The Department of Art at The University of Central Oklahoma, a NASAD accredited department, invites applications for a tenure track assistant professor in Advanced Drawing and Printmaking beginning August 2022. The Department seeks a candidate with a strong studio and teaching emphasis in drawing and printmaking with a contemporary fine arts approach. The ideal candidate will be able to approach drawing/printmaking in a contemporary manner while emphasizing strong formal, technical and conceptual skills as well as guide senior drawing students in their capstone projects. This expertise should be reflected in their CV and portfolios.

Position Overview

Teaches, advises and mentors students, evaluates student performance, and maintains department and student records in accordance with university policies. Adheres to the educational philosophy of the university. Works in a collaborative manner with colleagues and professional peers. Participates in university meetings that relate specifically to faculty. Serves on department, college, and university committees as requested. Prepares departmental reports as requested. Engages in teaching, service, and scholarly and/or creative activities as defined by the tenure and promotion policy in the UCO Employee and Faculty Handbook. Faculty are expected to support & facilitate the department/school/college academic and university missions, visions, & long-term goals.

The University of Central Oklahoma is AA/EOE. The University of Central Oklahoma strongly promotes diversity. The department of Art is dedicated to the goal of building a culturally diverse and pluralistic faculty committed to teaching and working in a multicultural environment and strongly encourages applications from minorities and women.

Responsibilities:

The successful candidate will teach three studio courses per semester in upper-level drawing courses, Intro to Printmaking and Intaglio as well as possible courses in Drawing I, Figure Drawing, or Color, (dependent on enrollment). The selected candidate will be expected to create a studio environment that encourages innovation, experimentation, and critical thinking and develop curriculum that is designed to introduce a variety of techniques, materials and processes. The position will be responsible for coordinating the drawing and printmaking area of emphasis, oversight of the drawing/printmaking adjunct faculty, and in collaboration with the art chair and faculty, participate in student recruitment. Additional responsibilities are expected in department, college, and university service.

Required Qualifications

An MFA in studio arts with an emphasis in advanced drawing and printmaking and two years full-time teaching experience at the college level is required. The candidate must have a strong knowledge of contemporary and historical issues in drawing and printmaking and possess a strong portfolio demonstrating a current and active exhibition and scholarly record.

Teaching, research, departmental/school and university experience is expected. Candidates must have an earned MFA degree (with a minimum of 60 graduate hours) awarded by a regionally accredited or internationally recognized institution in the field specified in the position announcement (exceptions require Academic Affairs approval). **NOTE** If the MFA is not obtained and submitted by the time of employment, the position will change to TT-instructor for qualified candidates with a minimum of a master's degree.

Preferred

Experience with managing stacked courses is preferred but not required.

Click on external link to apply and learn more.

The University of Dallas is seeking a dynamic and accomplished studio artist and teacher for a full-time, one year visiting position at the affiliate level in the field of Printmaking. The position requires teaching on the undergraduate (BA) level and graduate (MA/MFA) level and service to the department. The successful candidate will teach classes from foundations through graduate and all courses within the printmaking discipline. The candidate will contribute to the strength and energy of the Art Department and the University of Dallas community. The position requires the ability to serve on undergraduate and graduate committees for students in all five department areas. Applicants should desire to work closely with students and be willing to direct the printmaking area. The candidate should have a strong exhibition record, possess knowledge of a wide variety of processes ranging from traditional to experimental, be adept in digital integration within the discipline and show awareness of dialogues in contemporary art.

Experience in managing/overseeing an active printmaking studio is expected. The University of Dallas prides itself on the rigor of our foundations instruction, the integration of studio practice with art history, the high level of professional standards and the excellence of our liberal arts curriculum. The candidate’s contribution to this type of academic community, as well as his/her understanding of the technical and conceptual impact of a wide range of processes, should be made evident.

If you have questions, please email art@udallas.edu with subject line: Printmaking Faculty Search.

website: udallas.edu/art

Position begins: August, 2022

Applications should be submitted online and should include the following:

Letter of application
Current Transcripts
Curriculum vitae
20 images of professional work including image identification: title, medium,
dimensions, and date and 20 images of student work include image identification list: title (assignment or class), medium, dimensions, and date

Any digital video work should be limited to 3 minutes
Artist's statement
Statement of teaching philosophy
Names and contact information including email address of three references
Document format: PDF files in one multipage PDF no larger than 4MB.

Priority will be given to applications received by January 30, 2022.

MINIMUM REQUIREMENTS
With submitted materials, the candidate must show:

MFA degree with an emphasis in the field of printmaking
Active exhibition record
College-level teaching experience beyond Teaching-Assistant Level
Ability to address technical and conceptual aspects of student work
Ability to teach all levels of study from introductory to graduate level
Ability to teach various technical printmaking processes
Knowledge of diverse processes and their application to art production
Knowledge of historical and contemporary practices and theory in printmaking
Commitment to excellence in presentation and exhibition standards
Commitment to current health and safety standards in the classroom
Ability to efficiently organize, maintain, and manage all needs for the printmaking studio
Ability to maintain area budget
Commitment to both community art activities and individual student mentoring.

The Museum Ludwig in Cologne is looking for a curator of art of the 20th and 21st centuries to start work on March 1, 2022. The post includes looking after the museum’s collection of prints and drawings (Graphics Collection).

The Museum Ludwig is one of Europe’s most important museums of modern and contemporary art, and a leading institution internationally, with a collection focusing on classical modernism, the Russian avant-garde, Pablo Picasso, and Pop Art, as well as contemporary art and photography. In its acquisitions, exhibitions, projects, and initiatives, the Museum fosters a diversity of voices and mutual respect as the basis of a democratic society. Since the museum also seeks to increase diversity among its staff, people with personal or family histories of migration, and in particular people of color, are explicitly encouraged to apply.

Job description
–You will develop temporary exhibitions, presentations of works from the Museum’s collection, and other projects on current themes in art and society.
–You will supervise the Museum’s collection of prints and drawings, including maintenance in cooperation with the departments of restoration, administration, and documentation.
–You will help to expand the Museum’s collection by suggesting acquisitions (purchases, donations).
–You will organize the loaning of works.

Required qualifications
–You have completed a course of studies (masters degree or university diploma) in art history, art theory, cultural studies, curatorial studies, museology, or a comparable subject.
–Documented experience with themes including migration, post-colonialism and gender.

Required skills
–Excellent knowledge of 20th-century and contemporary art
–International network in the field of 20th-century and contemporary art
–Good command of German and English (both written and spoken)
–Intercultural competence
–Experience in the field of prints and drawings
–Excellent organization and communication skills
–Ability to perform well under pressure
–Confidence when working in-house and with external partners
–High degree of reliability

Terms of employment
–The pay grade for this position is Group 13, Case 1 TVöD (assigned in accordance with the regulations laid down in Germany’s civil service pay scale)
–Regular working hours: 39 hours per week

Please note: due to the nature of the work in question, flexible working hours apply in line with municipal regulations (this may mean working evenings and weekends) and, where necessary, outside of regular working hours.

Reference number: 1461/21-01 RaUl

Your application
For any further questions concerning the application procedure, please contact: Ms. Orban-Boysen, T +49(0)221-22126177 / ilona.orban-boysen@museum-ludwig.de.

Closing date for receipt of applications is January 16, 2022.
Please send your application, quoting the reference number “1461/21-01 RaUl” either as a PDF by email to bewerbungen@museum-ludwig.de, or by post to the following address:

Stadt Köln
Museum Ludwig
Verwaltung
Heinrich-Böll-Platz
50667 Köln

To develop and manage programs and staffing for the preservation and conservation of all works on paper at the Ransom Center for storage, loan, exhibition, and handling in the Center’s Reading and Viewing Room. To provide treatments of all levels of complexity for the Center’s collections of works on paper, from early and modern manuscripts to contemporary works of art on paper. To plan and coordinate paper conservation projects for the Campus Conservation Initiative, which serves collection conservation needs in three campus partner institutions.

For a full job description, requirements, salary, etc. and to apply, please visit external link.

Production Printer / Graphicstudio

The highly skilled Production Printers at Graphicstudio research techniques and develop projects with visiting artists working in residence at Graphicstudio. The Production Printer must possess a broad knowledge of materials and print making processes. Graphicstudio serves the academic mission of the College of The Arts and the Production Printer will participate in teaching, demonstrations and supervision of students including providing independent study opportunities and offering workshops and demonstrations on materials and processes. The Production Printer will share responsibilities for studio and equipment maintenance.

A Terminal degree is required.

For full description and to apply, visit the External Link below.

USF is an EOE

Job Summary

RISD Museum is pleased to announce a fellowship funded by the Andrew W. Mellon Foundation. A three-year term position within the Museum's department of Prints, Drawings, and Photographs, this is an exciting opportunity for a junior scholar who wishes to pursue a curatorial career. This is a full-time role that offers excellent benefits, including medical, dental, and vision insurance; four weeks of paid vacation time; personal and sick time; 14 paid holidays; and more.

We seek applications from candidates who will actively contribute to the RISD Museum’s initiatives related to anti-racism, social equity, and inclusion. The selected fellow will thrive in a campus environment that is committed to advancing these principles, as well as those related to environmental and climate justice, and equal access to resources and opportunities.

Under the guidance and supervision of the Museum's Assistant Curator for Prints, Drawings, and Photographs, the Andrew W. Mellon Curatorial Fellow will be responsible for supervising and overseeing the activities of the department’s study room, especially teaching from the collection, while participating in all aspects of the department’s curatorial work, including proposing and executing an exhibition relevant to the collection. They will conduct research and propose new acquisitions; interact with scholars, students, and the public to answer questions about the Museum’s Prints, Drawings, and Photographs collections; and deliver presentations on the collection, among other tasks.

Priority consideration will be given to applications received on or before January 14, 2022. Full details provided in the link below.

The Collections Management Assistant (CMA) serves as a cataloguer and Rapid Capture assistant in the Department of Drawings and Prints and as such, works to input and maintain records in the department's database and handles the administrative and organizational work relating to the department’s Rapid Capture project. They will function as an integral member of a team cataloging the department's holdings of 1.3 million works on paper and creating corresponding records in The Museum System (TMS). The CMA is responsible for the integrity and clarity of collections information (text and image) in TMS. The CMA works closely with the curators and other department staff under the direction of the Collections Manager.

PRIMARY RESPONSIBILITIES & DUTIES:

- Catalog objects in the collection and enter data into TMS database according to the Museum's standards.
- Handling original works on paper and translating data into TMS database.
- Work with Photo Studio photographer to prepare works for Rapid Capture; transport works to Photo Studio
- Create records and charts for Rapid Capture administration; carry out post-production work on photographs
- Work closely with curators regarding cataloguing and Rapid Capture.
- Other duties as assigned

REQUIREMENTS & QUALIFICATIONS:

Fully vaccinated with an FDA or WHO authorized vaccine (or approved for an exemption as a reasonable accommodation due to a disability, sincerely held religious belief, or pregnancy, or because you are a victim of domestic violence, stalking, or sex offenses).

Experience and Skills:
- Experience working with museum cataloging systems with a strong preference for experience with The Museum System (TMS)
- Experience handling original works of art
- Cataloging experience preferred
- Knowledge of Art History with a special emphasis on drawings and/or prints preferred.

Knowledge and Education:

B.A. degree required; M.A. degree preferred in art history or related field
Reading knowledge of French, German, or Italian preferred

For more information and to apply please visit the external link below.

LACMA is seeking a Fellow with specific expertise in early modern Italian and/or French works on paper, reporting to the Curator and Head of the Prints and Drawings Department. The department’s holdings currently number around 23,000 prints and 2,000 drawings by some 5,000 artists, ranging in date from the 15th century to the present. This will be a three-year appointment with the possibility of renewal, to coincide with the Museum’s curatorial efforts towards the preparation of installations, rotations, and didactic materials for the Geffen Galleries, LACMA’s new permanent collection galleries, scheduled to open in 2024. This is an outstanding opportunity for the Fellow to oversee the presentation of the Museum’s works on paper in a new physical space, and to take a lead role in giving the early modern prints and drawings collection a visible and active presence in the Geffen Galleries.

The ultimate goal for the Fellow is to achieve a deep understanding of the variety of skills needed to succeed as a curator of works on paper; to hone those skills through the mentorship of the department, cross-departmental collaborators, and peers; and finally, to be able confidently to apply those skills to a future career as a curator of works on paper, whether continuing to concentrate exclusively on the early modern period or filling a more generalist prints and drawings role.

Specific projects for the Fellowship term include:

Developing permanent collection installations, rotations, and didactic material for the Geffen Galleries, entailing collaborative work with multiple curatorial departments, including European Painting and Sculpture, Decorative Arts, Costume and Textiles, American Art, Latin American Art, and with Paper Conservation.
Attending to the archival needs of the permanent collection, now located in offsite storage under the oversight of Collections Management, focusing on integrating provenance and object information into object files and database records.
Participating in other ongoing departmental activities, including discussion of loans, acquisitions, conservation, development, and online content.
Assisting with the planning and drafting of interpretive materials for exhibitions involving works on paper during the fellowship period
Participating in LACMA’s Curatorial Forum, Junior Curatorial Forum (which hosts reading groups and colloquia), and other division-wide discussions.

The ideal candidate will have broad intellectual curiosity and a strong interest in connecting time periods, cultures, etc. in an encyclopedic museum context. The successful candidate will have an aptitude for collaboration across Museum departments (curatorial, conservation, and other), will support LACMA’s mission, and will uphold the highest standards of scholarship, connoisseurship, and professional practices. The qualified candidate will hold at least an MA in Art History or a related field and have had at least one year of museum experience. Print room experience is a plus. Language skills should be commensurate with the area of specialization. Exceptional written and oral communication skills are required, including the ability to address academic audiences and the general public with equal skill and passion.

The Hoehn Curatorial Fellow for Prints is a key contributor to the University Galleries’ team. Responsible for coordinating most exhibitions in the Hoehn Family Galleries, advising on aspects of the University Print Collection, and supervising student interns, the Fellow works 4 days a week on site, and is offered one research day to pursue independently their own scholarship/teaching. A primary goal of the Fellow’s time at USD will be the production of an original, print-focused exhibition and publication that will advance the scholarly and museological reputations of the Fellow and University Galleries alike. The Fellow further assists the program by contributing to a wide range of strategic projects as assigned by the Director of University Galleries. Requires flexibility in a fast-paced office environment, occasional time commitments outside of the “9-5” workday, and the ability to respond to a variety of interpersonal situations with professionalism and empathy. We expect this team member to maintain a professional outlook consistent with the values and mission of the University. A demonstrated commitment to shared principles of Diversity, Equity, Inclusion and Access is required. This position is term-limited and is envisioned for at least three years (but with the possibility of extension of up to another 12 months), based on the individual’s excellent performance in the role.

Duties and Responsibilities include:
-Exhibition Development
-Collection Management & Development
-Education and Outreach

Minimum Qualifications:
-M.A. with clear emphasis on print culture
-Prior experience working with works on paper in a museum setting; direct experience with exhibition and collections management.

Preferred Qualifications:
-Ph.D preferred

Salary:
Commensurate with experience; Medical and Retirement Benefits offered

For more information, please see full posting online.

The School of the Art+Design at Purchase College, SUNY seeks candidates for the position of Printmaking Instructional Support Manager (SL3) beginning January 2022. The successful candidate will be a flexible, inquisitive, personable and reliable individual, able to be productive within an educational setting and fluent in a broad range of traditional and contemporary printmaking processes and techniques. The person in this position will be responsible for the management of all printmaking facilities in support of curricular related programs including the teaching, creation and presentation of art by students, faculty and external constituents. These facilities are 12,479 square foot, spread over three floors, including areas for: traditional processes – intaglio, relief, screen print, lithography; papermaking; letterpress; industrial equipment for offset lithography and photomechanical processes; book bindery; digital print and fabrication labs; instructional spaces – class, project, installation, seminar, and critique rooms; student studios, collaborative work spaces and display/exhibitions areas.

The Printmaking Department serves all A+D first-year students, Printmaking BFA, Printmaking Interdisciplinary BFA, Printmaking Concentration BSVA, electives for all A+D majors and graduate students. The Instructional Support Staff regularly communicates and interacts with this diverse community as well as visiting artists, educators, students and patrons. They support learning by providing an organized communal shop where faculty teach and students make their work and they assure the safety and accessibility of all printmaking department spaces, equipment and materials. They are a partner of the Printmaking faculty, advising on best practices and new advances and working with them to support the mission, goals and curriculum of the department. They will be expected to conduct research on a variety of issues surrounding print media and professional standards in artistic practices and education.

Administrative duties include material, supply and equipment procurement and tracking; planning for facilities upgrades; supervising paid and volunteer student workers; serving on technical and school wide committees. Working with a team of instructional staff supporting academic programs in the School of Art+Design, they will also interface with other areas of study within the School that rely on the facilities, processes, and equipment supported by this position and may be called upon to provide demonstrations and lessons for safe use of printmaking facilities to students, faculty and staff. The position reports to the Operations Manager of the School of Art+Design. It is full-time job, requiring five full days on campus.

This is an in-person position located in Purchase, NY, commencing with the Spring 2022 semester. We offer yearly union contract-negotiated pay increases and potential for permanency. We provide competitive benefits (health, vision, dental insurance and retirement options), access to fitness, library, and course offerings. Generous paid holidays, vacation and sick days and downstate location stipend are included.

For more information and to apply please visit the external link below.