Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Back to Opportunities

Printmaking in Scotland in the 18th Century

This conference will explore the rich world of printmaking and its development in Scotland in the 18th Century. While a good deal of research exists on printmaking in England there is very little on the relationships between artists, printmakers, publishers and collectors in Scotland.

Besides contributions on the work of individual artists, we seek in particular to explore the development of a market for prints. We invite papers on all aspects of the subject, but we are especially interested in contributions that will address the following questions:

- Who were the engravers and etchers, the teachers, publishers, dealers, collectors of prints and suppliers of materials?
- How was the print trade between Scotland, London and the continent supported?
- Were there printmakers working outside Edinburgh and Glasgow?
- Where could artists see the work of other printmakers?
- What kind of prints were they making: landscapes and prospects,
antiquities, portraits, satires, drawing manuals, book illustrations and book plates, trade cards?
- In what ways did prints contribute to the 'discovery' of Scotland, the Jacobite cause?

To submit a proposal for a 20-minute presentation, please send an abstract not exceeding 300 words and a one-page CV to: avg1@st-andrews.ac.uk

A selection of papers will be edited for publication by the conference organisers.

For further details, contact: Ann Gunn, School of Art History, University of St Andrews: avg1@st-andrews.ac.uk
Relevant research areas: Western Europe, 18th Century
[ssba]

Leave a Reply