Your search for "Lithography" turned up the following results.
202 in Members
Deidre BrolloElyse Driscoll
Erin Quirk
Ian Herbertson
Sarah Kennel
Grainne McMenamin
Akemi May
Erin Duncan-O'Neill
Alan Platt
Wuon-Gean Ho
India Young
Benjamin Weiss
Sarah Lund
Ann Cannon
Hildegard Homburger
Fu Bin
Aleksander Wozniak
Marco Polo Juarez Cruz
Deniz Martinez
Meghan Melvin
Anna Welch
Taylor Ernst
Norwood Creech
Ivana Gagić Kičinbači
Talitha Maria G. Schepers
Silvia Dolinko
Thomas Richard Broker
Jenny MacLeod
Alexandra Kocsis
Zeina Maasri
Rachel Skokowski
Katherine Goertz
Lauren Warner
Kathy Aoki
William Rhoads
Suzanne Bailey
Maria Aresin
Randy Garber
Niccolò D'Agati
Nicole Pietrantoni
Grant Mandarino
Nora Rosengarten
Serena Smith
Kim Raymont
Sarah Bilotta
Claudia Echinger-Maurach
David G. Christie
Martha Mahard
Marie Gasper-Hulvat
Patricia Mainardi
Karen L. Carter
Carl Fuldner
Stephanie Su
Anatole Upart
Gemma Sharpe
Anastasia Belyaeva
ARVON WELLEN
Courtney Wilder
Cyntia Karnes
Krystle Farrugia
Jelena Sredanović
Nicholas JS Knowles
Mei Sheong Wong
Paul Coldwell
Sarah Schaefer
Mel Becker Solomon
Angela Griffith
Paloma Barhaugh-Bordas
Steven Daiber
Allan Edmunds
Katherine Rhodes Fields
Gordon Cooke
Trisha Gupta
georgie gerrish
Johnny Plastini
Adrienne Fast
Margherita Clavarino
Karen Gallagher-Iverson
Stephen Goddard
Seth Daulton
Rachel Vogel
Vaibhav Singh
Paula Fayos-Perez
Sophie Bsotock
Kemille Moore
Bob Tomolillo
Alison Petretti
Nikki Otten
Katherine Brimberry
Theresa Moir Engelbrecht
Michela Gianfranceschi
Katy Barrett
Alexandra Letvin
Richard Taws
Joshua Brown
Angelina Lippert
Marie-Stephanie Delamaire
Roslyn Bakst Goldman
Mary Ikoniadou
david K Thompson
Shannon Connelly
Jared Ash
Charlotte Healy
Kristie Couser
Abigail Bainbridge
Michelle Donnelly
Sonja Kelley
Ricardo Chavez
Sherry S. Bell
Diana Gaston
Stuart Denenberg
Sarah Mirseyedi
Sharon Clarke
Aaron Slodounik
Julia Beaumont-Jones
Laureline Meizel
Sara Woodbury
Richard Waller
ROSALBA DINOIA
Sarah Bane
Selvihan Kilic Ates
Hilary Letwin
Matthew H. Fisk
Peter Clericuzio
Josh Pazda
Benjmain Levy
Ann Chernow
Andrew Horodysky
Mary Weaver Chapin
Scott Homolka
India Young
Sarah McMillan
Jennifer Roberts
James Wehn
Anne Verplanck
Jeffrey Dell
Yvonne ReesPagh
Daniel Lienau
Helen Burnham
Kathryn Brown
Harris Schrank
Harry Laughland
Lisa Thornell
Jan Johnson
Lee Hallman
Kathryn Fields
Claudia Worthington Hess
Meghan Ferguson
Dorothy Price
Jillian Kruse
Marilyn Kushner
Evelyn Lincoln
Joni Moisant Weyl
Susan Tallman
Anne Bloemacher
Leslie Cozzi
Elizabeth M. Rudy
Julie Warchol
Katharine Larson
Henry Klein
Sarah Pike
Marieke Jooren
Allison Wucher
Elizabeth Tomos
Alexa A. Greist
Margaret Holben Ellis
Erin Sullivan Maynes
Elisa German
Fleur Roos Rosa de Carvalho
Stephanie Hackett
Erika Piola
Susanne Anderson-Riedel
Sienna Brown
Zach Fitchner
Jenn Law
Grayson Van Beuren
Allison Morehead
Shannon Vittoria
Caitlin Dalton
Rémi Mathis
Peter S Briggs
Laurence Schmidlin
Amy Hughes
Jennifer Noonan
Christian Rümelin
Rebecca Capua
Allison Stagg
Kit Smyth Basquin
Amy Torbert
Corine McHugh
Brooks Rich
Max Koss
Nadine Orenstein
Kristine Ronan
Maureen Warren
Shelley Langdale
Jeannie Kenmotsu
Galina Mardilovich
Allison Rudnick
Sarita Zaleha
Britany Salsbury
Christina Weyl
10 in News
Ink, Paper, Stone: Six Women Artists and the Language of LithographyGeorge Bellows: Sport, Leisure, and Lithography
Chromolithography Crowdsourcing
The Lawrence Lithography Workshop: 40 Years in Prints
The Early Years of Lithography
George Miller and American Lithography
International Lithography Days Künstlerhaus Munich
Set in Stone: Lithography in Paris, 1815-1900
Announcing the recipient of the 2022 APS Publication Grant
Announcing 2019 APS / CAA Panel “Coloring Print: Reproducing Race Through Material, Process, and Language” (New York, 13-16 Feb 2019)
International Lithography Days Künstlerhaus Munich
Set in Stone: Lithography in Paris, 1815-1900
Announcing the recipient of the 2022 APS Publication Grant
Announcing 2019 APS / CAA Panel “Coloring Print: Reproducing Race Through Material, Process, and Language” (New York, 13-16 Feb 2019)
52 in Scholarship
The Circulating Lifeblood of Ideas: Leo Steinberg’s Library of PrintsDoubled Abstraction: Ruth Asawa’s Stamp and Its Afterlife
‘It all Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
Translating the Hand into Print: Johann Neudörffer’s Etched Writing Manual
Paint and Print in Motion: Karl Bodmer’s Atlas
The Scottish Origins of Mary Nimmo Moran’s American Landscapes
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
The Postcard Dialogues. Mélanges en l’honneur de Dario Gamboni
‘Which Etching Only Can Interpret’: Process and Privacy in Albert Besnard’s La Femme
The Artist as Soldier: Howard Cook’s Self-Portrait in a Foxhole
Newly Discovered Wierix prints for Plantin’s books of hours
Illustrating Books with Engravings: Plantin’s Working Practices Revealed
Royal Books of Hours with Local and International Appeal: an Examination of Jan Moretus’s 1600/1601 and 1609 Editions of the Officium Beatae Mariae Virginis
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Publishing and Selling Jeronimo Nadal’s trend-setting Evangelicae historiae imagines and Adnotationes et meditationes in evangelia: Dealings with the Moretuses, 1595-1645
Painting Print: N. C. Wyeth’s Illustrations for The Last of the Mohicans
La Spatialisation du dessin dans l’art américain des années 1960 et 1970
Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance (forthcoming)
Sterne’s Manicules: Hands, Handwriting and Authorial Property in Tristram Shandy
Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Delacroix’s Caricatures and Copies after Goya
Matisse’s Poets: Critical Performance in the Artist’s Book
Explore Gauguin’s Alchemy
‘Russkie Akvafortisty’: The Society of Russian Etchers and Early Artistic Organisation in the Russian Art World, 1871-1875
Intimacy and Exclusion: Degas’s Illustrations for Ludovic Halévy’s La Famille Cardial
Jean-Pierre Kaiser. Météores et phénomènes. L’œuvre gravé/Jean-Pierre Kaiser. Himmlische Phänomene. Das druckgrafische Werk
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
David Hockney’s Early Etchings: Going Transatlantic and Being British
Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art
For Art’s Sake: The Aesthetic Movement in Print & Beyond, 1870-1890
A Princely Education through Print: Stefano della Bella’s 1644 Jeux de Cartes Etched for Louis XIV
Res Papirea: Mantegna’s Paper Things
Amsterdam’s Atlantic: Print Culture and the Making of Dutch Brazil
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Les Ventes publiques d’estampes à Paris sous la Troisième République. Répertoire des catalogues (1870-1914)
A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948
Funny Business: Consumerism, Humor, and Critique in the ‘Grafik des Kapitalistischen Realismus’
The market for woodcuts in the 16th century: Albrecht Durer’s ‘Life of the Virgin’
‘Through One’s Own Fingertips’?: Haptic Perception in the Art and Thinking of Josef and Anni Albers
Domestic and Wild: Peter Moran’s Images of America.
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Emily Kelley Moran: Philadelphia’s Ground-Breaking Female Painter-Etcher.
Jacopo Amigoni (1682-1752) e l’iconografia dei ‘putti giocosi’: il dipinto con l’Allegoria della Muisca’ e il suo pendant ritrovato
Rembrandt’s Changing Impressions
The painter as illustrator: livres d’artistes in the collection of the Van Gogh Museum
Octave Uzanne : sa revue L’Art et l’Idée en 1892
Georges Pochet (1843-1901), collectionneur de dessins et d’estampes modernes
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
THE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
La Société pour l’Etude de la Gravure Française (1911-1914)
The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum
William Hogarth’s Four Stages of Cruelty and Moral Blindness
New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale speciale Constantiense (1505)
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600
‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)
A Printed Icon in Early Modern italy: Forlì’s Madonna of the Fire
L’Estampe Originale: A Rare Print Portfolio Now Online
Lynd Ward’s Novels in Woodcuts: The Cinematic Subtext
21 in Opportunities
Bibliographical Society of America’s New Scholars ProgramTHE PRINT CENTER’S 97TH ANNUAL INTERNATIONAL COMPETITION CALL FOR ENTRIES
Studio Workspace Residency: Women’s Studio Workshop
CFP: «Grafica d’arte». Rivista di storia dell’incisione e del disegno. (Issues for 2020)
Studio Residency at Women’s Studio Workshop
Art in Print’s Prix de Print
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
STUDIO RESIDENCY GRANT: WOMEN’S STUDIO WORKSHOP
WKSHP: Rembrandt’s European Papers (The Hague, 24-26 Oct 18)
‘On Paper’ Printmaking Award
CFP: Renaissance Skin Workshop – ‘Uncovering the Animal: Skin, Fur, Feathers 1450-1700 (London, 29 Jun 18)
“Artists’ Publishing Practices: From the Studio to the Library (and back again),” Bibliotheque Kandinsky’s Summer University (Paris, 2-13 Jul 18)
39th Annual ‘Art on Paper’ National Juried Competition, Maryland Federation of Art
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
Bibliothèque de l’Arsenal
CFP: The Anatomy of Inscription (Special Issue of ‘Humanities’)
CFP: Grafica d’Arte, Issues for 2018
Research travel grant for Yale’s Cushing/Whitney Medical Historical Library
CFP: Seeking submissions for special Issue – ‘Radical American Periodicals’
Reader’s Art: Control/Alt/Shift
CFP: Modern and Contemporary Print Collecting: Fine Art and Ephemera, Conference session at Creating Markets, Collecting Art, Christie’s, King Street, London, July 14-15, 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
Preparatory drawing, proof print & counterproof – the artist’s graphic material, 3rd Swiss congress for Art History
Free Library of Philadelphia Print and Picture Collection’s PIX Open Call for juried two-person exhibitions
Call for Proposals: Session on Printmaking for CAA’s Annual Conference in 2016
2 in the Print Room Directory
Musée d’art et d’histoireBibliothèque de l’Arsenal