Placing Prints: New Developments in the Study of Print, 1400-1800
On 12-13 February, The Courtauld Institute of Art will be hosting a two-day conference in collaboration with the journal Print Quarterly, entitled ‘Placing Prints: New Developments in the Study of Print, 1400-1800’.
We have a packed programme full of established and emerging scholars and the event will comprise of a series of panels dedicated to overarching themes, including Theory, Circulation, Colour, Appropriation and Adaptation, Print Processes, Reproduction, Ornament, Dedication and Audience, Market and Commerce and Use and Collecting. Antony Griffiths will be delivering an opening keynote lecture on ‘Changing Approaches to the History of Print’ and the conference will begin with a pop-up exhibition in the Courtauld Gallery’s Prints and Drawings Study Room, ‘Courtauld Prints: The Making of a Collection’.
The full programme and tickets to the event are available at: http://courtauld.ac.uk/event/placing-prints-new-developments-in-the-study-of-early-modern-print. Updates are also available via twitter @PlacingPrints.
We would be delighted if you could join us.
We have a packed programme full of established and emerging scholars and the event will comprise of a series of panels dedicated to overarching themes, including Theory, Circulation, Colour, Appropriation and Adaptation, Print Processes, Reproduction, Ornament, Dedication and Audience, Market and Commerce and Use and Collecting. Antony Griffiths will be delivering an opening keynote lecture on ‘Changing Approaches to the History of Print’ and the conference will begin with a pop-up exhibition in the Courtauld Gallery’s Prints and Drawings Study Room, ‘Courtauld Prints: The Making of a Collection’.
The full programme and tickets to the event are available at: http://courtauld.ac.uk/event/placing-prints-new-developments-in-the-study-of-early-modern-print. Updates are also available via twitter @PlacingPrints.
We would be delighted if you could join us.
Relevant research areas: North America, South America, Western Europe, Eastern Europe, South Asia, Renassiance, Baroque, 18th Century, Book arts, Engraving, Etching, Letterpress, Relief printing
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