Book or Exhibition Catalog Posted: 04/16/2016

Domestic and Wild: Peter Moran’s Images of America.

David G. Wright. Domestic and Wild: Peter Moran’s Images of America.. Baltimore: Creo Press, distributed by the Philadelphia Sketch Club, Philadelphia., 2010.
Two volume work on the life, art, and prints of Peter Moran (1841-1914),
Relevant research areas: North America, 19th Century, Book arts, Etching, Lithography, Monoprinting
Article Posted: 06/09/2015

Stradanus’ printshop

Ad Stijnman. "Stradanus’ printshop." Print Quarterly 27 (2010), no. 1 (March 2010): 11-29.
The article discusses what is shown on the print after Johannes Stradanus's design of the interior of an intaglio printshop that has been on the cover of Print Quarterly ever since its first issue in 1984.
Relevant research areas: Western Europe, Renassiance, Engraving, Etching
Book Chapter Posted: 06/09/2015

Frankfurt Black : tryginon appelantes, faex vini arefacta et cocta in fornace

Ad Stijnman. "Frankfurt Black : tryginon appelantes, faex vini arefacta et cocta in fornace." In Trade in Artists’ Materials: Markets and Commerce in Europe to 1700, edited by Jo Kirby, Susie Nash and Joanna Cannon. London: Archetype, 2010: 415-425 .
Relevant research areas: Western Europe, Renassiance, Baroque, 18th Century, 19th Century, 20th Century, Engraving, Etching
Book Chapter Posted: 06/09/2015

Analysing intaglio printing ink

Ad Stijnman, Ulla Knuutinen. "Analysing intaglio printing ink." In Choices in conservation : practice versus research. Proceedings of the interim meeting of the ICOM-CC working group Graphic Documents. Copenhagen: Royal Library, 2010: 89-93 .
Relevant research areas: Western Europe, Contemporary, Engraving, Etching
Book or Exhibition Catalog Posted: 05/12/2015

Mysterious in Form and Nature: Depicting the Weather in Early Modern Engravings

Maureen Warren. Mysterious in Form and Nature: Depicting the Weather in Early Modern Engravings. Evanston, IL: Northwestern University Press, 2010.
created for the "Engraving The Ephemeral" exhibition at the Mary and Leigh Block Museum of Art, Northwestern University, April 9-June 20, 2010, A companion exhibition to "The Brilliant Line: Following the Early Modern Engraver, 1480–1650"
Relevant research areas: Western Europe, Baroque, Engraving
External Link
Article Posted: 05/12/2015

William Hogarth’s Four Stages of Cruelty and Moral Blindness

Maureen Warren. "William Hogarth’s Four Stages of Cruelty and Moral Blindness." Athanor (July 2010): 17-27.
Relevant research areas: Western Europe, 18th Century, Engraving, Etching
Book or Exhibition Catalog Posted: 05/08/2015

Creativity and Reproduction: Nineteenth Century Engraving and the Academy

Susanne Anderson-Riedel. Creativity and Reproduction: Nineteenth Century Engraving and the Academy. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010.
"Creativity and Reproduction" discusses the role and status of graphic artists at the French academy, the Grand Prix de Rome for engravers, and their ensuing sojourn in Italy. The study demonstrates that the reformed academy in the early nineteenth century valued an interdisciplinary artistic education. Such training enabled artists to create original work that engaged with current aesthetic and cultural concepts.
Relevant research areas: Western Europe, 18th Century, 19th Century, Engraving, Etching, Lithography
Article Posted: 03/26/2020

Workshop Practices in Antwerp: The Galles

Karen L. Bowen. "Workshop Practices in Antwerp: The Galles." Print Quarterly 26, no. 2 (June 2009): 123-142.
Relevant research areas: Western Europe, Renaissance, Baroque, Book arts, Engraving, Letterpress
Book Chapter Posted: 10/19/2018

Multiplying the Sacred: The Fifteenth-Century Woodcut as Reproduction, Surrogate, Simulation

David S. Areford. "Multiplying the Sacred: The Fifteenth-Century Woodcut as Reproduction, Surrogate, Simulation." In The Woodcut in Fifteenth-Century Europe, edited by Peter Parshall. Washington, DC: National Gallery of Art, 2009: 119-153.
Relevant research areas: Western Europe, Medieval, Renaissance, Relief printing
External Link
Article Posted: 04/02/2016

Carlotta Amigoni, pittrice veneziana a Londra

Martina Manfredi. "Carlotta Amigoni, pittrice veneziana a Londra." Arte Veneta 66 (2009): 174-179.
Relevant research areas: Western Europe, 18th Century, Etching