Tsuruya Kōkei: Modern Kabuki Prints Revised & Revisited
Celebrating the 30th anniversary of Tsuruya Kōkei's first solo show in the United States, the exhibition will display 77 prints by this artist widely celebrated as one of Japan's leading contemporary print artists. The British Museum lauded Kōkei for producing Japan's "most notable Kabuki prints" in the post-war era.
Known for his bold portraits of Japan's leading actors in a dynamic theatrical form, Kōkei responds to the idiosyncratic late-18th century kabuki prints by the great Sharaku. A master in his own right, Kōkei captures the intense color, movement, and emotion of kabuki. Yet Kōkei diverges from tradition by designing, carving, and printing his own work. Because he uses extremely delicate paper, his works juxtapose emotionally dynamic images with fragile materials to create objects of extraordinary power.
The exhibition presents all of Kōkei's actor prints from 1984–1993. Because the artist limited his editions, such a complete collection is unprecedented and will represent a first in Texas. To explore the broader contours of Kabuki actor prints, Kōkei's work will be contextualized by actor prints by Sharaku as well as two dozen works by contemporary Japanese and western artists.
The exhibition utilizes the layered issues of identity in kabuki — where actors take on multiple roles and males take on female roles — to explore broader questions of self-definition and its representation. It includes several of Kōkei's emotionally complex self-portraits produced after he gave up actor prints in 2000. It concludes by examining how kabuki actor imagery has inspired pop images over the last 20 years, demonstrating the productive link between Japan's historic ukiyo (floating world) and our own culture.
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Known for his bold portraits of Japan's leading actors in a dynamic theatrical form, Kōkei responds to the idiosyncratic late-18th century kabuki prints by the great Sharaku. A master in his own right, Kōkei captures the intense color, movement, and emotion of kabuki. Yet Kōkei diverges from tradition by designing, carving, and printing his own work. Because he uses extremely delicate paper, his works juxtapose emotionally dynamic images with fragile materials to create objects of extraordinary power.
The exhibition presents all of Kōkei's actor prints from 1984–1993. Because the artist limited his editions, such a complete collection is unprecedented and will represent a first in Texas. To explore the broader contours of Kabuki actor prints, Kōkei's work will be contextualized by actor prints by Sharaku as well as two dozen works by contemporary Japanese and western artists.
The exhibition utilizes the layered issues of identity in kabuki — where actors take on multiple roles and males take on female roles — to explore broader questions of self-definition and its representation. It includes several of Kōkei's emotionally complex self-portraits produced after he gave up actor prints in 2000. It concludes by examining how kabuki actor imagery has inspired pop images over the last 20 years, demonstrating the productive link between Japan's historic ukiyo (floating world) and our own culture.
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