Curatorial Assistant, Drawings and Prints
• Conducts daily collection gallery inspections and assists with follow-up arrangements in the event of damage, deterioration, etc.
• Performs the duties of exhibitions assistant, including research on subjects such as artists, periods, styles, etc., on specific works, on locations of works, on photograph sources, etc.
• Assists in arranging loans; catalog preparation; preparation of checklists, including compiling and typing; coordinating and scheduling work to be done within the Museum and without in such areas as conservation, photography, public information, matting and framing, construction, lighting, etc.
• Assists with the preparation and installation of wall labels. Conducts daily inspection of the works on view in temporary exhibitions and assists with necessary follow-up arrangements. Answers inquiries and conducts some gallery tours as necessary for visitors, etc.
• Researches and catalog the Museum Collection and Archives under senior staff supervision and answers related inquiries from the public and scholars.
• Assists in the operation of departmental study centers.
• Works with curatorial interns as assigned.
• Keeps informed of current activity in the area of departmental interests through gallery and museum visits, publications, etc. and conveys observations to the senior staff.
• Performs any other duties reasonably related to the functions described above.
Requirements:
• Master’s degree in art history strongly preferred with a particular expertise/exposure to art from the post-war period through to contemporary.
• Prior curatorial experience preferred.
• Superior research and writing skills and fluency in a foreign language preferred.
• Strong organizational skills and attention to detail.
• Working knowledge of MS Word, Excel, and other standard office procedures and equipment.
Reports to: Chief Curator
Note: Please include a cover letter. Applications without a cover letter will not be considered.
Please visit the 'External Link' for more information.
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