Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Back to Opportunities

Bisymmetry Image Making Intaglio Print Folding Transfer Method

Bisymmetry images are everywhere. Aesthetically pleasing proportionality with balance that reflects beauty and perfection. We look at them and interact with the familiar harmonious compositions everyday. At this workshop, we are going to explore and make many symmetric compositions through copper Intaglio process through print folding transfer on Japanese paper and collages.

Program

Day One:

We will make intaglio plate with copper plate 30cmm x 22cm

Hard Ground line Etching with Ferric Chloride

Day Two:

Print on Kitakata Gampi paper

Day three:

Reground the plate and draw more then etch the plate again

Day Four:

Print on Kitakata Gampi paper

Day Five:

Collage the printed Gampi paper on white rag paper equivalent to (Rives BFK white 250gsm) Stretched on a plywood board with gum tape.

Additional watercolor to enhance the final touch

Relevant research areas: Western Europe, Contemporary, Etching
[ssba]

Leave a Reply