Renaissance, edited by Sven Dupré and Amy Buono.
London:
Bloomsbury,
2021: 71-88 .
Book Chapter
Posted: 01/09/2025
Lisa Pon.
"Leakage, Containment, and Contamination in Early Modern Venice."
In
Purity and Contamination in Renaissance Art and Architecture, edited by Lauren Jacobi and Daniel Zolli.
Amsterdam:
Amsterdam University Press,
2021: 243-65 .
Book Chapter
Posted: 01/09/2025
Lisa Pon.
"Raphael and Marcantonio Raimondi as Readers of Virgil."
In
Habent Sua Fata Libelli: Studies in Book History and the Classical Tradition in Honor of Craig Kallendorf, edited by Steven Oberhelman.
Leiden:
Brill,
2021: 188-202 .
Book Chapter
Posted: 05/21/2024
Laurel Garber.
"At Work in Print: Cassatt and the “Sentient Hand”."
In
Mary Cassatt at Work, edited by Laurel Garber and Jennifer Thompson.
Philadelphia, PA:
Philadelphia Museum of Art, Distributed by Yale University Press,
2024: 149-162.
Book Chapter
Posted: 02/24/2023
Suzanne Karr Schmidt.
"“In einem Augenblick”: Leveling Landscapes in Seventeenth-Century Disaster Flap Prints."
In
Landscape and Earth in Early Modernity: Picturing Unruly Nature, edited by Christine Göttler, Mia Mochizuki.
Amsterdam:
Amsterdam University Press,
2022: 353-392.
News traveled quickly in the early modern era, and printed accounts of the most
recent international disasters fueled this fascination. Book and print collectors
could experience these incidents safely at home with novel, interactive broadsheets
with liftable flaps. The most famous grouping showed the 1618 rockslide that
completely destroyed the Graubünden mining district of Plurs, near Switzerland.
Inspired by Zurich printer Johann Hardmeyer’s 1618 publication, in 1619, Strasbourg
and Nuremberg publishers Jacob van der Heyden and Johann Philipp Walch
produced their own. Such tactile additions helped viewers literally grasp the extent
of the wreckage while they perused the letterpress describing the newsworthy
event. This article examines these unruly printed landscapes, their published
afterlives, and their relationship to existing landscape modes.
Book Chapter
Posted: 01/27/2023
Susanne Meurer.
"‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts."
In
Indecent Bodies in Early Modern Visual Culture, edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart.
Amsterdam:
AUP,
2022: 229-55.
Cockaigne, the legendary land of plenty, formed a sub-theme of popular depictions
of gluttony in sixteenth-century prints. These images combined carnivalesque
exuberance and moralising caution, illustrating both excessive consumption
and its ill efffects, from inappropriately lascivious or slothful behaviour to the
physical need to expel from top and bottom. Scatological motifs emphasised the
grotesque nature of Cockaigne, providing laughter while also warning viewers
of the consequences of gluttonous behaviour in the here and now: that spending
on fleeting pleasure will reduce fortunes to shit. These themes are explored here
chiefly through an exceptionally large mid-sixteenth-century German woodcut
now in the New York Public Library, as well as two related woodcuts by Peter
Flötner.
Book Chapter
Posted: 06/22/2022
Lisa Pon.
"Si Disputano: Debate, Conversation, and Collaboration in the Vatican Bibliotheca Iulia."
In
Revisiting Raphael's Vatican Stanze, edited by Kim Butler Wingfield and Tracy Cosgriff.
Turnhout:
Harvey Miller,
2022: 98-107.
Book Chapter
Posted: 04/21/2022
Galina Mardilovich.
"What Russian Printmakers Found in Paris."
In
Disrupting Schools: Transnational Art Education in the Nineteenth Century, edited by France Nerlich and Eleonora Vratskidou.
Turnhout, Belgium:
Brepols Publishers,
2021: 115-125.