Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Back to Opportunities

CFP: Landscape through a Sociopolitical Lens: Representing the Environment in Northern Europe, ca. 1430-1785 (Historians of Netherlandish Art-sponsored Session at CAA, Chicago, 12–15 Feb 2020)

Scarcely a news cycle passes without discussion of national borders, climate change, natural disasters, and globalization. This discourse has prompted new questions about the visual representation of the physical environment, making this an apt moment to reassess the extraordinary production and consumption of painted, drawn, and printed landscapes in Northern Europe in the early modern period. This session seeks to complicate existing understandings of this material by focusing on its intrinsic but diverse sociopolitical content. How, for example, did pictorial tactics and conventions function as inscriptions of power, control, identity, and otherness? What was the role of these images in shaping contemporary conversations about social ecologies, about land ownership and labor? How has the vision of nature provided by Northern artists informed or shifted understandings of “space,” “nature,” and “environment?” Can we understand historiographical models—the advent of global art history, for example—as a product of the study of Northern landscape? How can we think of landscapes as agents that actively shaped the way in which individuals viewed and lived in the world? This session hopes to attend to the concept of “world,” integrating considerations of “the Northern landscape” with those of the landscape imagery produced by artists working in overseas territories, like the Dutch East Indies. We seek papers on all forms of landscape, including cityscapes, marine views, backgrounds of religious paintings, garden design, and city planning, produced in, or in connection with, the Northern Netherlands, Southern Netherlands, or Germany between the 15th and 18th centuries.

Session chairs: Joanna Sheers Seidenstein, Harvard Art Museums (joanna@seidenstein.com) and Sarah Walsh Mallory, Harvard University (sarahmallory@g.harvard.edu)

Proposals, which are due via email to the session chairs no later than July 23, 2019, must include the CAA proposal form and a short-form CV.

All session participants must be CAA and HNA members. Please note that a paper that has been published previously or presented at another scholarly conference may not be delivered at the CAA Annual Conference.

Please visit the 'External Link' below for more information, including submission guidelines (top of the page) and a link to the CAA proposal form.
Relevant research areas: Baroque, 18th Century, 19th Century, 20th Century
[ssba]

Leave a Reply