Knifework. Traces on the Artist’s Block (Oxford, 2 Oct 2019)
This one-day symposium will explore aspects of modern woodblock printmaking in East Asia, with a special focus on connections between China and Japan. From the role of the sōsaku hanga 'creative print' movement as one of the foundations of the New Woodcut Movement under Lu Xun, to the woodblock prints of Kitaoka Fumio, as well as contemporary printmaking practice.
SYMPOSIUM PROGRAM
Session Chair: Dr. Paul Bevan
13.45-14.15
Reinventions: Wartime Prints and the Art of New China
Mary Ginsberg, Independent researcher
14.15- 14.45
Kitaoka Fumio’s Repatriate
Dr. Clare Pollard, Ashmolean Museum
14.45 –14.55 Questions
COFFEE BREAK
15.15-15.45
Contemporary Responses to a Traditional Craft
Ralph Kiggell, Artist
15.45-16.15
Naoko Matsubara: A Life with Wood, Ink, and Paper
Lauren Moya Ford, Artist and Writer
16.15 – 16.45
The Dao of Making: Exploring Techniques of Contemporary Chinese Woodblock Printmaking, with Examples from the Collection of the Ashmolean Museum
Dr. Weimin He, Artist
16.45 – 17.00 Questions
[ssba]
SYMPOSIUM PROGRAM
Session Chair: Dr. Paul Bevan
13.45-14.15
Reinventions: Wartime Prints and the Art of New China
Mary Ginsberg, Independent researcher
14.15- 14.45
Kitaoka Fumio’s Repatriate
Dr. Clare Pollard, Ashmolean Museum
14.45 –14.55 Questions
COFFEE BREAK
15.15-15.45
Contemporary Responses to a Traditional Craft
Ralph Kiggell, Artist
15.45-16.15
Naoko Matsubara: A Life with Wood, Ink, and Paper
Lauren Moya Ford, Artist and Writer
16.15 – 16.45
The Dao of Making: Exploring Techniques of Contemporary Chinese Woodblock Printmaking, with Examples from the Collection of the Ashmolean Museum
Dr. Weimin He, Artist
16.45 – 17.00 Questions
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