A world of academic discourse that shares knowledge through word and image frames this Phd thesis in which I explore the relationship between stone lithography and language - ‘language’ being understood here in its widest sense as written text, embodied, vocal and tacit communication, symbolic and excess information, visual image, and the means through which thought becomes manifest and subjectivity is expressed. At the core of the inquiry is the artisanal practice of stone lithography: a technology that led the development of printed communications in the nineteenth century as both a method of mass communication, and an emerging artists’ technique. Invented by the Bavarian playwright Alois Senefelder (1771-1834), stone lithography had a significant impact on the world of music publishing, and I draw on this lyrical inheritance of song, dance and spoken word. I also draw on the dark legacies of colonialism that laid the ground for the development of lithography in the Age of Empire. In the light of these historic contexts, my own studio practice, and a transdisciplinary field of knowledge, this collection of texts explores the multi-modal breadth of lithographic language making and demonstrates the heterogenous nature of the languages engendered by the practices of stone lithography.