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vidence and a family farm in North Dakota, painting and drawing familiar forests, meadows, and river banks. Her fascination with landscape has taken her to Giverny to paint Monet's gardens, and to Japan to study formal gardens. At Tamarind, she will expand her landscape arsenal to include the high desert of New Mexico.

Francisco, Noble is widely known as a mural painter, but he's also an accomplished printmaker. His references draw upon a broad swath of art history and comic books, ranging from William Blake to Marvel comics, bringing animated and futuristic imagery to his works on paper and wall murals.

line.

Lines of Inquiry: Learning from Rembrandt's Etchings" at the Allen Memorial Art Museum in Oberlin, Ohio. Rembrandt was a printmaker and painter of the 17th century, but his choice of subjects and thematic presentation allied him more with earlier Renaissance art. Scallen examines this retrospective side of Rembrandt’s art and offers possible motivations—centering on his personal ambition as an artist. The program will be followed by a reception; galleries remain open until 7:30 p.m.

ng in China around AD 600, through to the invention of woodcuts printed on paper and the printing press in Germany in the 15th century, the print medium has been used around the world to disseminate ideas and knowledge. Ceramic artists across time and cultures have adapted these graphic sources as painted or transfer-printed images applied onto glazed or unglazed surfaces to express issues including piety, propaganda, self-promotion, gender, national and regional identities.

This study day is open to all, and will draw on the over 500,000 records catalogued by the Prints and Drawing department, which can be searched on the British Museum’s collection online.

gs and prints by the artist will be on display, ranging from radically expressive woodcuts from the late 1950s and early 1960s through to trial proofs of his large-scale format, lyrically sensitive colour etchings from recent years.

At the same time, this small show once more pays tribute to our long-time supporter Franz, Duke of Bavaria. He is one of the earliest collectors of Georg Baselitz and remains close to the artist. It is only thanks to the generous gifts from Franz, Duke of Bavaria that the Graphische Sammlung’s selection of graphic works by Georg Baselitz is so rich. It is thanks to his on-going enthusiasm for the constantly evolving work of this artist and his generous patronage, that the ensemble of works in our collection continues to be supplemented and expanded.

ycle on view this semester present the artist’s unique blend of romanticism and symbolism. A master of aquatint and etching, the cycle attests to the artist’s extraordinary facility with intaglio printing. Curated by Claire Whitner, Assistant Director of Curatorial Affairs/Senior Curator of Collections.

d forms of social activity. Jasper Bernes will give a keynote lecture at 5:30 at the Block Museum.

Trienens Forum, 1515 Kresge Hall
1800 Campus Drive, Evanston, IL 60208

Introduction (9:30 – 10:00)
Laurel Garber and Brian Leahy, Northwestern University

First session (10:00 – 11:30)
Rajarshi Sengupta, University of British Columbia
"Workshops as Intermediaries: Dyed Textile Making and Early Modern Knowledge Transmissions"

Natalia Lauricella, University of Southern California
"Maurice Denis and Auguste Clot: Collaboration in Color Lithography in Fin-de-Siècle France"

J. Dakota Brown, Northwestern University
"Graphic Design in the 1990s: Deindustrialization and the Death of the Author"

Second Session (1:00 – 2:30)
Mallorie Chase, University of California, Santa Barbara
"Ceramics, Slavery, and the Bairro Mocambo in Early Modern Lisbon"

Pollyanna Rhee, Columbia University
"Industrious and Imitative Art: Manufacturing Artistic Expertise in Nineteenth-century Britain"

Vyta Baselice, George Washington University
"Abstract Art and Concrete Labor: Material Explorations of Beverly Buchanan’s Tabby Works"

Session 3 (3:00 – 4:30)
Mostafa Heddaya, Princeton University
"Labor Relations: Mierle Laderman Ukeles and the Urban Crisis in New York"

Mia Kang, Yale University
"Work/Break: Precarity, Intimacy, and the Apparatus in Alvin Baltrop’s Piers Photographs"

Leah Pires, Columbia University
"Work for Yourself / Rework Anything: Aesthetic Services circa 1980"

Keynote Lecture (5:30, Pick-Laudati Auditorium, Block Museum)
Jasper Bernes, "The End of Participation: Art, Labor, Revolution”