ment “Kunst für Alle” (Art for All), which the exhibition explains encouraged a discourse about authenticity and originality. The exhibition includes around 240 works by over 40 artists.

rawing ‘en plein air’ and the ability to go back to various ‘layers’ of his drawing process. The series consists of twenty-four images at 94 x 71 cm along with five very large prints mounted on Dibond at 235 x 178 cm.

and lacquerware from the Jan Dees and René van der Star Collection and posters on loan from the National Museum of Modern Art in Tokyo.

asing her experimentation with new media and materials including bronze, marble, slate and printmaking.

The exhibition offers a unique opportunity to see three of Hepworth’s major series of prints alongside the sculptures to which they relate, rarely lent from the gallery located in the birthplace of the world-famous sculptor. In 1969, Hepworth made her first major suite of prints, "Twelve Lithographs," which examined forms in her three dimensional work. She went on to make two further print suites "Opposing Forms" (1970) and "The Aegean Suite" (1971). All three will be shown here together.

etchings by the Dutch Master, Rembrandt van Rijn. In addition, the exhibition features 18 printed works of their contemporaries, including Hendrick Goudt, Lucas van Leyden, Aegidius Sadeler, and a rare engraving by Lucas Cranach.

a, Picasso, R. Crumb. It includes a variety of print types, including woodblock, engraving, etching, and aquatint, as well as pen and ink drawings. More than 400 artworks introduce visitors to revered historical artists, while connecting their work to the innovations of modernism and today’s thriving culture of graphic novels and comics.

10)—accompanied by single works that underline Walker's employment of Antebellum and Reconstruction-era imagery and themes.

The works on view include several of Walker's large-scale print series, cut-steel sculptures, a mural, and a video installation, displaying the range of approaches the artist has taken to exploring the legacy of slavery and its impact on contemporary American identity. Her use of antiquated media such as cut-paper silhouettes, 8mm film, and 19th-century printmaking, augments the breadth of the works on view.

, and photographs which spans the history of the graphic arts from the fifteenth century through the early twentieth century. Greatly enhanced from the previous study room with abundant natural light and double the space, the new study center provides state-of-the-art storage and broader access to the collection for researchers, scholars, students, and the general public. Visitors will be able to schedule appointments, or drop in during public hours, to request to see specific works of art.

A gallery dedicated to the exhibition of works on paper is adjacent to the study center. The gallery’s inaugural exhibition, Photography and Discovery, will be selected from the Clark’s growing collection of photographs and highlights more than forty works by American and European photographers.

brary’s new Steven S. Koblik Education and
Visitor Center in San Marino, California, will be the main venue.

Conference program and registration:
https://printinghistory.org/2016-conference/

Our Southern California wizards have put together what promises to be a
spellbinding program: a keynote featuring the book-collecting
sleight-of-hand artist Ricky Jay, enchanting tours, a wonder-full book
fair, and captivating presentations that explore printing history through
the lens of magic, mysticism, secrecy, spiritualism, animism and alchemy.

Space is limited and you are encouraged to register and reserve tours and
accommodations early to avoid disappointment.

We hope to see you in October!

usan York and Jonathan Seliger; as well as the debut of new lithographs by SCUBA, the playful Santa Fe-based, artist-duo. In the workshop, Tamarind Master Printer Brandon Gunn will conduct two demonstrations of the “rainbow roll” process. And, if that’s not enough, concoct your own refreshing “rainbow blend” of cool-aid in our sunny courtyard. Families and individuals are invited to attend part or all of the festivities. A full schedule of events is available at tamarind.unm.edu.

Meet Santa Fe-based, artist-duo Sandra Wang and Crockett Bodelson of SCUBA. Tamarind became interested in SCUBA during their Ice Shelf tour, in which they drove a solar-powered and biodiesel-capable mobile gallery across the country. More recently SCUBA contributed to the epic playground installation known as Meow Wolf in Santa Fe, the work of an artist collective that grew to 135 artists. Works by SCUBA have been exhibited worldwide, and in Santa Fe at institutions such as James Kelly Contemporary, Center for Contemporary Arts, and SITE Santa Fe.

Tamarind will release new editions by SCUBA, a series of prints incorporating hand-colored collage elements. The new prints forge a traditional medium with their uniquely playful approach, bringing another layer of complexity to the already multifaceted collaborative. SCUBA will talk about these new works from 5 to 5:30 at Tamarind on July 16.

Tamarind Master Printer Brandon Gunn demonstrates the blend roll process, also known as the "rainbow roll," in which multiple colors are applied to the roller, and transferred onto a single matrix. The demonstration will take place at 4:30 and 5:30.

Tamarind Institute is an internationally recognized fine art lithography workshop affiliated with the College of Fine Arts of the University of New Mexico. Tamarind is dedicated to the preservation and promotion of lithography through education, research, exhibitions, and artist residencies, and is credited with expanding the accessibility to and popularity of printmaking among contemporary artists around the world. Tamarind frequently sponsors programs with diverse populations, locally and internationally, benefitting University, Albuquerque, and New Mexico constituencies. For more information, call 505-277-3901, or email tamarind@unm.edu.