The Arctic throughout History: Visual and Cultural Conceptions
We invite the submission of abstracts for papers to be presented at the symposium The Arctic throughout History: Visual and Cultural Conceptions, organized in conjunction with the exhibition The Awe of the Arctic: A Visual History at the New York Public Library. The exhibition is an in-depth study of visual depictions of the Arctic, both real and imagined, throughout the last 500 years. Drawing heavily on the Library’s collection of prints, photographs, and books, the exhibition seeks to understand the ways in which the Arctic was depicted and disseminated throughout Europe and America, while also challenging its historical and contemporary romanticization.
The symposium will bring together scholars working across the humanities who are interested in questions about how the Arctic has been represented and understood historically, and its relevance in our global culture today. It asks questions such as: What sort of visual or textual sources became the authorities on the Arctic region, and how do they shape the persistence of certain stereotypes or myths about the far North? How should we consider illustrations in relation to textual narratives and scientific data? How are contemporary artists using (or are inspired by) the Arctic in relation to its environment, history, and community? What can we learn from histories of the Arctic to reframe current understandings of the landscape and its people?
Paper topics might include (but are not limited to):
Individual studies of artists (painters, photographers, printmakers, or filmmakers) working in the Arctic or their artworks
Early depictions of the Arctic
Studies of maps and shifting Arctic geography
The Arctic as portrayed in fictional literature
Women in the Arctic
The representation of natural phenomena in the Arctic, such as the aurora borealis, paraselene, or parhelion
Portrayals of Indigenous communities and customs
The in/visibility of Arctic colonialism and capitalism
Individual expedition narratives and national pursuits
The cult of the Explorer and embellished narratives
Arctic ephemera, taxidermy, and relics
Popular artifacts depicting Arctic scenes such as stereographs, cigarette cards, trade cards, postcards, games
Technology and representation in the Arctic (printmaking, cameras, color photography)
Climate change and artistic expression
Arctic wildlife and its representation
We invite proposals for 20-minute presentations.
Please submit a 250-word abstract and maximum 2-page CV by October 16, 2023 to arcticsymposium@nypl.org
Organizers: Elizabeth Cronin and Maggie Mustard
The Arctic throughout History: Visual and Cultural Conceptions is organized in conjunction with the exhibition The Awe of the Arctic: A Visual History at The New York Public Library, March 15-July 13, 2024.
The symposium will bring together scholars working across the humanities who are interested in questions about how the Arctic has been represented and understood historically, and its relevance in our global culture today. It asks questions such as: What sort of visual or textual sources became the authorities on the Arctic region, and how do they shape the persistence of certain stereotypes or myths about the far North? How should we consider illustrations in relation to textual narratives and scientific data? How are contemporary artists using (or are inspired by) the Arctic in relation to its environment, history, and community? What can we learn from histories of the Arctic to reframe current understandings of the landscape and its people?
Paper topics might include (but are not limited to):
Individual studies of artists (painters, photographers, printmakers, or filmmakers) working in the Arctic or their artworks
Early depictions of the Arctic
Studies of maps and shifting Arctic geography
The Arctic as portrayed in fictional literature
Women in the Arctic
The representation of natural phenomena in the Arctic, such as the aurora borealis, paraselene, or parhelion
Portrayals of Indigenous communities and customs
The in/visibility of Arctic colonialism and capitalism
Individual expedition narratives and national pursuits
The cult of the Explorer and embellished narratives
Arctic ephemera, taxidermy, and relics
Popular artifacts depicting Arctic scenes such as stereographs, cigarette cards, trade cards, postcards, games
Technology and representation in the Arctic (printmaking, cameras, color photography)
Climate change and artistic expression
Arctic wildlife and its representation
We invite proposals for 20-minute presentations.
Please submit a 250-word abstract and maximum 2-page CV by October 16, 2023 to arcticsymposium@nypl.org
Organizers: Elizabeth Cronin and Maggie Mustard
The Arctic throughout History: Visual and Cultural Conceptions is organized in conjunction with the exhibition The Awe of the Arctic: A Visual History at The New York Public Library, March 15-July 13, 2024.
Relevant research areas: North America, Western Europe, Eastern Europe, East Asia, Medieval, Renaissance, Baroque, 18th Century, 19th Century, 20th Century, Contemporary
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