Summer Seminar in the History of the Book: “Black Print, Black Activism, Black Study” (25-29 JULY 2022)
This seminar will explore the relationship between Black print and Black activism during the long nineteenth century, focusing simultaneously on Black print practices and the ethics of studying Black print and life. How did African Americans use a variety of print forms to share and advance issues of import to Black life in the United States? How did the specific print forms they chose to work in and with influence such issues? We will concentrate on a small number of Black authors (e.g., Mary Ann Shadd Cary, Jarena Lee, Frances Ellen Watkins Harper) and collectives (e.g., colored conventions, committees, newspapers) to trace how they engaged with multiple forms of print. Drawing on the American Antiquarian Society’s extensive collection, we will focus our attention on four primary formats: the pamphlet, the newspaper, the records of the Colored Conventions, and the book.
In addition to offering an opportunity to work closely with primary materials, this seminar will provide participants with an introduction to Black Print Culture Studies. Our archival work will be supplemented by scholarship, some of which may be quite recent, but much of which is foundational to this well-established field. We will also learn from scholars in the field through guest lectures and roundtables. All of the writer/activists we will learn from, be they working in the nineteenth century or the twenty first, require readers to reckon with a series of ethical concerns that remain deeply relevant to our world and our work. The study of African American print culture is also an inquiry into citational practices, the institutional forces that have tended to obscure Black print and elide Black scholarship, and the processes and ethics by which Black study compels us to change these structures. Through our readings and discussions, we will not only explore fascinating materials produced by a community of powerful writers, but also cultivate the practices required for engaging with these communities with an eye towards archives, power, and our relation to them.
This seminar will be of interest to graduate students, librarians, archivists, curators, and college and university faculty.
In addition to offering an opportunity to work closely with primary materials, this seminar will provide participants with an introduction to Black Print Culture Studies. Our archival work will be supplemented by scholarship, some of which may be quite recent, but much of which is foundational to this well-established field. We will also learn from scholars in the field through guest lectures and roundtables. All of the writer/activists we will learn from, be they working in the nineteenth century or the twenty first, require readers to reckon with a series of ethical concerns that remain deeply relevant to our world and our work. The study of African American print culture is also an inquiry into citational practices, the institutional forces that have tended to obscure Black print and elide Black scholarship, and the processes and ethics by which Black study compels us to change these structures. Through our readings and discussions, we will not only explore fascinating materials produced by a community of powerful writers, but also cultivate the practices required for engaging with these communities with an eye towards archives, power, and our relation to them.
This seminar will be of interest to graduate students, librarians, archivists, curators, and college and university faculty.
Relevant research areas: North America
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