Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Back to News

CONF: Prints as Agents of Artistic Exchanges (Rome, 7-8 Apr 22)

Attraverso le stampe: scambi artistici tra Fiamminghi e Italiani nel XVI secolo/ Prints as Agents of Artistic Exchanges between Fiamminghi and Italiani in the 16th Century

PROGRAM

Thursday, April 7 2022

14.00 Sabine van Sprang (Academia Belgica): Welcome
Dominique Allart & Antonio Geremicca (Université de Liège): Introduction

Moderator: Sabine van Sprang
14.20 Joris Van Grieken (KBR, Royal Library of Belgium): Between Rome and Antwerp. Rome and the Rise of Professional Printmaking in the Low Countries, 1530-1550

14.50 Dominique Allart (Université de Liège): Once Again on the Triumph of Bacchus Engraved by Cornelis Bos, Its Sources and Reception

15.20 Discussion
15.40 Coffee Break

Moderator: Anna Cerboni Baiardi
16.10 Alessia Alberti (Milano, Castello Sforzesco, Raccolta delle stampe ‘A.
Bertarelli’): Il Sogno di Raffaello di Giorgio Ghisi tra Italia e Fiandre

16.40 Antonio Geremicca (Université de Liège): Tra Giorgio Ghisi e Hieronymus Cock. Sul fortuito successo anversese di Bronzino nell’incisione

17.10 Anne-Sophie Laruelle (Université de Liège): L’utilisation de modèles gravés dans les
tapisseries réalisées dans les anciens Pays-Bas au XVIe siècle. Etudes de cas

17.40 Discussion

Friday, April 8 2022

Moderator: Elena Rossoni
09.30 Laura Aldovini (Pavia, Musei Civici del Castello Visconteo): Tiziano, la xilografia e il Trionfo nei Paesi Bassi
10.00 Giorgio Marini (Ministero per i Beni e le Attività Culturali): Cornelis Cort, Titian, the Carraccis: Reproductive Printmaking as ‘Critical Interpretation’ of Venetian 16th Century Painting

10.30 Discussion
10.50 Coffee Break

Moderator: Giorgio Marini
11.20 Elena Rossoni (Pinacoteca Nazionale di Bologna): Due Crocifissioni a confronto: Jacob Bos, il milieu internazionale romano, e le reciproche influenze tra cultura italiana e fiamminga

11.50 Anna Cerboni Baiardi (Università degli Studi di Urbino ‘Carlo Bo’): Francesco Barocci e Cornelis Cort: un incontro decisivo

12.20 Discussion

12.40 Dominique Allart, Antonio Geremicca & Sabine van Sprang: Conclusion

Conception and Organization:
Prof. Dominique Allart (Université de Liège)
Dr. Antonio Geremicca (Université de Liège)
Dr. Sabine van Sprang (Academia Belgica)

Information and Registration:
D.Allart@uliege.be
antonio.geremicca@uliege.be
Relevant research areas: Western Europe, Renaissance
[ssba]

Leave a Reply