Diesseits und Jenseits von Reproduktion. Druckgrafik und der Kanon der Europäischen Malerei./Beyond Reproductive Printmaking. Prints and the Canon of European Painting (ca. 1500 – 1810)
Registration deadline: September 8, 2017
Contact: beyond-reproduction-2017@gmx.de
For the lectures on 19th september we kindly ask for registration via email no later than 8th September 2017.
We would like to invite all interested guests to the public evening lecture of Dr. Rudolf Rieger in the print room of the Cabinet of Prints, Drawings and Photographs on 18th September 2017 at 6.30 pm.
Monday, 18.09.2017
6:30pm Public evening lecture in the study room of the Kupferstich-Cabinet
Dr. Rudolf Rieger (Bonn)
Adam von Bartsch (1757-1821) as a graphic artist: the reproduction of old masters' manuals between facsimile claims, normative presuppositions, and artistic interpretation
Tuesday, September 19, 2017, Hans-Nadler-Saal, Residenzschloss, Dresden
Session I: Collecting interpretive graphics in the course of time / Collecting Interpretative Prints - Now and Then
Session II: Translation and implementation / Translation and Technique
Session III: Mobile Motifs and Changes of Meaning
Session IV: Interpretation Graphs as Sources for the Recitative History of Art / Interpretative Prints as Sources for the History of Reception
Contact: beyond-reproduction-2017@gmx.de
For the lectures on 19th september we kindly ask for registration via email no later than 8th September 2017.
We would like to invite all interested guests to the public evening lecture of Dr. Rudolf Rieger in the print room of the Cabinet of Prints, Drawings and Photographs on 18th September 2017 at 6.30 pm.
Monday, 18.09.2017
6:30pm Public evening lecture in the study room of the Kupferstich-Cabinet
Dr. Rudolf Rieger (Bonn)
Adam von Bartsch (1757-1821) as a graphic artist: the reproduction of old masters' manuals between facsimile claims, normative presuppositions, and artistic interpretation
Tuesday, September 19, 2017, Hans-Nadler-Saal, Residenzschloss, Dresden
Session I: Collecting interpretive graphics in the course of time / Collecting Interpretative Prints - Now and Then
Session II: Translation and implementation / Translation and Technique
Session III: Mobile Motifs and Changes of Meaning
Session IV: Interpretation Graphs as Sources for the Recitative History of Art / Interpretative Prints as Sources for the History of Reception
Relevant research areas: Western Europe, Renassiance, Baroque, 18th Century, 19th Century, Engraving, Relief printing
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