Back to Opportunities


Bibliotheca Hertziana, Rome, 15-17 March, 2023
Art students today know the rules: no solvents in the trash, no clay down the drain,
and don’t forget to cure that resin before you toss it! Early modern craftsmen had
their own rituals of disposal, too – albeit ones driven more by economies of thrift than
by environmental regulation or fire safety. This international, interdisciplinary
conference invites papers on the materiality, spatiality, and processing of waste in
the early modern workshop, broadly conceived. It proposes to examine acts of
disposal, displacement, removal, and abeyance – in short, the getting rid of
unwanted things – and the consequences these carry for the study of early modern
material culture. 
Marble dust, scrap metal, broken glass, dried oil… How did the apparent
formlessness of this discarded matter – the residues, the shavings, the piles –
generate new ideas for forms or find new life through changes in state engendered
by slaking, burning, distilling or casting? Who were the actors trading in workshop
waste, and how can we map their networks, both local and global? How were
materials stored and recycled between artistic acts? What disposal flows led
household waste – egg shells, stale bread, stove ash – to enter the space of the
studio as artistic material or cleaning product? How did the presence, accumulation
and containment of waste – its conduits and repositories – condition the environment
and location of the workshop? In research today, how can waste pits be used as
sources for both the footprints and layouts of workshops and for the information they
provide on technological and stylistic change? More broadly, how is waste archived,
and are all archives just waste heaps of history?
We welcome papers that respond to these questions with historical case studies,
wider-reaching theorisations, or methodological reflections. While our focus is on
practices and spaces of art-making, we also seek contributions from beyond the
history of art. Building on the home-economics framework of Simon Werrett’s Thrifty
Science (2019); the emerging field of Discard Studies; and histories of pre-
industrial recycling by Reinhold Reith and of medieval waste by Susan S. Morrison,
this conference will serve as a forum for generating new narratives of waste, thrift,

and re-use in the early modern arts that go beyond the well-researched category
of spoliation. We foreground waste as the material expression of practices of
ordering and classification by which people adjudicated between collection and
disposal, wanted and unwanted, salvation and loss. In reimagining the discarded
past we intend to test the usefulness of contemporary formulations – secondary
product cycles, material fatigue, metabolic flows, sustainability, recycling – while also
proposing new typologies and categories. A series of pre-conference visits to local
workshops and heritage collections will launch the event. Travel and
accommodation costs will be covered for speakers. 
This conference is organized by Dr. Ruth Ezra and Dr. Francesca Borgo within the
framework of the Lise Meitner Research Group “Decay, Loss, and Conservation in
Art History” at the Bibliotheca Hertziana - Max Planck Institute for Art History. For
more information visit our webpage at the "external link" below.
Please send your CV (including current position and affiliation), a 250-word abstract
and paper title to by September 15, 2022. Proposals will be
considered for inclusion in a planned special journal issue on waste in the early
modern workshop.
Relevant research areas: Renaissance, Baroque, 18th Century

Leave a Reply