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Book Chapter
Posted: 08/29/2016
Helena E. Wright.
"A National Audience for Prints: The Smithsonian’s Special Exhibition Program, 1923-1948."
In
North American Prints, 1913-1947: An Examination at Century's End, edited by Tatham, David.
Syracuse, NY:
Syracuse University Press,
2006: 26-59.
Book Chapter
Posted: 08/29/2016
Helena E. Wright.
"Some French and American Lithographs at the Smithsonian: A Retrospective View."
In
With a French Accent: American Lithography to 1860, edited by Barnhill, George B..
Worcester, MA:
American Antiquarian Society,
2012: 83-96.
Book Chapter
Posted: 08/10/2016
Simon Turner.
"‘Sandrart’s Life of Wallerant Vaillant and the Early History of Mezzotint Printmaking’."
In
Die Künstler der Teutschen Academie von Joachim von Sandrart. Aus aller Herren Länder, edited by S. Meurer, A. Schreurs-Morét and L. Simonato.
Turnhout:
Brepols,
2015: 299-309.
Book Chapter
Posted: 05/15/2016
Jun Nakamura.
"On Hercules Segers’s ‘Printed Paintings’."
In
Printing Colour 1400–1700: Histories, Techniques, Functions and Receptions, edited by Ad Stijnman and Elizabeth Savage.
Leiden:
Brill,
2015: 189-195.
Book Chapter
Posted: 03/10/2016
Maureen Warren.
"Fame’s Two Trumpets: Portrait Prints and Politics in Early Modern Europe."
In
Van Dyck, Rembrandt, and the Portrait Print.
New Haven:
Yale University Press,
2016: 72-85.
Book Chapter
Posted: 02/27/2016
Kathryn Brown.
"Enacting Beauty: Baudelaire, Matisse, and Les Fleurs du mal.."
In The Art Book Tradition in Twentieth-Century Europe: Picturing Language, edited by Kathryn Brown.
Farnham:
Ashgate,
2013: 31–44.
Book Chapter
Posted: 09/15/2015
Simon Turner.
"‘I will not alter an Iota for any Mans Opinion upon Earth’: James Gillrayʼs Portraits of William Pitt the Younger."
In
Burning Bright: Essays in Honour of David Bindman, edited by Diana Dethloff, Tessa Murdoch and Kim Sloan, with Caroline Elam.
London:
UCL Press,
2015: 197-206.
Book Chapter
Posted: 09/08/2015
Christina Weyl.
"Emily Mason: A Painterly Printmaker."
In
Emily Mason: The Light in Spring.
Lebanon, NH:
University Press of New England,
2015: 92-99.
This essay contribution to a new monograph about Emily Mason (b. 1932) provides an overview of the artist's inventive and unorthodox prints made throughout the last 25 years. Mason is known for breaking the established "rules" of printmaking by reimagining innovative applications of existing methods. Further distancing herself from printmaking’s conventions, Mason rarely produces editions, but instead pursues what she calls “unique states,” allowing her to explore a multitude of effects. The catalogue is richly illustrated with over 100 color plates.
Book Chapter
Posted: 06/09/2015
Ad Stijnman.
"Frankfurt Black : tryginon appelantes, faex vini arefacta et cocta in fornace."
In
Trade in Artists’ Materials: Markets and Commerce in Europe to 1700, edited by Jo Kirby, Susie Nash and Joanna Cannon.
London:
Archetype,
2010: 415-425 .
Book Chapter
Posted: 06/09/2015
Ad Stijnman, Ulla Knuutinen
.
"Analysing intaglio printing ink."
In
Choices in conservation : practice versus research. Proceedings of the interim meeting of the ICOM-CC working group Graphic Documents.
Copenhagen:
Royal Library,
2010: 89-93 .
