AcePIRAR International Program of Residences ARtísticas seeks to promote all contemporary artistic practices (including performance and curatorial proposals) promoting exchange, debate, experimentation and collaborative work.

OPEN CALL FOR ARTISTS-IN-RESIDENCE INTERNATIONAL PROGRAM in Buenos Aires, Argentina.
Open for artists from all disciplines! Our residencias include a non-toxic printmaking workshop + team of printmakers to collaborate with + wonderful and cultural city to explore

Residencies available for 2018-2019

The Xylography Museum / Museu Casa da Xilogravura is looking for woodcut and wood engraving prints from all over the world.

The Museu invites all the engravers of the world who do not live in Brazil to take part in the International exhibition XiloPrint 2019 Brazil, by sending, for free, one woodcut or wood engraved print (without frame; free measures), by 30 November 2018 to the following address:

Museu Casa da Xilogravura
Caixa postal 42
12460-000 Campos do Jordão – SP
Brazil

One artist will be selected to receive the XyloPrint 2019 Brazil Prize, which carried an award equivalent to US$ 1,000 (one thousand USA dollars).

The Xylography Museum will issue a personal certificate of participation to everyone who send a print.

The prints will be exhibited at international exhibition, XiloPrint 2019 Brazil, which will be held in 2019 at the Museu Casa da Xilogravura/Xylography Museum, Campos do Jordão, Brazil.

If you wish to participate please provide the following information, on paper, in capital letters, with your signature, along with your woodcut/wood engraving print:

International Exhibition: XiloPrint 2019 Brazil

Title of the artwork
Year, number and dimensions (height x width) of the artwork
Artist’s full name
Artistic name
Brief Curriculum Vitae
Address
City
State or Region
Country
ZIP Code
Telephone number
E-Mail

Tamarind Institute invites applications from artists working in all media to propose a project with its skilled student printers. During the spring semester, four artists will be selected to participate in two-week residencies in the workshop, each working with a team of two student printers under the close supervision of a Tamarind Master Printer. The invited artists will explore the lithographic medium and collaborative printmaking, with daily proofing and consultation with a team of printers.

Each artist is invited to make two editions using standard lithographic drawing materials and processes. At the completion of the two-week residency the artist will sign off on a trial proof, and the printing of the edition will take place after the artist leaves. The editions will be completed by the end of May 2019, at which time the artist will receive all of the prints and proofs for signing. With the exception of one record impression for the Tamarind archive and one printer’s proof retained by the printer, all of the prints will be the property of the artist. Editions will be packed by Tamarind and shipped at the artist’s expense (utilizing the University FedEx rate).

The workshop fee is a flat $1500. Half is due one month before the residency begins, and the remainder to be paid to Tamarind Institute when the prints are completed. The prints will be inspected by the Tamarind Curator for printing quality and consistency, and a documentation sheet will be prepared for the artist and printer to sign. The prints will be chopped with the printer’s chop and a new Tamarind chop, designating this as a contract project.

The $1500 workshop fee includes the following:
Two editions, each in an edition of 10-15 prints
Each edition includes one artist proof, one printer’s proof, and one record impression for the Tamarind archive.
30 x 22 inch maximum paper size from available paper stock
5 press runs maximum
5 trial proofs maximum. (Additional trial proofs will be charged at the current rate.)

Use of all standard lithographic drawing materials and processes is included in the workshop fee; for use of special photographic processes or special techniques such as image reversal, chine colle, etc, surcharges may be added. The Tamarind Curator will assess the printing costs as the projects are underway, to determine if there will be additional costs. When the artist signs the bon à tirer impression (or approval to print) he/she obligates himself/herself to sign and pay for the completed edition.

APPLICATION PROCESS
Please submit a resume and a letter outlining your previous experience and interest in collaborative printmaking. Include a one-page proposal outlining what kind of project you would like to explore at Tamarind, and how working with a team of printers would allow you to expand your practice. Include up to 10 images of recent work.

No previous experience in printmaking necessary. We welcome proposals from artists in all media.

Four residencies are available, please specify preference for one of the following 2019 dates, and indicate if there is flexibility for second/third choice of dates:

JANUARY 14 to 25
JANUARY 28 to FEBRUARY 8
FEBRUARY 18 to MARCH 1
MARCH 18 to 29

Application deadline October 15, 2018. Notification by November 1, 2018.
Submit applications to tamarind@unm.edu with subject heading STUDENT PRINTER COLLABORATION PROPOSAL

AIR-Vejle is Vejle Printmaking Workshop’s residency programme for international fine art printmakers.
The artist provides their own transport, lodging, meals (and other necessities) and materials. Vejle Printmaking Workshop will provide advice concerning inexpensive accommodations, shopping and the purchase of extra materials. Additionally Vejle Printmaking Workshop, if wished, will help with contact to other institutions. Together with being awarded the residency, the chosen artist is awarded 15,000 Danish kroner (about 2,012 Euros).The primary goal of the residency is to give the artist an opportunity for some time to immerse themselves in the artistic process. At the same time there is a focus on networking, dialogue and knowledge exchange. The application is an Open Call process. The artist is chosen by a jury composed of 2 representatives of Vejle Printmaking Workshop, 1 representative of the Artist Council of the Municipality of Vejle, 1 representative of Vejle Art Museum and the coordinator of AIR-Vejle.

Vejle Printmaking Workshop is a relatively new workshop (established in 2016). It was created with the purpose of establishing and developing technical facilities within the professional graphic art field. The intention is to ensure, that the artists associated with the workshop have the best possible conditions for their creation of graphic art. AIR-Vejle cooperates with Vejle Art Museum. Vejle Art Museum is a leader in graphic fine art / works on paper. The museum has a unique graphic art collection of about 20.000 works – the next largest collection of graphic art in Denmark. By utilizing this cohesion between Vejle Printmaking Workshop, the Artist In Residence program and Vejle Art Museum, Vejle can emerge as one of the most important graphic art cities in Denmark.

The Printmaking Studio is filled with natural light and offers a spectacular view of Rundle and Sulphur mountains. The studio is available 24 hours a day and is fully equipped for water-based screen printing, etching, and relief printing, photopolymer platemaking for letterpress, typography, and lithography. Artists can output images on clear film for photo-processes as well as produce archival full colour inkjet prints on digital fine art paper in the Digital Imaging Studio.

The Printmaking Studio houses two Charles Brand etching presses with bed sizes 26x48” and 36x60”. Two screen-printing vacuum tables are available; an A.W.T Seri-glide with a one-arm squeegee assembly for printing images up to 30x40”, and an A.W.T Accu-glide table for manual printing. For photo-printmaking, artists have access to a NuArc Tri-light exposure unit (max 42x52”). The Lithography Studio is a complete self-enclosed ventilated studio with a Griffin Lithography press for stone, traditional plate, and photo lithography.
Overview

The Banff Artist in Residence in Visual Arts provides time and space for artists to create, research, experiment, and cultivate new directions in their work.

In addition to a private studio space and shared facility use, artists are surrounded by a community of artistic peers and have the opportunity to attend inspiring talks and performances by world-renowned visiting artists, all within Banff Centre’s spectacular mountain setting.
What does the program offer?

The Banff Artist in Residence offers opportunities to work away from the constraints of everyday life. Participants are provided with a studio, accessible 24 hours a day, as well as access to our extensive facilities to further develop production techniques. Knowledgeable staff are available to provide technical support and assistance.*
What length of residency is available?

This program is designed for participation over the entire program period. Variable dates will not be considered.
Who should apply?

Residencies are for visual artists, curators, researchers, and other arts professionals with an exhibition/publication record, who have had formal training in visual arts or equivalent experience and recognition from their peers.

*Subject to additional fees

Printmaking Studios:
Typography houses a Vandercook 4T Proofing Press (maximum size 14x17”) to print polymer plates and offers a variety of metal type. The Heights (UK) Waterpress Platemaker is available for photopolymer platemaking up to 10x14”. Printmaking facilities provide essential equipment such as a spray-out booth, screens and squeegees, acid room with Ferric Chloride trays, aquatint rosin box (maximum 18x24” plates), paper soaking sink (maximum 36x55"), down-draft table, hot plate, rollers, and brayers.

Lower East Side Printshop, NY, offers emerging artists FREE year-long studio residencies to develop new work and foster their artistic careers. The application deadline is September 1, 2018 for residencies that begin on October 1, 2018. Printmaking facilities are available for intaglio, relief, monotype, waterbased silkscreen, digital processes, and other techniques that employ the tools at hand.



Keyholders work independently in the Printshop’s shared Artists’ Studio and have access to a vibrant community of peers. Artists from all disciplines are eligible to apply; printmaking skills are not required, but some familiarity with the medium is recommended.



Participation is limited and competitive. Applications are evaluated by a panel of seasoned artists, curators, and art professionals based on the quality of submitted artwork. Artists currently without a studio space are encouraged to apply.



Keyholder Residency includes:

· 24/7, one-year access to a shared studio with printmaking facilities

· $1,000 stipend

· One free printmaking class at the Printshop

· Free career development workshops and salons

· Group exhibition opportunities

· Consultation hours with Printshop printers



Eligibility:

· Only legal US residents may apply (i.e., Social Security cardholders)

· Students enrolled in any kind of degree program at the time of the residency are not eligible

· Keyholder Residencies are limited to emerging artists only. The Printshop defines emerging artists as under-recognized and under-represented artists in early stages in their careers

For more information contact: 212-673-5390 or info@printshop.org

Price: $1,650.00 per person in double accommodation (does not include international airfare)

Visit: Lima – Cusco – Calca-South Valley-City Tour & Pisaq-Machu Picchu Citadel Excursion-Maras & Moray Tour

[Optional] Lake Titicaca Extension: Cusco – Puno: The Sun’s Route, Lake Titicaca: Uros & Taquile Islands
[Optional] Jungle Extension: Cusco - Puerto Maldonado, Exploring the Jungle, Puerto Maldonado - Cusco

At the world famous “Escuela de Bellas Artes” (School of Fine Arts) in the city of Cusco, Peru
Price not included in tour: $650 plus $75 studio fee

Selected artists (after application) chosen to be part of this 5 day residency will have the option of working on any two dimensional technique. Printmaking, Painting, Drawing or Photography. Once selected for the program, artists will attend the Escuela de Bellas Artes for 5 days. Beginning with the hanging of an exhibition of three works each, participants can then proceed to work on their own images for the remainder of the week. Daily demonstrations and/or art talks will also be offered.

The residency will take place in the wonderful clean school gallery and participants can choose their independent direction of work. There are no materials or supplies available and therefore everything must be brought, including a portfolio to help transport your work home. With the energies of 6 selected Peruvian artists joining us, we can share our energies and develop positive directions with our work.

For more information, please contact Nina Souther (nina.souther@gmail.com)

A group of self-directed international artists will have an 8-day stay in Havana, including a 5-day work session alongside Master Printmaker Dan Welden.

Participants also will have the opportunity to exhibit up to 3 selected works (on paper) in Taller Aguilera’s galleries (where the residency will take place). Participants are encouraged to bring their work in their own portfolio, that also can be used to bring their Santiago work back home.

Dan Welden will supervise the residency and participants will create alongside a selected number of Cuban printmakers. With the energies of the Cuban and US artists, there are sure to be many innovative and exciting works evolving from this studio residency.

In addition to the residency, participants will have an opportunity to join a weeklong Cuba tour with visits to UNESCO World Heritage cities, including Havana, Trinidad, Cienfuegos, Santa Clara, Camaguey and Santiago, highlighted by visits to artist studios and spaces.

** Cost does not include air travel, accommodations, or meals in Cuba.

For costs, information and itinerary, contact event coordinator:

Global Arts/Media
(516) 686-6574

Email: globalartsmediausa.info@gmail.com
Website: www.globalartsmediainc.com

With the open call ‘Pushing the margins’ we would like to open up the approach to the medium and stimulate iterative research, experimentation and cross overs.

The residency provides Dutch and International artists the opportunity to live and work in a studio building amongst other artists. With the residency our aim is to increase artists mobility, promote cultural exchange connecting parallel practices.

Amsterdam has a vibrant art scene with many artist-run initiatives, galleries and exhibition spaces.

Duration of residency: 2 months

Disciplines, work equipment and assistance ----
Artists working in other disciplines than printmaking are especially encouraged to apply. When applying margins as a strategy it can be a powerful concept.

We encourage participants to develop unconventional ways of conducting research as well as innovative forms of presenting the results, sharing their knowledge and stepping out of their ‘comfort zones’ of the expected.

Accommodation and studio/ workspace ----
AGA LAB is situated in the gym of a former school in Amsterdam West, an upcoming neighbourhood with a mixed population and different themes to explore. In the gym the printmaking facilities include lithography, etching, woodcut, screen printing on paper and textile, digital fine art print, analogue darkroom and riso print.

AGA LAB is part of a larger studio network BOUW with 40 small studios and artist initiatives. AGA LAB has 640m2 of the 4.600m2 in total.

The community garden is an experimental urban garden run by Painting Plants Artist Initiative. A research project about growing plants, making ink and printing with vegetable inks.

AIR 1 and 2 are suitable for one artist, in AIR 2 it is possible to stay with a partner/artist.The kitchen is shared with the regular artists and AGA LAB staff.

Fees and support ----
Studio and material costs: paid by the artist

Exhibition space: available

The selected artist will be responsible for his/her international travel like visa and health insurance costs as well as liability insurance.

Expectations towards the artist ----
Presentation at the end.

Please download the OPEN CALL entry form from our website and send us your application as one single pdf file to info@agalab.nl with ‘Pushing the margins’ in the subject.

Including:
1. Complete Contact information
2. Link to website
3. Describe your research/project plan ‘Pushing the margins’ (max 200 words)
4. Short motivation why your project matches our call (max 100 words)
5. Preferred two months in between 1 September 2019 – 31 August 2020
6. Relevant images or portfolio
7. CV (main resume)

AGA LAB
De Roos van Dekamaweg 7
1016 HR Amsterdam
The Netherlands
+31 (0)20 625 21 86
http://agalab.nl/?lang=en

****Apply via 'External Link' below.

Skaftfell’s thematic residencies aim to create platforms for exchange, discussion, and collaboration amongst fellow artists from various disciplines, who share a professional interest in the residency’s topic, both on a practical and a conceptual level, and who wish to deepen their knowledge and expertise.

Printing Matter is a three-week intensive program for 6-8 artists, focusing on printmaking and artist book making. In 2019 it will be taking place for the fourth time. The program is developed and guided by the Danish artist and graphic designer Åse Eg Jørgensen. It includes group workshops, independent research and practice, and an informal final presentation. Working facilities and printmaking equipment are made available through the collaboration between Skaftfell and the Technical Museum of East Iceland in Seyðisfjörður. The printing presses are museum pieces: three hand-driven presses that were donated to the museum by Swiss/German artist Dieter Roth. There is a letterpress proofing press (width max 48cm) and a selection of type (lead), a small intaglio press (width max 30cm) and an old lithographic press (35x45cm) with a small selection of stones.

The main focus of Printing Matter is the exploration of various “old-school” printing and bookbinding techniques, experimenting with ink, paper, type, binding, folding, and sewing. The workshop sessions are hands-on and experimental, as well as discursive. Selected texts act as foundation for discussions on printed matter and printed multiples in their art historical context, and the artists present their practices to the group in short artist talks. At the end of the program, the results will be presented to the public in an informal exhibition.

Accommodation and working spaces ----
Artists-in-residence for Printing Matter stay in various apartments throughout the town, all within short walking distance to Skaftfell and to each other. The houses are set up as shared self-catering accommodation, each including private bedrooms, shared livingroom, bathroom and kitchen, working tables, washing machine, and WiFi. Shared working spaces with individual working desks for all participants will be set up in the Skaftfell studio and at the Technical Museum.

Costs for the artist ----
Residency fee, travel costs, and meals will be paid by the artist. The residency fee is 180,000 ISK. It includes full tuition, shared self-catering accommodation, access to shared working spaces and equipment, basic printmaking materials, access to WiFi, and general and PR support from Skaftfell staff.

Application ----
Please submit your application using the thematic residency application form on our website. More information here. At the top of the form you will be able to select which thematic residency you want to apply for. Required attachments (pdf):

Portfolio of 5-10 images, showing a selection of previous projects/works that are relevant to your interest in the thematic residency;
CV.