CFP: APS Printmaking Workshop for Early-Career Curators and Scholars

(New Mexico, MAY 23-27, 2022)

The Association of Print Scholars (APS) is currently accepting applications for the first of two intensive, hands-on printmaking workshops for emerging scholars and curators funded by The Paper Project: Prints and Drawings Curatorship in the 21st Century, an international initiative of the Getty Foundation that supports training and professional development for early- and mid-career curators of prints and drawings.

Based in New Mexico, this five-day workshop will be dedicated to planographic techniques (lithography and monotype) and will be hosted at the renowned Tamarind Institute and the University of New Mexico Art Museum in Albuquerque and 10 Grand Press in Santa Fe. 

A thorough comprehension of various printmaking methods is critical to producing scholarship and exhibitions on these media. Yet, many early-career print curators lack such practical experience as they embark upon their careers due to competing professional and academic demands that make it difficult to enroll in a semester-long printmaking course. Because the intricacies of printmaking are often difficult to grasp from text alone, APS hopes this workshop will provide invaluable ​technical and material knowledge of the medium that will not only contribute to, but also enhance, a print curator’s and scholar’s understanding of a work’s content, intention, and aesthetic. Our aim is also to ​prepare participants to better communicate these complex techniques in an accessible language to a general audience and contribute new personal insights to the field.

Ten early-career curators and scholars will be selected to participate in the workshop. Designed as an intensive program, the first two days will consist of hands-on work in lithography at the Tamarind Institute. The third and fourth days will be dedicated to studio work in monotype at 10 Grand Press. The final day will consist of a tour of the works on paper collection at the University of New Mexico Museum of Art.

Applications to the workshop are open to candidates who have a graduate degree (or equivalent experience), which must have been awarded within 10 years. Preference will be given to early-career curatorial professionals (curators, curatorial or research assistants/associates, postdoctoral fellows), although advanced graduate students and independent scholars with a demonstrated interest in printmaking and curatorial practice will also be considered. 

Travel, accommodation, and meal expenses will be fully covered by APS and the Getty Foundation.

To apply, please submit the following documents via an online form:

All application materials are due by November 6, 2021.

​Important notice regarding COVID-19: The health and safety of our ​workshop attendees is our top priority. In accordance with ​local state law requirements, all those attending the ​workshop must be fully vaccinated, and guests will be required to share proof of vaccination and photo identification prior to the start of the workshop. ​Face coverings will also be required​ in all indoor public spaces​. We are monitoring the situation closely and expect to provide additional health and safety protocols closer to the event. Thank you for your cooperation.


About the Association of Print Scholars

The Association of Print Scholars is a non-profit organization that encourages innovative and interdisciplinary methodological approaches to the history of printmaking. By maintaining an active website, sponsoring working groups, and hosting periodic symposia and lectures, APS facilitates dialogue and community among its members and promotes the dissemination of their ideas and scholarship. APS supports research grants and sponsors projects in the digital humanities that advance knowledge of printmaking. Membership is open to anyone whose research focuses on printmaking across all geographic regions and chronological periods.

About the Getty Foundation 

The Getty Foundation fulfills the philanthropic mission of the Getty Trust by supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts in Los Angeles and throughout the world. Through strategic grants initiatives, it strengthens art history as a global discipline, promotes the interdisciplinary practice of conservation, increases access to museum and archival collections, and develops current and future leaders in the visual arts.  The Getty Foundation carries out its work in collaboration with the other Getty Programs to ensure that they individually and collectively achieve maximum effect.

This workshop is sponsored by a generous grant from the Getty Foundation.